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Béla Bartók: Allegro Barbaro

Béla Bartók: Allegro Barbaro

One of Béla Bartók 's best-known and most popular works for Piano, the Allegro Barbaro was composed in 1910-11. Bartók himself enjoyed performing the piece in concerts and recorded it several times. A recording from 1929, referred to by Bartók as the “authentic recording”, contains very interesting departures from the printed version as far as tempo, articulation and even the number of ostinato measures are concerned. These elements have been included in the musical text for the first time in this Henle Urtext edition and are clearly annotated. With this first Bartók Urtext edition, editor László Somfai offers an insight into the many and varied musical impulses that will be demonstrated in the Béla Bartók Complete Critical Edition, which will be jointly published by Editio Musica Budapest and G. Henle from 2016.

SEK 160.00
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Robert Schumann: Allegro In B Minor Op.8

Robert Schumann: Allegro In B Minor Op.8

“Everywhere only confused combinations of figures, dissonances, passages – in short, for us torture” – Schumann certainly did not deserve this contemporary slating. He only published the opening movement “Allegro di bravura” of what was originally meant to be a sonata – the other parts were apparently destroyed. Clara, who was otherwise rather reserved as far as Schumann ’s early works were concerned, soon incorporated this piece into her repertoire. Ernestine von Fricken, the dedicatee and with whom Schumann was still engaged at its time of composition, often played it after their separation, even if “with quite curious expression”. Our edition is the result of a thorough revision to incorporate the latest scholarly findings.

SEK 202.00
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Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score. At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the Violoncello. He composed his first Cello sonata in December 1872, immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Cello and Piano op. 43 that also appeared in a version for Orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for Cello, Saint-Saëns wanted to write something “easier” that was also suitable as an encore. In this Henle Urtext edition, David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.

SEK 160.00
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Ravel: Introduction & Allegro Harp/Flute/Clarinet/String Quartet Parts

Ravel: Introduction & Allegro Harp/Flute/Clarinet/String Quartet Parts

In June 1905, Ravel told a friend shortly before setting off on a long holiday: “I was terribly busy because of a piece for harp commissioned by the Érard company. I was able to finish it after a fashion, thanks to 8 days of dogged work and three sleepless nights”. But the piece itself shows nothing of the haste in which it was written. In fact, it seems as if Ravel knew how to explore all the musical possibilities of the harp in this brief, but highly striking piece. This septet with its unusual combination of instruments is a further enrichment of Henle’s Urtext editions of Ravel’s chamber music.

SEK 245.00
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Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Antonín Dvorák: Sonatina For Piano And Violin In G Op.100

Sonatina In G, Op.100  was written in New York in 1893. Scored for Violin and Piano, it comprises four movements: Allegro Risoluto - Larghetto (Indian Lament) - Scherzo and Trio: Molto Vivace - Finale: Allegro . It was intended for the composer’s children, making the simple melodic lines and unadorned harmonies an accessible favourite of many young violinists. A delightful and rewarding piece, it is perfect for any recital. Antonin Dvorak (1841-1904) was best known for his New World Symphony, composed in the short time he spent in America – the rest of his career was spent in his native Bohemia and the rest of Europe.

SEK 208.00
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J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

J.S. Bach: Concerto For Violin And Orchestra In E BWV 1042

The Concerto For Violin And Orchestra In E (BWV 1042) was written in three movements: Allegro – Adagio – Allegro Assai . Its history is somewhat vague, as no autograph manuscript survives. Originally scored for Violin, Strings, and Continuo, it is presented here with a Piano reduction. Editorial suggestions for bowing and fingering have been provided, together with a “clean” copy for the violinist’s own use. J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. He spent most of his life working as an organist and choirmaster, but was also employed as a composer a many different Royal Courts.

