17 resultat (3,05578 sekunder)

Visa alla filter

Märke

Butik

Pris (EUR)

Nollställ filter

Produkter
Från
Butiker

Fred Sokolow: Jamming The Blues

Fred Sokolow: Jamming The Blues

Playing the blues is a great way to lose the blues, and jamming with other people is one of the most fun things to do in life! Using blues classics like Stormy Monday, The Thrill is Gone, Keys To the Highway, Big Boss Man, Come Back Bay and Every Day I Have the Blues as examples, Fred teaches all the skills and info you need to jam with other blues players. This lesson covers accompaniment techniques for many different rhythm grooves (shuffle beat, straight 8ths, straight 4 and rock and funk beats) and soloing strategies (key-of-E licks, four moveable blues boxes and some chord-based licks). You'll also learn intros, turnarounds, the twelve-bar and eight-bar blues forms and more. Fred has been jamming with other players and leading jam classes most of his life, and his practical tips are sure to give you all the tools you need to get out there and play the blues with other people. Along the way, you'll learn some blues history and hear stories about some of the great players. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in an accompanying book in the form of a PDF file. Titles include: 'Baby What Do You Want Me To Do', 'All The Love I Miss Loving', 'Stormy Monday', 'Big Boss Man', 'How Long Blues', 'Hesitation Blues', 'Stagerlee', 'As The Years Go Passing By', 'Corrine Corrina' and 'Every Day I Have the Blues'.

SEK 293.00
1

Guitar Artistry Of Ernie Hawkins - Blues And Ragtime Guitar

Guitar Artistry Of Ernie Hawkins - Blues And Ragtime Guitar

For many years Ernie Hawkins has been playing concerts, clubs, festivals, colleges and museums in the United States, Canada, Europe and Japan. He has played with blues greats such as Son House, Mance Lipscomb, Fred McDowell, Jim Brewer and Rev. Gary Davis. In this DVD Ernie talks about his influences and performs a wide range of blues, ragtime and gospel tunes. Titles include: What You Gonna Do, Railroad Blues, Chump Man Blues, Rev. Davis Medley, Police Dog Blues, Slow Drag, Fast Fox Trot, Twelve Sticks, Florida Blues, Penitentiary Blues, Potato Head Blues, Hawkins Rag, If You Haven't Any Hay Get On Down That Road, Call Up China, Lightnin's Hideaway, Elm Street Blues, Masanga, Riding On A Moonbeam and Blue Belle.

SEK 267.00
1

School Of Ragtime: 10 Classic Rags For Guitar By Scott Joplin

School Of Ragtime: 10 Classic Rags For Guitar By Scott Joplin

In the early 1960's guitar players from the cities started to tackle arranging classic rags onto the guitar. Prior to this period there was no recorded evidence of guitarists attempting to do this. At the turn of the century Vess Ossman and Fred Van Eps successfully transcribed classic rags for the five-string banjo. But the role of the guitar was dormant until David Laibman and Dave Van Ronk started to experiment with these ideas.This album presents ten Scott Joplin classic ragtime arrangements. They illustrate the fascinating approach that a guitar can take when playing ragtime. Plus they are great challenges for guitarists to master. In the world of fingerpicking these type of instrumentals are left for the "advanced pickers."

SEK 152.00
1

Movable Shapes in Fingerpicking Guitar : Level 2/3

Movable Shapes in Fingerpicking Guitar : Level 2/3

This lesson is intended for players who are seeking a greater understanding of how to get beyond basic open chords, or first position, use the full fretboard. We will do so by understanding the concept of a movable shape. The tunes selected will slowly introduce you to a variety shapes commonly used by the old-time masters to unlock the neck. In addition to learning these examples, I’ll talk about the logic that makes movable shapes work, empowering you to create your own uses for them. You will learn tunes that have become standards in the fingerstyle repertoire by Sam McGee, Big Bill Broonzy and Maybelle Carter. As well, I teach two arrangements I have put together of an old-time fiddle tune and a Jelly Roll Morton piano blues.

