Henry Purcell: In Thee, O Lord, Do I Put My Trust - Anthem With Strings (Parts)

In Thee, O Lord, Do I Put My Trust

Henry Purcell: In Thee, O Lord, Do I Put My Trust - Anthem With Strings (Score)

In Thee, O Lord, Do I Put My Trust

Henry Purcell: Why Do The Heathen

Score and parts.From Purcell Society Volume 17 - Sacred Music.

Any Dream Will Do Show Singles

Novello Voices Show Singles, (From Joseph And The Amazing Technicolor Dreamcoat.), Arranged by Barrie Carson Turner. Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

Joubert: Stay: O Sweet And Do Not Rise for (Voice and Piano)

Trevor Wye: The Orchestral Flute Practice Book 1

Covers all aspects of orchestral flute playing, including technical areas such as articulation and low solos as well as standard orchestral repertoire. A huge collection of well-known and less familiar melodies from across the centuries, and a complete guide on approaching each one effectively. Book 1 covers composers A-P. Book 2 covers composers R-Z.

Handel, Gf Messiah Tonic Sol Fa (Prout) V/S

‘Do, a deer,’ sang Maria von Trapp in The Sound of Music. That method of a capella pedagogy is called tonic sol-fa, a form of solfege invented in the early 1800’s by one Sarah Ann Glover and later developed by John Curwen, Zoltan Kodaly and others over the years.The basic precept was that ‘do’ was a moveable tonic note for any key. Each note in the scale had a name and with some simple punctuation, any Vocal line could be rendered.This score of Handel’s Messiah is a fascinating glimpse into an inventive notation system that proved useful and popular for many years. The score contains a discussion of performance issues and an explanation of the tonic sol-fa system.

Richard Rodney Bennett: Six Country Dances (Cello/Piano)

Six Country Dances is an anthology of tunes from Playford?s ?The English Dancing Master? selected and arranged by Richard Rodney Bennett. Playford?s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett?s skilful and inspired arrangements are perfect for intermediate standard players, adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.

Richard Rodney Bennett: Six Country Dances (Viola/Piano)

Six Country Dances is an anthology of tunes from Playford?s ?The English Dancing Master? selected and arranged by Richard Rodney Bennett. Playford?s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett?s skilful and inspired arrangements are perfect for intermediate standard players, adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Viola and Piano.

Henry Purcell: Lord, How Long Wilt Thou Be Angry?

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. Lord, How Long Wilt Thou Be Angry? (Z 25) was one of Purcell's earlier works. It was written soon after his appointment as Organist of Westminster Abbey in 1679, and was undoubtedly used there many times during his tenure. It takes extracts from Psalm 79 for the text. The music has influences of Byrd and Gibbons, but also shows how Purcell was beginning to develop his own distinctive style.

Henry Purcell: Fantazias & In Nomines (Score)

Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. Fantazias And In Nomines is a collection of his 15 Fantasies and 2 In Nomines, Z. 731-747. Purcell is credited with popularising the hitherto arcane form of the Fantasy, perhaps most famously in his Fanstasia Upon One Note , where a middle C is sustained throughout – in live performances this is sometimes played by a volunteer from the audience! This full score edition has been edited by the renowned musicologist Robert Thurston Dart.

Purcell Society Volume 4 - Song For The Duke Of Gloucester's Birthday 1695 (Full Score)

Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output. One of Purcell ’s last pieces, Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William, Duke of Gloucester, in June 1695. The Prince was said to enjoy the brash tone of the Trumpet, so the prominent Trumpet part was written especially for him. Unusually, Purcell also made use of the recently-introduced Oboe and Bassoon. A real asset to the catalogue, A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.

Martin Dalby: Dancer Eduardova (Study Score)

Commissioned by the St Magnus Festival with funds from the Scottish Arts Council. First performed by The Fires of London in June 1978 in St Magnus Cathedral, Kirkwall.The work takes as its starting-point a sequence of dreams related by Franz Kafka in his diaries of 1910. Eduardova was a Russian ballerina whom Kafka had seen dancing in Prague in the early part of this century. The music of The Dancer Eduardova is based on dancing, particularly the csardas which in his dream Kafka had asked the dancer to perform just one time more. Kafka's dream-sequences contain the uncomfortable contrasts of the grace of the dancer and the loathsome gestures of unconscious intriguers; there are abrupt changes of mood to sorrow and despair. Flowers presented by all the Princes of Europe appear in the dreams, as do trains and trams on which Eduardova travels with two vigorous violinists.

Richard Allain/Thomas Allain: Jake And The Right Genie (Score/CD)

A musical celebration of children's rights for narrator, choir and ensemble/backing tracks.It's easy to learn, once heard not easily forgotten, funny yet serious, lighthearted yet touching: a parable of our times and for our times.The chorus of 'Jake And The Juveniles' would have a very good chance of winning the annual Doveton Talent Contest if only they could get Jake out of bed in the morning. But even when they do, down at the shelter where they rehearse, they are met by the demolition men and then the blank face of bureaucracy.Although they are close to despair, this is where, with his unexpected arrival on the scene, the Right Genie comes in very handy. But, instrumental though the genie is in pushing for the rights of our hero and the Juveniles, he also encourages Jake to look beyond his own immediate problems, however important they may seem, to a world where children have more pressing needs than his.This Piano and Vocal score comes with chord symbols throughout and includes the full text plus 2 CDs containing demos and backing tracks for rehearsal or performance. Lyric sheets for Jake And The Right Genie are also available as free downloads with this book at www.hybridpublications.com.