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W.A. Mozart: Violin Sonatas - Volume 1 (Henle Urtext Edition)

W.A. Mozart: Violin Sonatas - Volume 1 (Henle Urtext Edition)

This is the first volume of Mozart?s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.301-306, also known as the Kurfustin Sonatas Op.1. This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert, with fingerings by Walther Lampe and Karl Rohrig, and provides you with the most accurate realisation of the composer?s original intentions, with thoroughly comprehensive and detailed editorial markings and suggestions.

SEK 330.00
1

Franz Joseph Haydn: Sonata For Piano And Violin In G

Franz Joseph Haydn: Sonata For Piano And Violin In G

It is not known exactly how many violin sonatas Joseph Haydn composed, since the authorship of several works attributed to him is uncertain. There is even some evidence that the present G major Sonata Hob. XV:32 may be Haydn’s only original work in this genre. The striking correspondence of its opening with the theme of the second movement from Wolfgang Amadeus Mozart’s Sonata in G major K. 301, which is likewise a two-movement violin sonata, could be regarded as a conscious quotation.

SEK 202.00
1

Felix Mendelssohn: Variations op. 17 and Other Pieces for Piano and Violoncello

Felix Mendelssohn: Variations op. 17 and Other Pieces for Piano and Violoncello

Besides two genuine Cello "hits" from the pen of Felix Mendelssohn Bartholdy – the " Variations Op. 17 " and the " Song Without Words Op. 109 " – this urtext edition contains a little sensation: the première publication of a delightful and previously unknown original piece for Cello and Piano. Mendelssohn wrote it down in the album of his friend, the distinguished cellist Julius Rietz, in 1835 while at the pinnacle of his creative powers. All cellists will be happy to welcome this "Album Leaf" into their repertoire.

SEK 314.00
1

Johannes Brahms: Serenade No. 2 In A Major OP 16

Johannes Brahms: Serenade No. 2 In A Major OP 16

In his Serenade no. 2 op. 16, composed in 1858?60, Johannes Brahms keeps to the usual, smaller, scoring for this genre, using pairs of winds and horns as well as low strings (no violins!). His friend Clara Schumann was ?delighted? with the work, but the public reaction was restrained and even Brahms himself was not happy with some details. Thus 15 years after the first performance he rigorously revised the serenade. Henle are now publishing this definitive version from 1875 that was ?new, revised by the author? as a study score with the musical text from the Brahms Complete Edition.

SEK 165.00
1

Felix Mendelssohn: String Quartets op. 44, 1-3

Felix Mendelssohn: String Quartets op. 44, 1-3

“Spirited”, “dramatic”, “highly expressive”, and “masterly” are among the comments made upon Mendelssohn’s String Quartets op. 44 nos 1 3. He wrote them in 1837/1838, at a very happy time: he had just married, was becoming world famous, and had been appointed director of the Leipzig Gewandhaus Concerts, one of the highest positions in the German musical world at that time. The quartets were written in the order 2 (in e minor), 3 (in E-flat major) and 1 (in D major). Mendelssohn himself considered the Quartet in D major as his best perhaps a reason why he placed it at the beginning of the collection.

SEK 658.00
1

Franz Joseph Haydn: Klavierstucke Klaviervariationen

Franz Joseph Haydn: Klavierstucke Klaviervariationen

The works in this volume show the development of Keyboard instruments in an exemplary manner: the early works were intended for Harpsichord, two of which were for an instrument with the so-called “Viennese bass octave”, which enabled the musician to play chords larger than a hand span with one hand. In our edition, these passages have footnotes with suggestions on how to play them. The Pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for Piano, as with the “Largo assai” from the “Reiterquartett”. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.

SEK 334.00
1

Franz Joseph Haydn: Klavierstucke (Urtext)

Franz Joseph Haydn: Klavierstucke (Urtext)

The works in this volume show the development of Keyboard instruments in an exemplary manner: the early works were intended for harpsichord, two of which were for an instrument with the so-called “Viennese bass octave”, which enabled the musician to play chords larger than a hand span with one hand. In this Henle edition, these passages have footnotes with suggestions on how to play them. The Pianoforte was the inspiration behind the later works. Haydn was also happy to arrange his own compositions for Piano, as with the “Largo assai” from the “Reiterquartett”. Christine Schornsheim, a specialist in historical performance practice, provided fingerings for this completely revised and extended Urtext edition.

SEK 324.00
1

Antonín Dvorák: Legends Op. 59

Antonín Dvorák: Legends Op. 59

Following the great success of the Slavonic Dances Op. 46, the publisher Simrock was extremely happy when Dvořák presented him with the prospect of a new cycle for Piano Four Hands, the “ Legends ”, in October 1880. Barely a year was to pass before the new work was published. Shortly before this, Dvořák and Simrock had travelled to Karlsbad with the proofs, where the Viennese music critic Eduard Hanslick was taking the waters. They played through the work together and proofread it. Hanslick was delighted and even became the dedicatee of these ten charming pieces. Later he wrote in a review of the Legends that one felt a “ sense of pleasure ” that “ feels doubly good in our pessimistic times ”.

SEK 271.00
1

Frédéric Chopin: Piano Trio In G Minor Opus 8

Frédéric Chopin: Piano Trio In G Minor Opus 8

Frédéric Chopin composed his piano trio when he was an 18-year-old student. About the performance of the trio on 31 August 1830 he wrote: ?On Sunday we rehearsed the trio. Perhaps because I haven?t heard it for a while, I was very happy with myself (fortunate man!).? Incidentally, Robert Schumann also shared this opinion, writing in a review: ?Is it not as noble as possible, more full of enthusiasm than any song ever written by a poet, original in the smallest detail as in the whole, every note music and life?? We agree with this verdict and recommend this trio in our new Urtext edition to all lovers of highly romantic chamber music.

