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Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Henle Urtext edition also contains additional parts for Horns in F.

SEK 457.00

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Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77 . Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I.” Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call Op. 77, no. 2, his “most beautiful String quartet”.

SEK 271.00

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Johann Sebastian Bach: English Suites BWV 806-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “ English Suites ” is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103).

SEK 208.00

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Franz Joseph Haydn: Streichquartette Op.33 (Urtext Score)

Joseph Haydn's string quartet Op.33 occupy a special place amongst his works for quartet. After not having composed any string quartets for almost ten years, this series, written in 1781, marked the beginning of a long phase of continuous work on the genre up to the last unfinished Quartet Op.103 in 1803.Moreover, they are the first string quartets that we definitely know he wrote with publication in mind. A new contract of service in 1779 not only permitted the Kapellmeister at Prince Esterhazy's court to take on external commissions for compositions but also to arrange for the circulation of his works, thus generating extra income.

SEK 319.00

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J.S.Bach: English Suites BWV 806-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “English” suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).

SEK 441.00

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J.S.Bach: English Suites 4-6 BWV 809-811

Although people might like to think that the “ English Suites ” were composed after the “French Suites” (HN 71), “the temperamental and in part virtuoso flow of these Suites is more characteristic of the musical language of the young Bach ” (from our preface). The kaleidoscopic variety of the six “English” suites is breathtaking. One lifetime is not enough to exhaustively comprehend and penetrate them. We provide the sustainable musical basis for this, in different formats: the complete paperbound volume (HN 100), clothbound (HN 101), divided into Nos. 1–3 (HN 102) and Nos. 4–6 (HN 103) and last but not least in a very good value study edition with the identical musical text (HN 9100).

SEK 154.00

1

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