SEK 292.00
1

Ari Eisinger: The Guitar Of Lonnie Johnson

Ari Eisinger: The Guitar Of Lonnie Johnson

In this double DVD, the first devoted in its entirety to the Guitar style of Lonnie Johnson, Ari Eisinger explores Lonnie Johnson's blues style in detail, presenting stylistic hallmarks of Johnson's playing including a discussion of left hand fingerings, use of diminished chords and Lonnie's blues playing in the Key of D.Ari teaches eight guitar breaks from some of Lonnie's best tunes. These include his instrumental masterpiece To Do This You Got To Know How, his jazzy Uncle Ned Don't Use Your Head, his evocative Woke Up With the Blues In My Fingers and I'm So Tired Of Living All Alone, Lonnie's version of the song Skip James recorded as I'm So Glad.A detailed tab/music booklet is included as a PDF file on each DVD. As well, the original old recordings of all the tunes are included.

SEK 382.00
1

Tom Feldmann: The Gospel Guitar Of Mississippi John Hurt

Tom Feldmann: The Gospel Guitar Of Mississippi John Hurt

Mississippi John Hurt is certainly renowned for his blues songs, whether tales of murder like Stack O'Lee and Frankie or the tongue-in-cheek Candy Man Blues, yet it is his gospel songs that may more accurately reflect the heart of the man himself; gentle yet powerful, simple yet substantial.In this lesson Tom Feldmann takes you step by step through Mississippi John Hurt's most celebrated and inspiring gospel songs in the keys of G, C, D and E. Whether beginner or intermediate you will learn to pick in the distinctive "Hurt" style and build a large repertoire of classic gospel country blues.A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original old recordings of all the tunes are included. Titles include: Do Lord Remember Me, Here I Am Oh Lord Send Me, Blind Man Sit In The Way And Cried, Since I?ve Laid My Burden Down, Weeping and Wailing, Blessed Be The Name, Praying On The Old Camp Ground, Nearer My God To Thee, Beulah Land and Oh Mary Don?t You Weep

SEK 301.00
1

David Laibman: Classic Ragtime Guitar

David Laibman: Classic Ragtime Guitar

In this unique lesson David Laibman teaches two Classic Ragtime compositions: Red Carpet Rag and Scott Joplin?s 1899 famous Maple Leaf Rag. These are difficult arrangements but they are taught section by section, including split-screen segments, where you can see exactly what the left and right hands are doing. David explains fingerings, slides, hammer-ons and pull-offs, harmonics, and any other technical points. Also, complete music and tablature are included. As David says often in the lesson, 'Fingerstyle guitar is a creative process, and there is no single right way to do things. I am always discovering new ways to play certain bits, and then wondering why it took me so long to find them. If the fingering of a passage seems difficult and you want to change it, go right ahead! Fingerings should work for the music, and for you. Above all, ragtime should be fun. Enjoy!' A detailed printed tab/music instructional booklet is included as well as a PDF file of the booklet on the DVD.

SEK 301.00
1

Ernie Hawkins: Music Of Bix Beiderbecke Arranged For Fingerstyle Guitar

Ernie Hawkins: Music Of Bix Beiderbecke Arranged For Fingerstyle Guitar

Books have been written about Bix Beiderbecke, movies have been made. His incandescent talent, meteoric rise and tragic death at 28: this is the stuff of myth and legend. We are fortunate that we have quite a few incomparable recordings. Although it is said that they only capture a shadow of Bix?s sound, you can hear right away what the fuss was all about. As Ernie Hawkins attempted to do with some Louis Armstrong songs in an earlier DVD set, (Louis and Bix, it is said, had opportunities to play together, and greatly admired each other), here he is playing and teaching some favorite Bix songs on guitar. Once again, the extraordinary fingerpicking style developed by Rev Gary Davis shines through, making this approach to the jazz of the 1920?s possible. These songs may be challenging, but they are fun and rewarding to learn and play. Hopefully, learning this style via these songs will open the student to new possibilities.This lesson is over 2 hours. The arrangements are for the intermediate to advance players. They are multi-section compositions with lots of fingerpicking challenges. But all your hard work will be very worthwhile as these tunes are some of the greatest in the early jazz repertoire. Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. A detailed tab/music booklet is included as a PDF file on the DVD.

