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Sonate C

Marie-Hélène Siciliano : Mon Jardin Musical

Marie-Hélène Siciliano : Mon Jardin Musical

Eveil musical par le mouvement et la rythmiqueCe livre s'adresse à des enfants de 5 à 6 ans, de la première année d'éveil à un début de première année de Formation musicale à dominante sensorielle.Il réunit les acquisitions de base des classes d'éveil de conservatoires et d'écoles de musique aux programmes scolaires des maternelles.L'ouvrage se présente sous la forme de 13 séquences et de deux pages de jeux musicaux, le tout accompagné d'un CD.Une séquence est en anglais pour sensibiliser l'enfant à d'autres sonorités (sonorités musicales en langue anglaise).Chaque séquence reste évolutive en elle-même et ne correspond en aucun cas à une séance de cours de 45 minutes. Le professeur saura exploiter chacun des éléments de la séquence sans hâte et sans contrainte dans le temps.Chaque séquence comprend au préalable un travail dans l'espace qui est primordial (cf. livre du professeur). Les petites chansons seront abordées conjointement au travail dans l'espace.Chaque séquence sollicite et alliel'écoute et la reconnaissancel'imaginaire et la créativité de l'enfantLa rythmique et le mouvement par le corpsle chant et la mémorisationles jeux musicaux et le passage au crayon.De cette façon, l'enfant apprendra et vivra la musique de façon ludique et avec beaucoup de plaisir, ce qui reste avant tout le but de cet ouvrage.Nous vous proposons un échange pédagogique et, si vous le souhaitez, vous pouvez nous envoyer vos remarques et suggestions à l'adresse suivante zarco-siciliano@netcourrier.com ou encore aller visiter le site www.monjardinmusical.comJoëlle Zarco et Marie-Hélène SicilianoInstrument : éveil musical - Genre : méthode - études - Media : Partition + CD - Pages : 48

SEK 310.00
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David Blake: Scenes Cello Solo

David Blake: Scenes Cello Solo

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter.© David Blake

SEK 266.00
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Norgard P Two Nocturner Satb

Norgard P Two Nocturner Satb

To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title "Året", The Year); Michael's Night is based on an earlier, simple choral song (Star Mirror,1987), now for 12 voices and composed such that an original idea of "simultaneously displaced, opposite motions" cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: "Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of "the summer of life", which is asleep - while the "heaven seed" waits for the summer wind ("invisible to every mind"). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep, summer dream. "The second nocturne, Michael's Night, takes its name from the author Ib Michael, whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit, starlit night. With the titles I have chosen I have stressed the mythic layer of the text, the summer night not as a dream but as sensual reality. "The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003, out of gratitude for over a quarter of a century of inspiring collaboration".

SEK 245.00
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