SEK 234.00
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Felix Mendelssohn: Sonata for Piano and Violoncello D major op. 58

Felix Mendelssohn: Sonata for Piano and Violoncello D major op. 58

The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria, and also made several trips to Scotland, inspiring some of his best-known and most evocative works. Mendelssohn’s Cello Sonata No.2 in D Major (Op. 58) was composed in 1843 for Cello and Piano. It is scored in four movements: Allegro Assai Vivace - Allegretto Scherzando - Adagio - Molto Allegro E Vivace . It is heavily influenced by Bach, borrowing elements of both structure and melody from some of Bach’s works. This Urtext edition is published by Henle Verlag.

SEK 330.00
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Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn: Works For Piano Four-Hands

Felix Mendelssohn Bartholdy knew that he could rely on his highly gifted sister Fanny as a partner in four-hand piano pieces. While he wrote only a few works of this sort, the two pieces presented here are superb examples of the genre. The Andante con variazioni, op. 83, presents a further development of his cycle of the same name for piano two-hands. The Duet Andante and Allegro assai vivace was formerly known as the Allegro brillant, op. 92. This latter, however, is only the first version of the work, from which the lovely slow introduction is still missing. Henle Verlag is now publishing Mendelssohn’s complete and revised final version for the first time, the earlyversion is also provided, in an Appendix, for purposes of comparison.

SEK 409.00
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Easy Piano Music - 18th And 19th Centuries - Volume I

Easy Piano Music - 18th And 19th Centuries - Volume I

Pieces include: W.F. Bach 'Fugue', C.P.E. Bach 'La Stahl', Hassler 'Allegro', Mozart 'Andantino', Mozart 'Courante', Beethoven 'Bagatelle', Schubert 'Bagatelle', Schubert 'Scherzo', Schumann 'Eintritt', Schumann 'Einsame Blumen', Mendelssohn 'Allegretto', Hellerc 'Etude', Jensen 'Intermezzo', Chopin 'Prelude', Chopin 'Mazurka', Liszt 'Hymne De L'Enfant A Son Reveil', Mussorgski 'En Trane', Mussorgski 'Meditation', Grieg 'Voglein', MacDowell 'From An Indian Lodge'.

SEK 192.00
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Ludwig Van Beethoven: Piano Sonata No. 3 In C Op. 2 No. 3

Ludwig Van Beethoven: Piano Sonata No. 3 In C Op. 2 No. 3

Beethoven’s three Piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signalling to the music world the special importance that he assigned to them. He wrote them during his first years in Vienna and, along with his op. 1 piano trios op. 1, they helped to establish his reputation as one of the most significant composers of his time. These three sonatas – all of them small masterpieces – are arranged in ascending order of difficulty and virtuosity. This large-scale Sonata in C is notable for its swift outer movements, marked Allegro con brio and Allegro assai respectively. They demand a considerable degree of virtuosity from even experienced performers. If all goes well, the audience will marvel! Murray Perahia’s fingerings have been tried and tested over several decades of performing these works, and offer a new approach to these milestones of the piano repertoire.

SEK 192.00
1

Franz Joseph Haydn: Violin Concerto In G Major (With Piano Reduction)

Franz Joseph Haydn: Violin Concerto In G Major (With Piano Reduction)

Violin Concerto In G major is considered to be the earliest of Joseph Haydn ’s Violin concertos and was apparently written before he was taken into the service of the Esterházy family. It was first published a century after the Austrian composer’s death, in 1909, and was little known before. The concerto is lovely and ingratiating to the ear, consisting of 3 movements ( Allegro moderato , Adagio and Allegro ) with a total performance time of under 20 minutes. The unmatched intimacy and loveliness of the uniquely beautiful Adagio and the high spirited final movement with its charming Bagpipe imitation will put players and audiences alike in the best of moods from the outset. This Urtext edition provides you with a clear and accurate representation of the composer's original intentions. The Orchestra part is reduced to a Piano accompaniment and two copies of the Violin score, which is identical to that of the Haydn-Gesamtausgabe, are enclosed as separate inserts. A preface in German, English and French by editor Günter Thomas is included as well.