SEK 301.00
1

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

David Laibman: Playing The Classic Rags Of Scott Joplin, James Scott & Joseph Lamb

The great ragtime pieces of the early 20th century were written mostly for Piano, but many translate superbly for the Guitar, and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar, and if they weren't player on the Guitar at all (until some of us started doing so half a century ago), then why do they work so will on Guitar?Well, thumb vs. three fingers on the right hand (we'll leave out the pinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed, from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive, with moods and tempers, hills and valley. You can capture some of this with left-hand notes (slides, hammer-ons, pull-offs), with right-hand brushes, rolls, nail strokes, with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano, or of a dixieland or jazz band. It is, simply - ragtime Guitar.In these lessons, I have tried, for the most part, to meet two goals. First, to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar, so when you play them you are working with the instrument, not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck, and to keep left hand gymnastics to a minimum. Second, I didn't want these arrangements to sound like 'student' arrangements, too elementary to be believable. It is all about striking a balance. I am generally pleased with the result, and I hope you will be too.While the focus of these lessons is on the 'greats' - Joplin, Lamb and Scott - I have also included one of my own recent compositions: Pandora's Rag. This version is simpler than the one I play on my recent CD, Adventures in Ragtime, in Em, G and E, rather than Am, C and A, and not so high up the neck. I hope you like it; I think it has some nice harmonies. No one will ever touch the ragtime masters, but I would not be doing them justice if I didn't try to use their inspiration to strike out on my own a bit.And that is what you should do too! It would be great is you learn to play these charming and challenging pieces. But even greater if you improve the arrangements, adapt them to your own tastes, see if you can apply the various techniques to other music - ragtime, and beyond - that can give pleasure to yourself and others, and enrich the treasure-house of fingerstyle Guitar. None of us has tapped even a fraction of its full potential - and that's what makes it fun!" - David Laibman

SEK 325.00
1

Tom Feldman: Bottleneck Slide Guitar For Beginners

Tom Feldman: Bottleneck Slide Guitar For Beginners

There is nothing like the feel of a bottleneck sliding across your strings nor the sound that comes forth as it screams, growls and moans. What other tool can create the sweat or raw emotion of the human voice? But some believe that there is a sort of mystery behind the use of a bottleneck slide, but the reality is, anyone can learn to do it.In this lesson Tom Feldmann teaches you the very basics of how to play with a bottleneck slide. Starting with the most important step, producing a single note, Tom then takes you through many simple exercises getting you comfortable sliding on single, double and multiple strings.Starting in Open D (Vestapol) tuning, Tom uses Bukka White's Jitterbug Swing for the single string slide exercise, Robert Wilkins' I Wished I Was In Heaven for double string exercise, an Elmore James style shuffle for a multiple string exercise and closes with Guitar Rag by Sylvester Weaver which brings together all of the elements in one wonderful instrumental.Since the basics were covered in Open D, the lesson closes with two songs in Open G (Spanish) tuning; Charley Patton's I'm Going Home and Bobby Grant's Nappy Headed Blues. These two songs will give you a solid foundation for single, double and multiple string slide in Open G tuning.Vibrato, left and right hand dampening, as well as alternating and monotonic bass are discussed in detail and used throughout the lesson. A detailed tab/music booklet is included as a PDF file on the DVD. In addition the original recordings of all the tunes are included.

SEK 301.00
1

John Renbourn/Stefan Grossman: The Three Kingdoms

John Renbourn/Stefan Grossman: The Three Kingdoms

This is the fourth recorded collaboration between acoustic guitarists John Renbourn and Stefan Grossman, recorded in 1987 and produced by Led Zeppelin's John Paul Jones. As on its three predecessors, the appeal lies in the contrast between Renbourn's traditional British folk style and Grossman's jazz and folk-blues leanings. Ideally, as on 'Rites of Passage' and 'Keeper of the Vine,' Renbourn concentrates on an intricate, folk-based pattern that Grossman decorates with bluesy embellishments. The two have a previously expressed interest in adapting jazz classics to their two-guitar approach, and they do so here on the standard 'Round About Midnight,' then recall their earlier work on tunes by the late Charles Mingus with the mournful 'Farewell to Mr. Mingus.' Since they play differently, their guitar lines can be identified and appreciated separately even when they are intermingling. ? All Music GuideMany acoustic guitarists probably have some degree of acquaintance with the work of John Renbourn and Stefan Grossman, but for the unfamiliar, here's a short history: In the 1970s Stefan toured regularly, sometimes on double-bills with Renbourn. Fate stepped in when, through a promoter's error, it was advertised that these two legends-in-the-making would be performing guitar duets. Though they hadn't worked as a duo before, the guitarists decided to give it a go, and the seeds were planted for a series of fantastic duet albums. The playing on this album as well as Under The Volcano and their eponymous debut, is a fascinating melting pot of European and American musical styles, and the pair achieves a sound as elegant as it is expansive. Though their individual contributions to the world of guitar playing had been weighty before their partnership, these duet albums serve to take both guitarists' playing to new heights, and their enduring compositions still sound fresh today.

