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Colors of Grace (New Edition) : Lessons for Lent

What Sweeter Music : A Cantata for Christmas

Die Entführung Aus Dem Serail : German singspiel in three acts

Mahalo Electric Ukulele Bass - Trans Brown With Padded Bag & Shoulder Straps

Concert Favorites Vol. 1 - Value Pak : 37 Part Books with Conductor Score and CD

Alpine Flowers' Party!

Alpine Flowers' Party!

Tidings of Joy : A Celtic Christmas Celebration

Tidings of Joy : A Celtic Christmas Celebration

Festival of Faith

Works For Male Choir - Equal Voices : Volume 2

Symphony No.3 In C Minor Op.78

Symphony No.3 In C Minor Op.78 - Organ

Mitt hjerte alltid vanker - Fantasi : Fantasy on My Heart remains in Wonder

The Wind in the Willows : (Based on the Children's Story by Kenneth Grahame)

The Wind in the Willows : (Based on the Children's Story by Kenneth Grahame)

“A book for those who keep the spirit of youth alive in them; of life, sunshine, running water, woodlands, dusty roads, winter firesides” said author Kenneth Grahame (1859-1932) about his children’s book The Wind in the Willows. Initially, he wrote the stories about Ratty, Mole, Badger and Toad to read to his visually handicapped son Alistair, but after the publication in book form in 1908, it became a worldwide success. It was later also turned into a film and a television series. What appealed ti the composer most is the friendly, very cosy atmosphere that Grahame has managed to create with his optimistic narrative style full of high spirits, an atmosphere that reminds thecomposer of his own carefree youth. It was therefore a great pleasure to set this book to music! The four movements successively describe:I) The River- The river, which flows through the habitat of the animals like a lifeline, regularly is the scene of pleasant boat trips and picnics. The animals lead their untroubled lives here. The four-tone main motif [A-C-D-C] is extensively presented by the brass section, and returns in the following movements as a countermelody. II) Ratty and Mole -The bright, energetic Rat and the melancholy doubter Mole are inseparable friends and have many adventures. Their opposite characters are illustrated by separate musical themes. III) Mister Toad - The wilful, haughty Mister Toad is indeed a unique case: time after time, he runs into tricky situations, and with his indomitable passion for fast - preferably stolen - cars he causes quite a lot of damage…IV) The Return of UlyssesAfter Toad Hall, the majestic residence of Mister Toad, is recovered from the weasels and stoats of the Wild Wood, who had captured the estate in a cowardly way, our friends get ready for a banquet. They celebrate the victory with a triumphant parade, and so both the book and the music conclude with a happy ending.

SEK 3269.00
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JS400 Electric Guitar - Vintage Yellow : Roasted Maple Fretboard

JS400 Electric Guitar - Vintage Yellow : Roasted Maple Fretboard

With a phenomenal spec sheet and build quality for the price, the Jet JS-400 S-Style electric guitar is here presented in Vintage Yellow with Roasted Maple Fretboard. Jet guitars are inspired by classic high end guitars, and they really do look and feel much more expensive than they actually are! The JS-400 is fitted with three ceramic magnet pickups in HSS configuration, resulting in a hugely versatile range of tones. The bone nut and Roasted Maple fretboard are usually unseen at this price, as are the upgraded 2-point trem system and sculpted plate-less neck heel. The Jet JS-400 Vintage Yellow is now available from Merchant City Music, online and in our Glasgow store. Controlled via volume / tone knobs and 5-way switch layout. The Jet JS-400 in Vintage Yellow is the ideal starter guitar, significantly outshooting its price bracket in terms of features and specs. It'll also appeal to seasoned guitarists and "tweakers" looking for an instrument to tinker with and mod at very little cost. A winner all around. Machine head    Chrome, Locking tuners Neck Canadian roasted maple Shape    Modern C Fretboard    Rosewood Radius    9.5″ Nut Width 1.65″ Nut    Bone Truss rod    Double action string Scale    25.5″ Number of frets 22 Body    Basswood with Burl poplar top Pickup HSS, Ceramic Bridge    Wilkinson Tremolo Controls 1V, 1T, 5 way switch Hardware    Chrome, Locking tuners Color Transparent brown    

SEK 2934.00
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Flight Peter Moss Signature Concert Ukulele