SEK 224.00
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J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and includes fingering by Hans-Martin Theopold.

SEK 133.00
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J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach: Capriccio Sopra La Lontananza Del Fratro Dilettissimo In B Flat BWV 992

J. S. Bach composed his Capriccio Sopra La Lontananza Del Suo Fratello Dilettissimo (Capriccio On The Departure Of A Beloved Brother) in the early years of his career. It is rumored that the piece was written and performed by a nineteen-year-old Bach on the occasion of his brother Johann Jacob leaving home to become an oboist in the army of Charles XII in Sweden. The work is possibly modeled on the Biblical Sonatas of Johann Kuhnau. This Henle Urtext Edition for solo Piano has been edited by Georg von Dadelsen and does not include fingering.

SEK 133.00
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Frederic Chopin: Piano Pieces

Frederic Chopin: Piano Pieces

Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 the finest Chopin, availablein Henle paperback, cloth-bound, and study editions.

SEK 589.00
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Johann Sebastian Bach: Flotensonaten I - Die Vier Authentischen Sonaten

Johann Sebastian Bach: Flotensonaten I - Die Vier Authentischen Sonaten

The four Bach flute sonatas presented in this volume offer a genuine variety both in style and transmission. The first two are thoroughbass sonatas conceived for flute, string bass and harpsichord. Their time of origin is uncertain and might even date back to Bach’s Köthen period. In the transmitted version with obbligato harpsichord, the sonatas in b minor and A major BWV 1030 and 1032 are most probably arrrangements of earlier, no longer surviving works. The compositional interweaving of the sonatas for flute and harpsichord reaches its apogee in the contemplative b minor sonata, which is a masterpiece of the flute repertoire. By contrast, the A major sonata iscaptivating for its brilliant joyfulness and radiant colour.

SEK 345.00
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W.A. Mozart: Klarinettenquintett KV.581 Fragment KV.Anh.91

W.A. Mozart: Klarinettenquintett KV.581 Fragment KV.Anh.91

Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”, which was written two years before his death. Like almost all his works for the Clarinet, this Quintet was probably intended originally for the Basset Clarinet. However, it survives only in two posthumous prints, both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

SEK 261.00
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Wolfgang Amadeus Mozart: Clarinet Quintet In A Major K.581 And Fragment K.Anh.91 (516c)

Wolfgang Amadeus Mozart: Clarinet Quintet In A Major K.581 And Fragment K.Anh.91 (516c)

Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orchestra in Vienna, prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets”, which was written two years before his death. Like almost all his works for the Clarinet, this Quintet was probably intended originally for the Basset Clarinet. However, it survives only in two posthumous prints, both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus, the appendix contains a fragmentary Allegro in Bb major for the same combination of instruments.

SEK 149.00
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Ludwig Van Beethoven: Piano Sonata In C Minor, Op. 10, No. 1

Ludwig Van Beethoven: Piano Sonata In C Minor, Op. 10, No. 1

The Piano Sonata No. 5 in C Minor (Op.10, No.1) was written in 1798 and dedicated to Anna Margarete von Browne, the wife of a Russian diplomat who was Beethoven's main patron at the time. One of his earlier works, it is in three movements: Allegro molto e con brio - Adagio molto – Prestissimo . Ludwig van Beethoven (1770 – 1827) was a German composer and pianist, and arguably the most famous composer of all time. He was the last great figure of the Classical era, and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies, 5 Piano Concertos, 1 Violin Concerto, 32 Piano Sonatas, and 16 String Quartets.