SEK 153.00
1

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

The ragtime and early jazz music pioneers during the first decades of the last century didn?t know that the sounds they created would echo in the music that people loved for years to come. They started an American music tradition that is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist, I never thought that playing back-up in a jazz band was for me. I?d rather do something with these songs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music, with a steady left hand playing bass notes and chords together with the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classical ragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all the notes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make my arrangements not too difficult to play, so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though, is to make the tune sound like Guitar music, not Piano music played on the Guitar.

SEK 301.00
1

Ernie Hawkins: The Music Of Louis Armstrong Arranged For Fingerstyle Guitar

Ernie Hawkins: The Music Of Louis Armstrong Arranged For Fingerstyle Guitar

This DVD lesson could be titled The Music of Louis Armstrong for Finger-picking Guitar or Gary Davis Meets Louis Armstrong. Born in 1896, the brilliant Piedmont guitarist Gary Davis came of age in the teens and the twenties. He was in his prime during the Jazz Age and his playing shows it. His guitar style and techniques came out of the twenties. It enabled him to play like a band. His thumb playing the rhythmic sections of the band while his index finger soloed over this. Rev. Davis only used his thumb and index fingers to pick. When asked why he replied with a smile: ?That?s all I need!? In Rev. Davis?s playing you can hear the drive of Louis Armstrong as well as Louis?s bugle call riffs.Rev. Gary Davis's style is made to order to play Louis Armstrong tunes on guitar. As I learned most of what I know and do on the guitar from Rev. Gary Davis, this is how I see it and how I have approached arranging the tunes on this DVD lesson. Once you find the right key on the guitar these early jazz masterpieces seem to fall right into place. Putting Cornet Chop Suey into the key of C, for instance, enables you to play the patented ?Gary Davis Slow Drag G form C run' throughout as the statement of the initial melody.This lesson is over 2 hours and forty minutes. The arrangements are for the intermediate to advance players. They are multi-section compositions with lots of fingerpicking challenges. But all your hard work will be very worthwhile as these tunes are some of the greatest in the early jazz repertoire. Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. Detailed tab/music booklets are included as PDF files on both DVDs.

SEK 301.00
1

Legendary Country Blues Guitar Duets

Legendary Country Blues Guitar Duets

The Country Blues guitar duet tradition is rich and varied, but it has been relatively unexplored by present day blues players. This is a shame for a couple of reasons ? there are a lot of great duets that merit being worked out and played for today's audiences, preserving the music, but there's also just the sheer enjoyment and fun involved in playing this music with a kindred spirit, someone who hears and responds to this music as you do yourself.In Legendary Country Blues Duets, Frank and John have selected some of the really prime guitar duets in the Country Blues tradition to teach you. The songs they've chosen for the lesson have been picked to provide you with a variety of different duet approaches, sounds and techniques. In several instances, the two guitar parts are played out of different tunings or positions. In the course of the lesson, you'll work through and learn Kansas Joe & Memphis Minnie's Pile Drivin' Blues, Walter Beasley and Sylvester Weaver's Toad Frog Blues, Will Batts and Dan Sane's Country Woman, Yank Rachell and Dan Smith's Squeaky Work Bench Blues and Frank Stokes and Dan Sane's What's The Matter Blues.For each one of the songs in the lesson, John and Frank take turns teaching their parts, which are then shown in slowed-down split-screen versions of each duet part followed by the two guitars together. TAB and standard notation of the guitar parts and the song lyrics are included as a PDF file on the DVD, as are the original recordings of the songs. You can choose to learn one or the other of the parts, or learn both parts and teach one to a friend. There is a richness in shared musical performance that is yours for the taking here. Learn Legendary Country Blues Duets and find out just how rewarding playing Country Blues with another guitarist can be.

