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J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and includes fingering by Hans-Martin Theopold.

SEK 133.00
1

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

SEK 133.00
1

Robert Schumann: Night Pieces op. 23

Robert Schumann: Night Pieces op. 23

Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. ?Writing a ?Corpse Fantasy? since Monday,? he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title Night Pieces with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should ?pleasantly remind? one of his brother, who had in the meantime died. This is now being publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.

SEK 192.00
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Felix Mendelssohn: String Quintets Op.18 and 87

Felix Mendelssohn: String Quintets Op.18 and 87

The genesis of Mendelssohn ’s String quintets is closely connected to his friend Eduard Rietz and the latter’s brother Julius. Deeply affected by Eduard’s death in 1832, Mendelssohn exchanged the “Minuetto” movement in his A major Quintet Op. 18 , written six years previously, for a newly composed adagio. It was in this form that the work was finally sent to the publisher. The Quintet in B flat major was only published after Mendelssohn ’s death; numerous, unauthorized entries by Julius Rietz thus found their way into performance practice. An examination of the autograph allowed us to return the work to its original form – the commentary contains detailed information on this.

SEK 462.00
1

Franz Joseph Haydn: Streichtrios Heft II

Franz Joseph Haydn: Streichtrios Heft II

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The second contains Trios Hob. V:15 21. The Critical Report provides valuable information about the trios’ genesis and sources.

SEK 462.00
1

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

Joseph Haydn: Streichquartette Op.54/55 (String Quartet)

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! This edition contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 367.00
1

Claude Debussy: Préludes, 1er livre

Claude Debussy: Préludes, 1er livre

After several single pieces and several smaller Piano cycles, in 1910 the recently composed Préludes, Premier Livre was published. The title draws on a traditional form, following Chopin’s example. In addition Debussy discreetly characterized his Préludes by dispensing with titles but giving the pieces programmatic directions at the end of each Prélude. This first volume became an immediate success and even today is considered to be the epitome of Debussy ’s Piano artistry. Some of these more substantial pieces are also within reach of those who do not intend to become concert pianists.

SEK 308.00
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Brahms: Waltz Op 39 No 15 Original & Simplified Piano

Brahms: Waltz Op 39 No 15 Original & Simplified Piano

“Do you love Brahms?” The majority of music lovers will answer “yes”, and they might be thinking of the Waltz op. 39 no. 15 – its gently rocking melody is one of Brahms’s most famous inspirations. Both original versions of this popular miniature for piano solo are now offered by G. Henle Publishers in a practical, stand-alone Urtext edition. The more demanding version in A-flat major (taken from HN 1286) is followed by Brahms’s own easier arrangement in A major (from HN 1287). A must for every Brahms lover!

SEK 102.00
1

Easy Piano Music: Classical and Romantical Eras - Volume 1

Easy Piano Music: Classical and Romantical Eras - Volume 1

With this rewarding “sampler,” beginners can enjoy a stimulating introduction to the standard canon of classical piano literature. The journey begins with little pieces by Daniel Gottlob Türk and compositions from Mozart’s early music books, then goes on to Clementi sonatinas, easy piano sonatas by Haydn, a few single pieces by Beethoven and dances by Schubert, to the first “romantic” works by Robert Schumann. Rounding off each volume are the helpful comments by the knowlegeable piano instructor Walter Georgii. They were selected in such a way that they do not exceed level 4 of difficulty.

SEK 229.00
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Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

SEK 271.00
1

Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

SEK 717.00
1

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Johann Sebastian Bach: Suites, Sonatas, Capriccios, Variations

Apart from the major cycles (partitas, French and English suites), a whole series of separate keyboard suites by Bach have come down to us, including individual sonatas or sonata movements, variations, and fragments of various sorts called Capriccios. None of them reached the degree of popularity of the aforementioned large collections. Most of them go back to Bach’s youth and student years, to wit, to the years between 1700 and 1710, and do not yet reach the mastery of the later years. However, this is compensated by the enormous joy one derives in playing these works.