SEK 462.00
1

Franz Joseph Haydn: Streichtrios Heft II

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

SEK 462.00
1

Antonín Dvorák: String Quartet In A Flat Op.105

Antonín Dvorák: String Quartet In A Flat Op.105

During his time in America (1892-95) Dvorák suffered with homesickness. It was whilst living in New York that he began his String Quartet In A Flat Major but he did not complete the piece until after his return to Bohemia in December 1895. There is no trace of the influence of Indian or African-American music in this, his final chamber work; rather, the piece is striking for the amount of cantabile themes and motives, and their contrasting and artistic treatment. It seems that his relief at seeing his children and family again directly influenced the work. Dvorák himself wrote in a letter during its composition that 'Almighty God has granted us this cheerful moment, and thus we all feel unutterably happy'. This Henle publication is the first Urtext edition of the Quartet since 1955.

SEK 261.00
1

Antonín Dvorák: String Quartet In A Flat Op.105

Antonín Dvorák: String Quartet In A Flat Op.105

During his time in America (1892-95) Dvorák suffered with homesickness. It was whilst living in New York that he began his String Quartet In A Flat Major but he did not complete the piece until after his return to Bohemia in December 1895. There is no trace of the influence of Indian or African-American music in this, his final chamber work; rather, the piece is striking for the amount of cantabile themes and motives, and their contrasting and artistic treatment. It seems that his relief at seeing his children and family again directly influenced the work. Dvorák himself wrote in a letter during its composition that 'Almighty God has granted us this cheerful moment, and thus we all feel unutterably happy'. This Henle publication is the first Urtext edition of the Quartet since 1955.

SEK 165.00
1

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

“Do you love Brahms?” The majority of music lovers will answer “yes”, and they might be thinking of the Waltz op. 39 no. 15 – its gently rocking melody is one of Brahms’s most famous inspirations. Both original versions of this popular miniature for piano solo are now offered by G. Henle Publishers in a practical, stand-alone Urtext edition. The more demanding version in A-flat major (taken from HN 1286) is followed by Brahms’s own easier arrangement in A major (from HN 1287). A must for every Brahms lover!

SEK 102.00
1

Claude Debussy: Préludes, 1er livre

Claude Debussy: Préludes, 1er livre

After several single pieces and several smaller Piano cycles, in 1910 the recently composed Préludes, Premier Livre was published. The title draws on a traditional form, following Chopin’s example. In addition Debussy discreetly characterized his Préludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prélude. This first volume became an immediate success and even today is considered to be the epitome of Debussy ’s Piano artistry. Some of these more substantial pieces are also within reach of those who do not intend to become concert pianists.

SEK 308.00
1

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! This edition contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 367.00
1

Easy Piano Music: Classical and Romantical Eras - Volume 1

Easy Piano Music: Classical and Romantical Eras - Volume 1

With this rewarding “sampler,” beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and compositions from Mozart’s early music books, then goes on to Clementi sonatinas, easy piano sonatas by Haydn, a few single pieces by Beethoven and dances by Schubert, to the first “romantic” works by Robert Schumann. Rounding off each volume are the helpful comments by the knowlegeable piano instructor Walter Georgii. They were selected in such a way that they do not exceed level 4 of difficulty.

SEK 229.00
1

Dvorak: Humoresques Op 101 Piano

Dvorak: Humoresques Op 101 Piano

In the summer of 1894, Antonín Dvořák interrupted his stay in America in order to spend his holidays back in his homeland of Bohemia. During those happy weeks, he wrote his eight Humoresques for piano. But this music is not by no means as “Bohemian” as one might suppose. We know that Dvořák had already sketched some of the material for these pieces in New York, and there are also indications that the composer initially considered writing a series of Scottish dances. In other words, these are thoroughly international pieces, with an inflexion all of their own. And they are of a medium level of difficulty, enabling pianists of all ages to discover a lot more than just the famous, catchy tune of no. 7. This Henle Urtext edition is based on the first print, which the editors have carefully checked against the autograph.

SEK 165.00
1

Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 717.00
1

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.

SEK 457.00
1

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

SEK 271.00
1

Franz Joseph Haydn: Streichtrios Heft I

Franz Joseph Haydn: Streichtrios Heft I

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The first contains Trios Hob. V:1 8 and 10 13. The preface to this Urtext edition offers valuable information about the genesis of the trios. Moreover, it contains numerous hints on performance practice, concerning for example the execution of embellishments.

SEK 595.00
1

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00
1

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher. Jean Paul's "Vorschule der Ästhetik" with its extensive treatment of humour probably occasioned Schumann to think of giving a Piano work the title "Humoreske" ? thus giving birth to a new musical genre. The "romantic humour" is not, however, aimed at humour in a modern sense of the word, but rather at a portrayal of the fragility and contradictory nature of the human condition. As if in a kaleidoscope, Schumann juxtaposes the most diverse elements of form and moods. Ernst Herttrich's revision reflects the latest scholarly findings for this unusual work.

SEK 218.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 271.00
1

Ludwig Van Beethoven: "Ah! Perfido" Op.65

Ludwig Van Beethoven: "Ah! Perfido" Op.65

The origin of this concert aria, which is a core piece in the singer?s repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative was taken from Pietro Metastasio?s ?Achille in Sciro?, but there it was not followed by an aria. It is also not clear why Beethoven only published the piece nine years after writing it. The Critical Commentary at the end of this single edition from HN 970 gives detailed information on the source situation and all aspects of our edition of this dramatic masterpiece. Breitkopf & Härtel are publishing the performing material.

SEK 176.00
1