Henry Purcell: In Thee, O Lord, Do I Put My Trust - Anthem With Strings (Parts)

In Thee, O Lord, Do I Put My Trust

Henry Purcell: In Thee, O Lord, Do I Put My Trust - Anthem With Strings (Score)

In Thee, O Lord, Do I Put My Trust

Henry Purcell: Why Do The Heathen

Score and parts.From Purcell Society Volume 17 - Sacred Music.

Any Dream Will Do Show Singles

Novello Voices Show Singles, (From Joseph And The Amazing Technicolor Dreamcoat.), Arranged by Barrie Carson Turner. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

Joubert: Stay: O Sweet And Do Not Rise for (Voice and Piano)

Giovanni Bononcini: Stabat Mater (Vocal Score)

Bononcini wrote many cantatas, but this is his sole setting of the Stabat Mater. This Baroque mass manifests a flavour of Viennese traditions as well as native Italian melodic strengths.Composer and cellist Antonio Bononcini was the younger brother of Giovanni Bononcini, known as a rival of Handel in London. At one time he was Kapellmeister to the future Holy Roman Emperor Charles VI, but spent most of his life in Italy, particularly Modena where he was maestro di cappella.

Handel, Gf Messiah Tonic Sol Fa (Prout) V/S

‘Do, a deer,’ sang Maria von Trapp in The Sound of Music. That method of a capella pedagogy is called tonic sol-fa, a form of solfege invented in the early 1800’s by one Sarah Ann Glover and later developed by John Curwen, Zoltan Kodaly and others over the years.The basic precept was that ‘do’ was a moveable tonic note for any key. Each note in the scale had a name and with some simple punctuation, any Vocal line could be rendered.This score of Handel’s Messiah is a fascinating glimpse into an inventive notation system that proved useful and popular for many years. The score contains a discussion of performance issues and an explanation of the tonic sol-fa system.

Richard Rodney Bennett: Six Country Dances (Cello/Piano)

Six Country Dances is an anthology of tunes from Playford?s ?The English Dancing Master? selected and arranged by Richard Rodney Bennett. Playford?s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett?s skilful and inspired arrangements are perfect for intermediate standard players, adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.

Richard Rodney Bennett: Six Country Dances (Viola/Piano)

Six Country Dances is an anthology of tunes from Playford?s ?The English Dancing Master? selected and arranged by Richard Rodney Bennett. Playford?s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett?s skilful and inspired arrangements are perfect for intermediate standard players, adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.

Sullivan Lost Chord Organ

Written at the deathbed of Arthur Sullivan’s brother Fred in 1877 and setting words by Adelaide Anne Proctor, The Lost Chord was immediately successful and became the biggest sensation of any song in its decade. Of all the drawing room ballads of the Victorian era, The Lost Chord has remained alive in the popular imagination. This arrangement for solo Organ is true to the original without overplaying its drama and restores the eponymous 'lost chord’ to the Organ from whence it originally came. Composer Arthur Sullivan is known the world over for his operatic collaborations with W S Gilbert, including H M S Pinafore and The Pirates of Penzance, among many others. But Sullivan was also a composer of a host of other works , among them operas, Orchestral works, ballets, and hymns and church pieces.

Martin Dalby: Dancer Eduardova (Study Score)

Commissioned by the St Magnus Festival with funds from the Scottish Arts Council. First performed by The Fires of London in June 1978 in St Magnus Cathedral, Kirkwall.The work takes as its starting-point a sequence of dreams related by Franz Kafka in his diaries of 1910. Eduardova was a Russian ballerina whom Kafka had seen dancing in Prague in the early part of this century. The music of The Dancer Eduardova is based on dancing, particularly the csardas which in his dream Kafka had asked the dancer to perform just one time more. Kafka's dream-sequences contain the uncomfortable contrasts of the grace of the dancer and the loathsome gestures of unconscious intriguers; there are abrupt changes of mood to sorrow and despair. Flowers presented by all the Princes of Europe appear in the dreams, as do trains and trams on which Eduardova travels with two vigorous violinists.

Richard Allain/Thomas Allain: Jake And The Right Genie (Score/CD)

A musical celebration of children's rights for narrator, choir and ensemble/backing tracks.It's easy to learn, once heard not easily forgotten, funny yet serious, lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do, down at the shelter where they rehearse, they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair, this is where, with his unexpected arrival on the scene, the Right Genie comes in very handy. But, instrumental though the genie is in pushing for the rights of our hero and the Juveniles, he also encourages Jake to look beyond his own immediate problems, however important they may seem, to a world where children have more pressing needs than his.This Piano and Vocal score comes with chord symbols throughout and includes the full text plus 2 CDs containing demos and backing tracks for rehearsal or performance. Lyric sheets for Jake And The Right Genie are also available as free downloads with this book at www.hybridpublications.com.