The Real Book Play-Along Volume 1 S-Z 3cd Set

Play-along CDs are now available to accompany some of the most popular songs featured in the world-famous Real Books. Each volume features selections sorted alphabetically from the 6th edition. Instrumentalists can play-along with a real rhythm section professionally recorded for these products. Volume 1 S-Z includes 60 songs: Satin Doll, Sidewinder, So Nice (Summer Samba), So What, Solitude, Some Skunk Funk, Song for My Father, Stella by Starlight, A String of Pearls, The Surrey with the Fringe on Top, Take Five, Take the “A” Train, Thou Swell, Waltz for Debby, Wave, When I Fall in Love, Yesterdays, You're Nobody 'til Somebody Loves You and more.

Z-4383 : for Large Ensemble

The Simple Flute : From A - Z

Chaconne In G minor Z 730

Guns N' Roses Complete: Volume 2

The second half of this collection featuring Guns N' Roses' entire repertoire, transcribed for guitar tablature. Includes songs from M to Z.

Hail Bright Cecilia. Ode on St. Cecilia's Day 1692 : Z 328 - D major

Aspen Pittman: The Tube Amp Book

Deluxe Revised Edition. Already known as the bible of tubes and tube amps, The Tube Amp Book is now even better! This deluxe revised edition contains 40% new material, with a comprehensive A-Z section covering all the great tube amp manufacturers, with histories, photos and information. Brands include Ampeg, Dr. Z, Fender, Gibson, Hiwatt, Marshall, Matchless, Mesa/Boogie, Orange, Vox, Watkins and many others. Features a CD-ROM with 800 available schmatic and layout diagrams, from Ampeg to Western Electric, plus dramatically improved design and page layout. The book's technical tips, in-depth electronic specs and explanations, over 350 schematic diagrams, and full-color plates make it a must-have for the legions of tube-tone fanatics. Hardcover with convenient enclosed spiral binding.

Symphonies de Beethoven No. 3,5,6,7

Volume11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early versions it makes the piano versions of these symphonies by Beethoven available for study by performers and those engaged in music research.Similarly to the other NLE volumes already published, this volume comes cloth-bound (Z. 14506a) or hard-paper-bound (Z. 14506), the former as part of the Complete Edition, the latter as part of the series containing solo piano works. The preface to the series, the prefaces to the works contained in this volume (in German, English and Hungarian)and the facsimiles with which it is illustrated are to be found in both versions, the critical notes in English are included only in the cloth-bound version.Territorial restrictions may apply. Please ask before ordering.

Freie Bearbeitungen 12

The volume includes the famous 'Weinen, Klagen' variations, based on Bach's similarly-titled cantata and motifs from the 'Crucifixus' of his B minor Mass: a paraphrase of Gounod's 'Hymne a Ste Cécile', appearing here for the first time in print, 'A la Chapelle Sixtine', based on Allegri's 'Miserere' and Mozart's 'Ave verum Corpus' (the part based on a chorus from the 'Ave verum Corpus' can also be performed separately), the 'Rapsodie espagnole', a fantasia on themes from the incidental music to Beethoven's 'Die Ruinen von Athen', Liszt's transcription of the Pilgrims' Chorus from Richard Wagner's opera 'Tannhäuser', and 'Les adieux'. 'Reverie sur un motif de l'opéra Roméo etJuliette…'. The volume is available linen-bound (with critical notes, Z.12401A) and also in a cheaper, hard paperbound version that is adequate for practical purposes.

Aulos Volume I-II : Piano pieces for practising polyphony

Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.).