Do-Re-Mi

One of the landmark musicals of all time, The Sound of Music featured a number of enduring melodies - none more popular with musicians in particular than Do-Re-Mi! Here's a clever arrangement that features the melody traded around the band from section to section.

Do I Hear a Waltz

Complete vocal score to the only Richard Rodgers and Stephen Sondheim collaboration. 17 songs, including: Do I Hear a Waltz? * Here We Are Again * Moon in My Window * Perfectly Lovely Couple * Someone like You * Take the Moment *Thinking * We're Gonna Be All Right * and more.

On My Own Do You Hear The People Sing : From Les Miserables

Including some of the most dramatic music from Les Mis?rables, this closing production starts with the melodic On My Own. The rousing march Do You Hear the People Sing? begins very quietly then builds steadily to a dynamic finish.

'Deed I Do

Continuing the fine big band tradition of Count Basie and Thad Jones, John Clayton's exquisite chart on this standard tune blazes a trail of excitement and power. Written as a medium up-tempo swinger, the saxes are featured offthe top, followed by trade-off solos for trombones and trumpets, and later a tenor solo. A screaming shout chorus takes us out.

What'Ll I Do?

Mark has taken this Irving Berlin favorite and crafted a marvelous setting for solo flugelhorn using a unique 3/4 samba feel. Beautifully supported by the ensemble, and all of the solo part is written out.

Do It Again

No one could pen a melody like Gershwin and this lesser known song is still a gem. The trombones take the lead the first time around followed by the trumpets and later the saxes. This medium swing chart is nicely scored for the entire ensemble with no solos required.

Monkey See, Monkey Do

Based on the blues in F and featuring a catchy riff traded around the band, here is the perfect swing chart for beginning jazzers! Rick carefully uses tutti rhythms for ease in learning, and the sample solo can be played by any sax, or by the entire section.

Do Wah Diddy Diddy

Here she comes, just a walkin' down the street - a classic pop tune that everybody knows and it works great for strings, echo effects and all. It's fun, infectious, and easy to play.

In Remembrance

This lyrical and emotional setting by John Leavitt creates a harmonic tapestry that perfectly matches the text of unknown origin: “Do not stand at my grave and weep. I am not there, I do not sleep,” Creating anatmosphere of hope and assurance, it begins softly and gradually builds to a full and dramatic expression, then recedes into quiet reflection. Available separately: SATB, SSA, TTB, ChoirTrax CD. Score and parts available as aprinted edition and as a digital download (fl 1-2, ob, cl 1-2 (in A), bn, perc 1-2, hp, vn 1-2, va, vc, db). Duration: ca. 3:00.

All I Do Is Win

Pump up the energy in your stadium with this driving arrangement of the recent chart hit recorded by DJ Khaled. A great style and tempo for dancin' or groovin'!

What a Man Gotta Do

The Jonas Brothers continue their impressive comeback with this high-energy rocker. Matt's version for younger bands beautifully captures the upbeat flavor of the original and will sound great with limited rehearsal.

'Deed I Do : (Key: F)

Do You Believe In Love

The breakthrough hit for Huey Lewis & the News back in 1982, this infectious rock tune remains as appealing now as it was 30 years ago! Michael's arrangement takes full advantage of the energetic style and soaring chorus.

Why Don'T You Do Right?

One of Peggy Lee's first recorded hits with the Benny Goodman Orchestra was this bluesy swing tune. The vocal part is not that difficult and Jerry's accompaniment works great.

Do You Hear What I Hear

Similar to his acclaimed version of Gabriel's Oboe, Robert has provided another flexible program piece that features a solo player accompanied by string orchestra. Parts are provided for violin, flute, oboe, clarinet, altosaxophone, or trumpet soloist. A nice holiday showcase to feature a special student player. Dur: 2:30

Do You Hear What I Hear?

This is without a doubt one of the finest easy band arrangements of the Christmas season. This one you can't afford to pass up!

Do You Hear What I Hear

Originally composed in 1962, few holiday songs can boast being recorded by so many varied artists, or maintaining a level of continued popularity as this masterful song. Based on the version recorded by the cast of Glee on their 2nd Christmasalbum, here is a standout arrangement for young band sure to be a holiday favourite.

Do You Hear What I Hear

Expert Level (correlates with Book 2, p. 15) The carol that never seems to grow old, here is an excellent version that will make young bands shine.

Do You Hear What I Hear

This setting of the perennial Christmas favorite has a refreshing quality about it with creative style and key changes. Now available with a new orchestration by John Leavitt, it is even more ideal for school, church and community performances.

Do You Hear What I Hear

Do You Hear What I Hear?

Two of our most talented writers have joined forces to create a refreshing new setting of this holiday standard. Also available: 47123065/$1.60 SATB * 47123066/$1.60 SAB * 47123067/$1.60 2-Part * 47123065/$1.60 SATB * 59225060/$35.00 opt. String Pak

It Don't Mean a Thing (If it Ain't got that Swing)

Do-wat, do-wat, do-wat, do-wat... the signature riff from Duke Ellington's jazz standard is a great audience pleaser. Easy and fun to play, you can program this great entertainment spot anywhere.

It Don't Mean a Thing (If it Ain't got that Swing)

Do-wat, do-wat, do-wat, do-wat... the signature riff from Duke Ellington's jazz standard is a great audience pleaser. Easy and fun to play, you can program this great entertainment spot anywhere.

Do Nothing' Till You Hear From Me

One of the true gems from the Ellington catalog of great songs, here is a marvelous setting for vocal soloist with jazz ensemble. The style is slow swing, and the mood is sensuous and lush.

Do Nothin' Till You Hear From Me

Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sultry swing version of the Duke Ellington favorite. According to John, it's about grooving and having fun.