SEK 457.00
1

Wolfgang Amadeus Mozart: String Duos

Wolfgang Amadeus Mozart: String Duos

After moving to Vienna in 1781, Mozart returned only once to his hometown of Salzburg, and that was from the end of July to the end of October 1783 in the company of his young wife Constanze. Just as we know little for certain about the events of those months, Mozart also seems to have composed equally little there. Just these two exquisite duos for violin and viola come from this period, and even they were apparently written as a friendly favor for Salzburg composer Michael Haydn (younger brother of the great Joseph Haydn), who for reasons of acute ill health was unable to complete a commissioned composition. Henle’s Urtext edition is based on the carefully notated autographmanuscripts, the first edition appeared only in 1792, shortly after Mozart’s death, making its value as a source debatable. In addition to a complete score of this wonderfully intimate chamber music, foldout instrumental parts are included, facilitating comfortable performance.

SEK 250.00
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Franz Joseph Haydn: Streichtrios Heft I

Franz Joseph Haydn: Streichtrios Heft I

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of surprises and provide much playing enjoyment. Based on the Haydn Complete Edition, also published by G. Henle, Haydn’s eighteen surviving string trios are presented in two practical volumes. The first contains Trios Hob. V:1 8 and 10 13. The preface to this Urtext edition offers valuable information about the genesis of the trios. Moreover, it contains numerous hints on performance practice, concerning for example the execution of embellishments.

SEK 595.00
1

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

J.S. Bach: Fantasien, Praludien Und Fugen (Urtext)

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 457.00
1

Ludwig Van Beethoven: "Ah! Perfido" Op.65

Ludwig Van Beethoven: "Ah! Perfido" Op.65

The origin of this concert aria, which is a core piece in the singer?s repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative was taken from Pietro Metastasio?s ?Achille in Sciro?, but there it was not followed by an aria. It is also not clear why Beethoven only published the piece nine years after writing it. The Critical Commentary at the end of this single edition from HN 970 gives detailed information on the source situation and all aspects of our edition of this dramatic masterpiece. Breitkopf & Härtel are publishing the performing material.

SEK 176.00
1

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

Georg Friedrich Händel: Flute Sonatas, Volume II [Hallenser-Sonatas], three Sonatas attributed to Händel (with separate Flute/Basso Continuo part (two

The fact that the three so-called “Hallenser” Sonatas do not all date from Handel’s youth in Halle does not adversely affect their popularity. Since only very little is known about them, and because certain stylistic characteristics suggest an early composition date, the sonatas were formerly assigned to Handel’s Halle years. However, we now know that at least the e minor Sonata was written in London. We include a combined part for Flute/Basso in this Urtext edition, so that both players flautist and accompanist can play from this musical text. We are also offering, in addition to the thoroughbass figuring, a historically-appropriate thoroughbass realization withinthe score.

SEK 271.00
1

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Robert Schumann: Humoresque In B Flat Op.20 - Revised Edition (Urtext)

Do you not know Jean Paul, our great writer? I have learnt more counterpoint from him than from my music teacher. Jean Paul's "Vorschule der Ästhetik" with its extensive treatment of humour probably occasioned Schumann to think of giving a Piano work the title "Humoreske" ? thus giving birth to a new musical genre. The "romantic humour" is not, however, aimed at humour in a modern sense of the word, but rather at a portrayal of the fragility and contradictory nature of the human condition. As if in a kaleidoscope, Schumann juxtaposes the most diverse elements of form and moods. Ernst Herttrich's revision reflects the latest scholarly findings for this unusual work.

SEK 218.00
1

Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Franz Joseph Haydn: Streichquartette Op.20 (Urtext Score)

Joseph Haydn's String Quartets Op.20 were composed in 1772 according to the date of the autographs. They are the last group in the series of string quartets with the opus numbers 9, 17, 20, composed a long time after the early string quartets, in the years around 1770. Following these compositions, several years were to pass before once again before Haydn wrote his next string quartets for a long while following completion of Op.20 does not necessarily imply that he was having a 'crisis'; it might have had to do with the increasing load on Haydn occasioned by the regular performances at the Eszterhaza opera house, leaving him with little time for other activities.

