17 resultat (0,16108 sekunder)

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Luís Tinoco: Costa Muda (Soundless Coast)

Christopher Leedham: Möbius Sticks

Christopher Leedham: Möbius Sticks

Phillip Neil Martin: Human Drum

Evis Sammoutis: Particles (Parts)

Evis Sammoutis: Particles (Parts)

Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute), Violin and Cello. Μόρια – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble, in collaboration with the City of Milano, the Region of Lombardia, MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet, Energy for Life'. The composer decided to concentrate on exploring the notion of “Particles” (the smallest basic units of matter and energy), as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture, figure and gesture). To use an analogy, listening to this composition should feel like looking at a mosaic from an extremely short distance, one’s eyes almost touching the intrinsic small tiles that create the larger picture. From this alternative perspective, one begins to observe completely different patterns, which went unperceived as part of the greater picture, just as a closer look at a mosaic might reveal intricate bands of colour that would have been unnoticed from a greater distance. When this happens one can really appreciate the tiny details and nuances of the composition. Seen from afar, these “particles” create different textures than they do from a closer distance or through a microscope exploration, different matters and different qualities of energy. This composition brings into foreground microscopic “pictures” of the particles that constitute the totality of the work, while simultaneously and unavoidably giving, in its totality, a larger formal picture over the course of time. Whilst the music is constructed into noticeably different blocks of sound, each segment nevertheless originates from the same source, from the same particle.

SEK 382.00
1

Evis Sammoutis: Particles (Score)

Evis Sammoutis: Particles (Score)

Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute), Violin and Cello. Μόρια – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble, in collaboration with the City of Milano, the Region of Lombardia, MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet, Energy for Life'. The composer decided to concentrate on exploring the notion of “Particles” (the smallest basic units of matter and energy), as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture, figure and gesture). To use an analogy, listening to this composition should feel like looking at a mosaic from an extremely short distance, one’s eyes almost touching the intrinsic small tiles that create the larger picture. From this alternative perspective, one begins to observe completely different patterns, which went unperceived as part of the greater picture, just as a closer look at a mosaic might reveal intricate bands of colour that would have been unnoticed from a greater distance. When this happens one can really appreciate the tiny details and nuances of the composition. Seen from afar, these “particles” create different textures than they do from a closer distance or through a microscope exploration, different matters and different qualities of energy. This composition brings into foreground microscopic “pictures” of the particles that constitute the totality of the work, while simultaneously and unavoidably giving, in its totality, a larger formal picture over the course of time. Whilst the music is constructed into noticeably different blocks of sound, each segment nevertheless originates from the same source, from the same particle.

SEK 175.00
1

On Track - 13 Ensemble Works For Key Stage 4

On Track - 13 Ensemble Works For Key Stage 4

13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance.On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. The CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.The editor of the compilation, Sadie Harrison, comments:"Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer, and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles, approaches and sounds. There is something in here for everybody, at whatever level, and on whatever instrument. This is what GCSE Music teachers are crying out for, and finally here is something that really hits the mark."Harrison's comments are echoed by recent examiners' reports from EdExcel, one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues, saying that "it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply."On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. The CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.Fixed EnsemblesSadie Harrison ? On the run!for clarinet in Bb, violin, 'cello, pianoEd Hughes ? Matthew's Mazurkafor piano duetJeremy Dale Roberts ? 'Takes three...' for trumpet, 'cello, pianoMatthew Roddie ? Gone Clubbin' for violin, 'celloThomas Simaku ? From Across the Sea for 2 flutes, clarinet in BbFlexible EnsemblesDavid Blake ? Piece for Luis and Justin for four instrumentsAnthony Gilbert ? U-GO for Arirang for four instrumentsJo Kondo ? A Birthday Toast for any number of instrumentsDavid Lumsdaine ? A tree dances for Orpheus for three instrumentsPaul Mealor ? Swing Slow for two instrumentsRobert Saxton ? There and Back for three instrumentsJohn Stringer ? Duo for two instrumentsLuís Tinoco ? Diversion for four instruments

SEK 313.00
1