W.A. Mozart: Sonata In C K.545 (Book And CD)

Besides composing for every genre, the great Mozart was a performing Keyboard player, playing his own original works on concerts from an early age. His numerous solo Piano pieces and Piano concertos remain, of course, important staples of the repertoire. This edition showcases the justly famous Sonata in C Majors, K.545, also known as 'Sonata Facile' or 'Easy Sonata'.

What Shall We Do With A Drunken Sailor?

Arrangement of the traditional English sea shanty What Shall We Do With A Drunken Sailor for male voice choir, with piano accompaniment for rehearsal purposes.

Elliott Carter: Canon For Three Equal Instruments 'In Memoriam Igor Stravinsky' (C and B Flat Parts)

Composer's NoteThe Canon For Three - In Memoriam Igor Stravinsky (for three equal instrumental voices: at the augmented fourth by inversion and at the unison) was composed for one of the Stravinsky memorial issues of the English music magazine Tempo, at the request of David Drew, its editor.In proposing the canonic form to a group of European and American composers, he was following the lead of Stravinsky himself, who wrote a number of commemorative pieces in this form.This canon may be performed by three trumpets with different mutes; or by 1) muted trumpet, 2) Clarinet, 3) Oboe; or by any three instruments having the range of the score written in C.To facilitate performance, this edition contains 'playing scores' both in C and B-flat.

Piano Sonata in C Major, K.545 : Schirmer Performance Editions

You Do Not Walk Alone (Arr. DiOrio) (TTBB)

Commissioned by the Gay Men's Chorus of Washington D.C., this new voicing becomes even more meaningful in turbulent times. This traditional Irish blessing speaks of those who give support in times of trial with a musical tapestry of unadorned, a cappella mixed chorus. The occasional divisi creates a sonic wash of color and overtones. Together in song, we do not walk alone.

W.A. Mozart: Piano Sonata No.15 In C Major K.545

The most celebrated of Mozart's sonatas, cherished for its relative simplicity. The original manuscript however is lost, and the work was published posthumously.

Edvard Grieg: Accompaniment For Second Piano To Mozart Sonata K.545

Here is Mozart's Sonata III In C Major with an accompaniment for second piano composed by Edvard Grieg.

Wolfgang Amadeus Mozart: Piano Sonata No.16 In B Flat K.570

This work, Mozart's penultimate Piano Sonata, was composed in 1789, a barren year for composition by the composer's prolific standards. Like the 'facile' Piano Sonata K.545, it seems that this work was composed for didactic purposes.

Gregg Smith: Fear Not Good Shepherds

Canon for SSA Choir from 'Bible Songs for Young Voices'.

Elliott Carter: Canonic Suite For Four Alto Saxophones (Score/Parts)

The Canonic Suite for quartet of alto saxophones is a revision, made in 1981, of the Suite For Quartet Of Alto Saxophones. It was awarded a prize in 1945 by Broadcast Music, Inc. and was first published that year. The Fanfare is a canon in four parts at the unison; the Nocturne, a four-part canon in inversion (Sax 2), retrograde (Sax 3), and retrograde - inversion (Sax 4); the Tarantella, a four-part canon at the second above.

Monkey See Monkey Do

Vocal Score. English Only.

What Love Can Do

An arrangement for a four-part SATB Choir of mixed voices with Piano accompaniment of this wonderful, traditional English folk-song. Arranged by Margaret Vance.

Gregg Smith: The Lord Is My Shepherd

From 'Bible Songs for Young Voices'. A Canon for Two-Part Chorus of Young Voices with Piano Accompaniment.

Theron Kirk: School, I Could Do Without

For three-part chorus of treble voices with piano accompaniment.

W.A. Mozart: Ave Verum Corpus (SAB)

Mozart's classic Ave Verum Corpus, which has been called ?the most perfectly structured composition in the Western canon?, arranged by Dick Averre for SAB voice and Organ. Essential repertoire for choirs.

W.A. Mozart: Ave Verum Corpus (SATB)

The classic SATB with organ version of Mozart's Ave Verum Corpus, which has been called "the most perfectly structured composition in the Western canon". Essential repertoire for choirs. Edited by Frederic York.

Schirmer's Library Of Musical Classics Volume 2120: The Classical Era Piano Album

This volume in Schirmer's Library Of Musical Classics contains 15 classical pieces for solo Piano by three of the world's most celebrated composers - Ludwig Van Beethoven, Wolfgang Amadeus Mozart and Franz Joseph Haydn. Many of these composers' best-known works are included, such as Beethoven's Für Elise WoO59 and Moonlight Sonata Op.27, No.2 , Haydn's Piano Sonata in D Major Hob. XVI:37 and Mozart's Piano Sonata in C Major K.545.

Louis Bourgeois: All People That On Earth Do Dwell

For SATB Choir with accompaniment.

What Shall We Do With The Drunken Sailor (SATB Arr. G. Smith)

Arrangement for SATB Choir A Cappella.

Don't Touch-A My Garment A Cappella And Solo Baritone Negro Spiritual

The spiritual Do-Don't Touch-A My Garment arranged by Robert Shaw for TTBB choir a cappella with a Baritone soloist.

Franz Abt: Practical Singing Tutor (Complete) Soprano/Tenor

Although this tutor is well over a hundred years old, the methods and pieces remain appropriate today. It teaches everything from breathing, tone and posture to practice methods. Ideal for those who do not wish to learn the 'pop' style exercises which are found in many modern tutors. This item is also of note for those with an interest in historical tutors.

Jeffrey Douma: I Am Loved As I Love

Using the sturdy but lilting Shaker tune, Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it was when it was written, Wherever I am called, whatever I can do, shall be done in the name of the good and true, this can be a powerful learning experience for all involved.

Dominick DiOrio: I Am

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I Am as a mantra for existence. The use of a dramatic Soprano solo is both a musical and theatrical choice, with the soloist communicating as if from beyond death to those still alive. The chorus is also a character interaction, at times reclusive or electric, but always with a steely presence.

Ernest Bloch: Chanty (Brass Sextet)

The sea depicted in 'Poems of the Sea' from which this 'Chanty' was taken are neither as dramatically stormy as in 'The Flying Dutchman' nor as reflective as Debussy's in 'La Mer'. Instead, they are gentle without being placid and energetic without being turbulent. 'Chanty' itself is far removed form the kind of sea shanty exemplified by 'What Shall We Do With The Drunken Sailor' - this is a reflective piece with a touching melody. It is here arranged for Brass Sextet by R.W. Landes.

Gilbert And Sullivan: The Mikado (Vocal Score)

After creating eight works for the stage, Gilbert and Sullivan outdid themselves with a macabre farce set in the Far East. It is the most popular Gilbert and Sullivan opera, and arguably the most popular opera ever written. This may have had something to do with the vogue for all things Japanese at the time, but it is also due to the universal appeal of the characters - every culture has a bribe-hungry Pooh-Bah, giggling schoolgirls, and a pathetic, elderly Katisha.This is the edition of the Vocal Score, edited by Bryceson Treharne.