SEK 112.00
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Robert Schumann: Night Pieces op. 23

Robert Schumann: Night Pieces op. 23

Gloomy premonitions plagued Schumann whilst he was working on his latest composition in 1839. The news that his brother Eduard was dying had deeply shaken him. ?Writing a ?Corpse Fantasy? since Monday,? he wrote in his diary on 31 March. While he was preparing the composition for publication three-quarters of a year later, he chose the title Night Pieces with reference to E. T. A. Hoffmann. However, Schumann probably did not want the work to be perceived as being so nocturnal and dark, because he associated with it the desire that it should ?pleasantly remind? one of his brother, who had in the meantime died. This is now being publishing it in a newly revised version by Ernst Herttrich reflecting the latest in scholarly research.

SEK 192.00
1

Easy Piano Music - 18th And 19th Centuries - Volume II

Easy Piano Music - 18th And 19th Centuries - Volume II

I. Albeniz Zortziko from Espana op. 165; C. Ph. E. Bach Abschied vom Silbermannschen Clavier in einem Rondeau Wq 66; W. F. Bach Polonaise c from 12 Polonaises; L. van Beethoven Bagatelle C WoO 56; J. Brahms Intermezzo a op. 76,7; F. Chopin Mazurka g op. 24,1, Nocturne g op. 37,1, Waltz b op. 69,2; M. Cipra Old Dance; A. Dvovak Humoresque Ab op. 101,3; F. Liszt Il Pensieroso from Annees de Pelerinage; F. Mendelssohn Bartholdy Allegro non troppo G op. 72,1; W. A. Mozart Minuet D K. 355 (576b); M. Mussorgskij Im Dorf op. post. 70,15; F. Schubert Minuet Eb from Sonata op. post. 122 D 568; R. Schumann Walzer, Larghetto and Elfe from Album Leaves op. 124; B. Smetana Polka poetique g op. 8,2.

SEK 205.00
1

Robert Schumann: Klaviersonate Op.11 (Urtext)

Robert Schumann: Klaviersonate Op.11 (Urtext)

Following Schumann ’s first, evidently unsuccessful attempt at composing a "Sonata" - he only had the opening movement published under the title "Allegro in b minor" - he tried once again in 1833. It is a well-known fact that this sonata was composed while he was in close contact with Clara Wieck, who was thirteen at the time. Individual motifs from it can be found later in Clara’s work; but by the same token, individual figures can be found in the sonata which point to Clara’s “Pièces caractéristiques” op. 5. In addition Schumann used an almost literal adaptation of his song “To Anna” for the second movement. We have included this in the appendix of our edition and in so doing show the roots of this composition.

SEK 308.00
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Robert Schumann: Romances For Oboe And Piano Op.94

Robert Schumann: Romances For Oboe And Piano Op.94

In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the “Drei Fantasiestücke” op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these “Drei Romanzen” op. 94. In the first Romance we have a ballade-like mood in a minor. The second romance resembles a song without words, and is in A major, while the finale, with its calling motifs and piano arpeggios, recalls the popular poems of Northern Europe of the time. Composed in December 1849, the Romanzen were presented to Schumann’s wife Clara as a Christmas present. This manuscript does not survive, but it has been possible to consult some autograph sketches for our Urtext. Theeditor’s preface and commentary provide extensive information about the sources and the textual problems encountered.

SEK 202.00
1

Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms: Sonatas for Piano and Violin

Johannes Brahms began to manifest a keen interest in the genre of the violin sonata at an early age. In fall 1853 he offered the Leipzig publisher a violin sonata in a minor. The work was turned down, however, and the self-critical Brahms must have destroyed it himself later. He ultimately wrote his three major sonatas during his years of maturity: op. 78 in the summers of 1878/79, opp. 100 and 108 in the summer of 1886. The Scherzo in c minor was Brahms’ contribution to the violin sonata which he composed jointly with Robert Schumann and Albert Dietrich in 1853 as a surprise gift for the violinist Joseph Joachim, and which is known under the name “F. A. E. Sonata.”With its sharp contrasts between the furious Allegro and emotional Più moderato sections, the Scherzo piece is a beloved bravura showcase.

SEK 696.00
1