Feste Woll'n Wir Feiern (6)

Jubiläumsheft (6) : 15 Jahre Klostermann und seine Musikanten

Alpine March

Bertrand Moren composed Alpine March for the Hochwaliser Musikfest in Blatten, Switzerland in 2004. The march opens in a festive 6/8 time with lots of dynamic contrast and characteristic 6/8 rhythms. The Trio-section however is written in 2/4 time and is very lyrical. With a da capo this march, written by the winner of last year’s European Brass Band Composition Contest, is brought to a thrilling close.

Alpine March

Bertrand Moren composed Alpine March for the Hochwaliser Musikfest in Blatten, Switzerland in 2004. The march opens in a festive 6/8 time with lots of dynamic contrast and characteristic 6/8 rhythms. The Trio-section however is written in 2/4 time and is very lyrical. With a da capo this march, written by the winner of last year’s European Brass Band Composition Contest, is brought to a thrilling close.

Königsklänge der Marschmusik - Heft 6 : Die Originalnoten (3. Klarinette B)

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Piotta

Piotta is a lively 6/8 march from well-known concert band composer, Franco Cesarini. This exciting and musically witty piece is as impressive rhythmically as it is melodically, and will make for an elegant opening to any concert.

Ave Maria : Ellens Gesang/ Hymne an die Jungfrau, Op. 52 Nr. 6

The Ave Maria by Franz Schubert is known and loved worldwide and was originally written as part of the song cycle The Lady of the Lake. In the course of time, the German text has been replaced by the traditional Latin prayer so often that the song has become known as the Ave Maria by Schubert. This lyrical melody, stirring in its simplicity, is complemented by a murmuring accompaniment that imitates a harp, a feature that Thomas Doss fully does justice to in this arrangement.

Ave Maria : Ellens Gesang/ Hymne an die Jungfrau, Op. 52 Nr. 6

The Ave Maria by Franz Schubert is known and loved worldwide and was originally written as part of the song cycle The Lady of the Lake. In the course of time, the German text has been replaced by the traditional Latin prayer so often that the song has become known as the Ave Maria by Schubert. This lyrical melody, stirring in its simplicity, is complemented by a murmuring accompaniment that imitates a harp, a feature that Thomas Doss fully does justice to in this arrangement.

Step Out and Swing

This piece is a great addition to the march repertoireas it combines march music with swing. Effectiveyet easy-to-play swing rhythms in 6/8 time, as wellas catchy themes with blues elements give thepiece dynamism and drive. Your band and youraudience will love it!

Step Out and Swing

This piece is a great addition to the march repertoireas it combines march music with swing. Effectiveyet easy-to-play swing rhythms in 6/8 time, as wellas catchy themes with blues elements give thepiece dynamism and drive. Your band and youraudience will love it!

Neckarmarsch : Neckar March

The town of Schwenningen at the source of the Neckar inspired Wolfgang Wössner to compose this march song. In the trio he employed Friedrich Silcher’s well-known folk song Am Neckar. The march is composed in 6/8 time throughout, with the folk song theme likewise arranged in this meter. An optional performance with male choir is possible, with the _x001F_first two verses, together with the last verse, sung.

Neckarmarsch : Neckar March

The town of Schwenningen at the source of the Neckar inspired Wolfgang Wössner to compose this march song. In the trio he employed Friedrich Silcher’s well-known folk song Am Neckar. The march is composed in 6/8 time throughout, with the folk song theme likewise arranged in this meter. An optional performance with male choir is possible, with the _x001F_first two verses, together with the last verse, sung.

Piccola Suite Italiana

With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the ‘furlana’, a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. François Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed ‘furlane’ and in the 20th Century Maurice Ravel used a ‘furlana’ dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the ‘furlana’ as the basis for this major new concertwork.

Piccola Suite Italiana

With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the ‘furlana’, a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. François Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed ‘furlane’ and in the 20th Century Maurice Ravel used a ‘furlana’ dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the ‘furlana’ as the basis for this major new concertwork.

Die Himmel rühmen des Ewigen Ehre : with optional Choir SATB

Master-composer Ludwig van Beethoven was born in Bonn, in 1770, but he lived in Vienna from 1792, until his death in 1827. With his innovative style, he has had a great influence on Western classical music. ‘Die Himmel rühmen des Ewigen Ehre’ (The Heavens Extol the Glory of God) is the first line of the poem ‘Die Ehre Gottes in der Natur’, which was written by Christian Fürchtegott Gellert (1715-1769). The music that Beethoven composed to the text, was published in 1803, as the fourth Lied (song) in a cycle of six (6 Lieder nach Gedichten von Gellert, opus 48). Thomas Doss has arranged the song - in which nature, as created by God, is mirrored majestically - into a wonderfulwork for concert band.

Die Himmel rühmen des Ewigen Ehre : with optional Choir SATB

Master-composer Ludwig van Beethoven was born in Bonn, in 1770, but he lived in Vienna from 1792, until his death in 1827. With his innovative style, he has had a great influence on Western classical music. ‘Die Himmel rühmen des Ewigen Ehre’ (The Heavens Extol the Glory of God) is the first line of the poem ‘Die Ehre Gottes in der Natur’, which was written by Christian Fürchtegott Gellert (1715-1769). The music that Beethoven composed to the text, was published in 1803, as the fourth Lied (song) in a cycle of six (6 Lieder nach Gedichten von Gellert, opus 48). Thomas Doss has arranged the song - in which nature, as created by God, is mirrored majestically - into a wonderfulwork for concert band.Choir parts available separately: 1589-09-050 M

Die Himmel rühmen des Ewigen Ehre : with optional Choir SATB

Master-composer Ludwig van Beethoven was born in Bonn, in 1770, but he lived in Vienna from 1792, until his death in 1827. With his innovative style, he has had a great influence on Western classical music. ‘Die Himmel rühmen des Ewigen Ehre’ (The Heavens Extol the Glory of God) is the first line of the poem ‘Die Ehre Gottes in der Natur’, which was written by Christian Fürchtegott Gellert (1715-1769). The music that Beethoven composed to the text, was published in 1803, as the fourth Lied (song) in a cycle of six (6 Lieder nach Gedichten von Gellert, opus 48). Thomas Doss has arranged the song - in which nature, as created by God, is mirrored majestically - into a wonderfulwork for concert band.Choir parts available separately: 1589-09-050 M