SEK 324.00
1

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Gabriel Fauré: Fantaisie Op. 79 And Morceau De Lecture For Flute And Piano

Fauré ’s exquisite Fantaisie is one of the jewels in chamber music for which we are indebted to his time at the Paris Conservatoire. The Flute professor there, Paul Taffanel, had asked his colleague for a virtuoso examination piece. Fauré presented him with the manuscript in 1898 with the explicit indication “to modify unplayable passages” before using it in the exam. As the autograph score no longer exists, we do not know what and how much Taffanel might have changed; however, the result is a brilliant recital piece. In this Henle edition they have added a little Adagio without opus number that Fauré also composed in 1898 for the exams at the Conservatoire as a sight-reading piece.

SEK 218.00
1

Franz Liszt: Valses Oubliées

Franz Liszt: Valses Oubliées

The ?Valses oubliées? belong to Liszt?s late work, characterised by themes such as memory, sorrow and grief. They do not form a cycle but were written as separate pieces between 1881 and 1884. The title ?Forgotten Waltzes? alludes to the fact that certain forms and genres were no longer fashionable. These four pieces are reminiscent of Liszt?s waltzes for piano from the 1830s, but embed typical melodic and rhythmic clichés from salon waltzes in new harmonic progressions. Up to now only the first of the ?Valses oubliées? has found its way into concert repertoire. This new edition affords pianists an opportunity to discover all four waltzes and their characteristic idiosyncrasies.Valse oubliéeDeuxième Valse oubliéeTroisième Valse oubliéeQuatrième Valse oubliée

SEK 245.00
1

Frédéric Chopin: Piano Sonata In C Minor Op.4 - Urtext

Frédéric Chopin: Piano Sonata In C Minor Op.4 - Urtext

The early Piano Sonata op. 4 offers interesting insights into the young Chopin's compositional development. In all probability written during his student years at the Warsaw Conservatory and highly prized by Chopin himself, the nineteen-year-old composer presented the work to the publisher Tobias Haslinger on a visit to Vienna. But the publisher put off the still unknown composer.It was only when Chopin was at the height of his fame that Haslinger saw a possibility to do business - but this time it was Chopin who declined. Thus his first sonata was never published during his lifetime. To date an inside tip, this work is now available for the first time in Henle quality.

SEK 218.00
1

Ludwig Van Beethoven: Zwei Sonatinen

Ludwig Van Beethoven: Zwei Sonatinen

These two short, unpretentious sonatinas in G major and F major were published during Beethoven’s lifetime in ca. 1807. Since then they have become firmly established in the repertoire for beginners due to their striking beauty. However, it is very unlikely that they were actually written by Beethoven, and for this reason they do not have opus numbers but instead are listed in his catalogue of works as “Anhang/Appendix 5”. Walther Lampe provided the fingerings for this Urtext edition, Lampe was a piano pupil of Clara Schumann, and in turn taught Günter Henle, founder of the music publishing company. Henle described Lampe as an “outstanding performing pianist”. Moreover, hewas one of the leading piano pedagogues of his time.

SEK 128.00
1

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig Van Beethoven: Piano Concerto No. 5 In E Flat Major Op. 73

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fifth Concerto in E-flat major op. 73, first published in 1810/11, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. In order to do justice to Beethoven’s intentions, the composer’s characteristic notation has been retained in the solo part. The preface, by the Beethoven researcher Hans-Werner Küthen, offers valuable details on the source situation and on its historical context, describing the circumstances of the year of itscomposition (1809) during the Napoleonic occupation of Vienna.

SEK 367.00
1

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 3 K.26-31

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume 3 K.26-31

In autumn 1765 Mozart?s family was in Holland, not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she ?had an extraordinary desire to see this child? (according to Leopold Mozart). The Sonatas for Piano K. 26?31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An early copy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text, deleting the misleading additions from this source.With marked and unmarked string parts.

SEK 351.00
1