Saudades Do Brasil Op. 67

Darius Milhaud's Saudades do Brasil Opus 67 for Piano.

Canon : Pour Deux Guitares

Canon (Pujol 2006) Guitare

Saudades Do Brasil (Poche)

Concerto En Do (Pujol 1115)

Chaconne Do M. Violon-Piano

A Prole Do Bebe' N. 1

A Prole Do Bebe' N. 2

Saudades Do Brazil N 4 Corcovado Violon-Piano

Saudades Do Brazil N 6 Sumare Violon -Piano (Levy)

Saudades Do Brazil N 1 Leme Violon-Piano (Levy)

Saudades Do Brazil N 2 Copacabana : Pour Violon & Piano

Saudades Do Brazil N 5 Tijuca : Pour Violon & Piano

Saudades Do Brazil N 3 Ipanema : Pour Violon & Piano

Sonate N 02 Vl Ou Fl-Piano En Do Maj

The Best of Heitor Villa-Lobos : en dix-huit morceaux pour piano

Includes: Tristorosa · A Prole do bebê · Valsa da dor · selections from Guia Prático · and more.

Descobrimento Do Brasil, Suite N. 4 : (Sobre As Cartas De Pero Vaz De Caminha)

A Prole Do Bebe' N. 1 : N. 4: Petite Mulatresse - La Poupee En Caoutchouc

Choral En Canon Op 117 N 2 : Pour 2 Tp/2 Cr/3 Tb/Orgue

Oeuvres Pour Piano II : Piano Works II - Klavierwerke II

Includes historical and performance notes on each piece. Contents: Saudades do brasil, Op. 67 · Caramel mou, Op. 68 · L'Automne, Op. 115 · Quatre Romances sans paroles, Op. 129 · Le Tour de l'exposition, Op. 162 · Hymne deglorification, Op. 331.

Villa-Lobos: Oeuvres pour Piano 1 : Piano Works 1

Heitor Villa-Lobos (1887-1959) was Brazil`s most famous classical composer. This book contains the second set of A PROLE DO BEBE (The Baby´s Family) that depict various animals in a toy menagarie. Includes extensive introductory notes.

O Camundongo de Massa (A Próle do Bébé Vol.2, No.3 : La Souris en Papier mâché (The Papier mâché Mouse)

Sonatina canonica (per due chitarre) : Ed. F. Zigante

The Sonatina canonica for two guitars, opus 196, by Mario Castelnuovo-Tedesco (1895–1968) was composed in 1961 for the legendary guitar duo formed by Ida Presti (1924–1967) and Alexandre Lagoya (1929–1999). It was the first episode of a collaboration which led to a rich series of fine works. Conceived as a canon, the three movements in the Sonatina are a veiled homage to Domenico Scarlatti and his harpsichord music in the Spanish idiom. We have adopted Castelnuovo-Tedesco’s original score, carefully reproducing all the many annotations and indications found in the manuscripts.