Ink-Wash On Paper : Large Ensemble (7+ players)

Ink-wash on paper (2020) is a work for large orchestra by Britta Byström

Niels Viggo Bentzon: Symphony No. 8, Opus 113 (Score)

Composed in 1957. 2.2.2.2/4.3.3.1/timp.3perc/hp/str The scores can be rented: hire@ewh.dk

Pelle Gudmundsen-Holmgreen: Concerto Grosso (Score)

Solo Instrument(s: 2vn,va,vcOrchestration: 2.2.2(bcl).2(cbn)/4231/4perc/hp/2dbParts are for hire:hire@ewh.dk

Rued Langgaard: Symfoni nr. 1 "Klippepastoraler"

Symphony No.1 'Klippepastoraler'. Instrumentation: 3.3.3.3/8.3.4.1/2 timp/perc/2 hp/str (in 5th movement also: 3 trp, 3 trb + tuba off stage). BVN32

Nonetto Fl-Hb-Cl-Sax-Fg-Hp-Celesta-Pno-Batt.

Magnificat : Chamber Orch parts only - 1.1.0.0-1.1.0.0 + hp. + timp + 2 perc. + Str (13 players)

The Light in the Piazza : Choral Highlights

Adam Guettel's The Light in the Piazza has been described as “a shimmering pearl,” and with its soaring melodies and passionate, romantic lyrics, the Tony Award-winning musical richly deserves the accolades ithas received. This 11-minute medley features well-crafted vocal parts and the orchestration captures the magic of the original Broadway production. Ideal for high school and community choirs, it includes: The Beauty Is, TheLight in the Piazza, Passeggiata, Say It Somehow, Statues and Stories. Available separately: SATB, SAB, SSA, Chamber Orchestra score and parts (sc, fl, ob, eh, timp, perc, hp, str: 88442) and ShowTrax CD. Duration: ca. 11:30

Antonín Dvorák: Piano Concerto g minor op. 33

Written in one fell swoop and polished for ages: thus arose one of the most significant works of Czech piano music. Dvorák’s G-minor Piano Concerto was composed in barely two months in 1876 only to be refined for more than seven years before it finally appeared in print. As a result, Dvorák’s handwritten score abounds in changes and corrections. The 141-page autograph bears impressive witness to the work’s extraordinarily difficult gestation. Besides the original text, it contains annotations in lead, red and blue pencil as well as red ink, not to mention many passages hidden beneath pasted slips of paper. Until 1990 the score was owned by Dvorák’s heirs. At the instigation of thepianist András Schiff and with his generous financial support we can now present the first complete facsimile edition of this exhilarating document in a high-quality reproduction that uncannily resembles the original to the last jot. Readers are invited to track down and follow the stages in the work’s genesis. An ideal gift for the “Dvorák Centenary Year” in 2004 … and of course there after as well.