Flight Peter Moss Signature Concert Ukulele

If you haven’t yet heard Peter Moss play the ukulele, go and do that now! When you do, you will understand why we decided to collaborate with Peter and to create a one-of-a-kind ukulele! This ukulele reflects everything about Peter’s playing style – sophisticated, precise, warm and unique. Peter, who is a long-time player of our Flight Spirit Concert model, wanted to keep some of his favorite features of the Spirit like the scalloped cutaway, offset fret markers, active pickup and our famous Flight signature headstock.  He then wanted to combine these features with a classic wood combination that isn’t featured on any other Flight ukulele – spruce and mahogany!This combo combines the brightness and projection that you expect from spruce with the warmth and roundness of mahogany – offering the perfect balanced sound. To add to this timeless pairing, the moonburst stain gives this uke a really striking appearance. This ukulele is like an old classic with a modern twist, what more could you ask for?A classic gets a makeoverSolid African Mahogany paired with solid spruceWe paired a solid African Mahogany body with a solid Spruce top for a sound that is both traditional and modern. Mahogany is a warm and resonant sounding tonewood with a long heritage in the making of ukuleles. The mahogany body combined with a solid spruce top adds brightness and projection, providing a ukulele that is balanced, responsive, and chimes like a bell! Sophistication and styleUnique Moonburst StainSpruce, although a great sounding tonewood, can sometimes look quite plain so we decided to ‘spruce’ up the appearance of this ukulele with a dark burst. Imagine a sunburst in black and white and you have our ‘moonburst.’  The result is a classic look with a modern twist! Tasteful AppointmentsPearloid Rosette, position markers and white bindingThe gorgeous pearloid rosette and white binding tastefully finish off the sophisticated look of this ukulele and add a touch of luxury. The off-set fret markers are eye-catching and are easier to see when playing. Side position markers also add to the ease of reference. Beautiful rosewoodRosewood fretboard and bridgeLike many of our Royal Series from 2020 onwards, the Peter Moss model features a gorgeous chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies of an instrument.Beautiful rosewoodRosewood fretboard and bridgeLike many of our Royal Series from 2020 onwards, the Peter Moss model features a gorgeous chocolatey Rosewood fingerboard and bridge. Historically a very popular hardwood for fretted instruments, rosewood can add warmth to the sound of an instrument while lessening harsh higher frequencies of an instrument. Real temptationStylish cutawayThe scalloped cutaway that has been so popular with the Spirit, Mustang and Victoria models was also included in this model. This intelligent design allows for playing up the frets but without the compromise on volume and tone that many full cutaways inflict. It also showcases the absolute craftsmanship and mastery of our luthiers. Infinite sustainString-through bridgeThe string-through bridge is used on many of our Royal series ukuleles and is one of the latest ukulele trends. It makes the top resonate better, as the strings are attached directly through the soundboard, and not to the bridge. Changing the strings might seem a bit confusing at first, but actually it is easier – check our YouTube channel for a tutorial on how to change the strings if you are unsure how to do so. Strings ‘Worth’y of the instrumentWorth Brown strings as standardWorth Browns were an obvious choice for this ukulele as they perfectly match the tone and looks of the instrument: offering both a precise clarity with a warmth that is as balanced as the uke itself. Small yet mightyDouble C1U active pickupThe controls for the active pickup are mounted underneath the sound hole, meaning that a cavity does not have to be created on the side of the ukulele for the pickup.  The Double C1U is easy to use, and sounds great! The famous Flight headstockBold and strikingOur now famous signature headstock is bold and striking, infusing innovation into all the benefits of a slotted headstock. Its round, airy shape not only looks amazing, it also makes the headstock lighter than most. You will certainly be turning heads…and tuners..with this headstock. SpecificationsEvery tiny detail matters.BodyBody Shape: Concert (17 frets)Top: Solid SpruceBack & Side: Solid MahoganyBridge: RosewoodNeckNeck: MahoganyFretboard: RosewoodNut & Saddle: BoneNut Width: 36mmStrings: Worth BrownOtherOffset Position Markers: 3th, 5th, 7th, 10th, 12th and 15th frets.Premium Features: Offset position markers, Moonburst Stain, Scalloped cutaway, Rosewood fretboard, Unique headstock, String-through bridge, Worth stringsDeluxe 20mm ...

SEK 4405.00
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Fanfare and Chorale

Fanfare and Chorale

This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of “interpretation”. As Ravel says- “What is there to interpret?” Ray Farr

SEK 2650.00
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