SEK 301.00
1

John Miller: Improving Your Ear For The Country Blues Guitarist

John Miller: Improving Your Ear For The Country Blues Guitarist

In this lesson John Miller will provide you with the tools you need to develop your ability to tell what position or tuning a Country Blues performance was played out of simply by listening to the recording. Believe it or not, this is a learnable skill and John, who has taught it for many years, will show you what to listen for and help you get started hearing the various auditory clues that identify the distinctive sound of the different playing positions and tunings most commonly used in Country Blues guitar playing. Developing your ability to do this kind of informed listening, or listening with knowledge will reap significant rewards for your playing, most especially improving your ability to learn by ear and increasing the speed with which you're able to pick up new material.One of the real advantages of having this material presented in this 2DVD format is that it allows John to go over the material in real detail, presenting the sound characteristics of the different playing positions and tunings at length, and providing you with memory devices to help you remember the sound of alternating bass for the different positions and tunings. The material is not presented in the abstract, either - as John goes along, he plays a host of examples drawn from Country Blues performances that help illustrate and exemplify the characteristic sound of each playing position. The PDF study guide that accompanies the lesson includes a summary of the sound characteristics that identify each of the playing positions/tunings presented in the lesson, as well as the memory devices that will help you remember the sound of the bass in the different positions. Also included on the DVD is a test to take when you have completed the lesson, with a selection of recordings of Country Blues played out of different positions and tunings for you to identify using your new skills. Disc One: E position, standard tuning ? C position, standard tuning ? D position, standard tuning ? A position, Standard tuningDisc Two: G position, standard tuning ? F position, standard tuning ? Dropped-D tuning ? Vestapol tuning ? Spanish tuning230 minutes ? Level 1 ? Detailed PDF booklet file on the DVD

SEK 301.00
1

Rev. Gary Davis: At Home and Church

Rev. Gary Davis: At Home and Church

This set of three CDs captures Rev. Davis at home and church - teaching, talking and philosophizing. The first two CDs are material recorded at his Bronx home. Religious songs, folk tunes, blues, rags and memories are included. The music ranges from the heavenly to the bawdy and the third CD features a recorded service where Rev. Davis plays and delivers sermons.Disc One (At Home):1. Twelve Sticks 3:472. Sally, Where?d You Get Your Liquor From 1:523. Babylon Is Falling 6:364. What Could I Do 3:235. Children of Zion 7:056. Hesitation Blues 4:057. Candyman (on 5 String Banjo) 1:238. Steal Away And Pray 5:369. Goin? To Chattanooga 5:0210. Packing Up, Get Ready To Go 3:3711. Untitled 0:3912. You Cry Because I?m Leaving 4:1613. Don?t Let My Baby Catch You Here 5:1414. Lord Let Me Live Longer 2:2115. I Want To be Saved 2:4716. Waltz Time Candyman 3:1717. Little Boy Who Made Your Britches 4:3818. Talks about Verses Not Sung 2:2119. C Rag 5:4120. Two Step Candyman 2:51Disc Two (At Home):1. Piece Without Words 3:512. Lord Search My Heart 4:053. Slippin? To My Gal Comes In Partner 2:564. Sun is Going Down 2:445. Raise A Ruckus Tonight 2:146. Save Up Your Money, John D. Rockefeller, Put the Panic On 5:597. Soon My Work Will All Be Done 3:578. You?re Gonna Need King Jesus 2:449. I?m Going Back To Jesus 2:0210. Blues in C 5:1211. Saddle It Around 3:0012. People Who Use To See 4:5213. Italian Rag 3:1614. Candyman 4:2415. Nobody Don?t Care For Me 3:1216. Fox Chase 4:5117. Talk on Blind Boy Fuller 9:39Disc Three (In Church):1. Amazing Grace 3:262. Sermon 3:113. I?m a Soldier In The Army Of The Lord 5:194. Sermon 2:405. Lord, I Feel Just Like Goin? On 5:016. Steal Away 6:307. Can?t Make This journey By Myself 2:478. Sermon 17:569. I Will Overcome Someday 5:1510. God Be With You 1:1511. I Got Religion I?m So Glad (From the Mariposa Folk Festival) 7:5612. I?m a Soldier In The Army Of The Lord (From the Mariposa Folk Festival) 4:24

SEK 301.00
1