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Piano Sonata No. 22 in F Major Op. 54

Piano Sonata No. 22 in F Major Op. 54

Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings – and his own commentary on the meaning of this sonata. Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examinean original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings – and his own commentary on the meaning of this sonata.

SEK 133.00
1

Piano Sonatas Vol. II

Piano Sonatas Vol. II

In celebration of Beethoven Year 2020, G. Henle Publishers presents the first of three volumes with the complete piano sonatas by Ludwig van Beethoven in a new Urtext edition, prepared by Maestro Murray Perahia and the renowned Beethoven expert at G. Henle Publishers, Norbert Gertsch. This volume contains the eleven sonatas published between 1802 and 1806, nos. 12 to 22, op. 26 to 54. All the sonatas have been edited to reflect the current state of research and include an extensive preface and a Critical Report that presents the source situation and problems of readings. Along with his invaluable fingerings, Murray Perahia bestows upon the piano world his in-depthreflections on the emotional world and structural makeup of these compositions. In celebration of Beethoven Year 2020, G. Henle Publishers presents the first of three volumes with the complete piano sonatas by Ludwig van Beethoven in a new Urtext edition, prepared by Maestro Murray Perahia and the renowned Beethoven expert at G. Henle Publishers, Norbert Gertsch. This volume contains the eleven sonatas published between 1802 and 1806, nos. 12 to 22, op. 26 to 54. All the sonatas have been edited to reflect the current state of research and include an extensive preface and a Critical Report that presents the source situation and problems of readings. Along with his invaluable fingerings, Murray Perahia bestows upon the piano world his in-depthreflections on the emotional world and structural makeup of these compositions.

SEK 833.00
1

Piano Sonatas Vol. II

Piano Sonatas Vol. II

In celebration of Beethoven Year 2020, G. Henle Publishers presents the first of three volumes with the complete piano sonatas by Ludwig van Beethoven in a new Urtext edition, prepared by Maestro Murray Perahia and the renowned Beethoven expert at G. Henle Publishers, Norbert Gertsch. This volume contains the eleven sonatas published between 1802 and 1806, nos. 12 to 22, op. 26 to 54. All the sonatas have been edited to reflect the current state of research and include an extensive preface and a Critical Report that presents the source situation and problems of readings. Along with his invaluable fingerings, Murray Perahia bestows upon the piano world his in-depthreflections on the emotional world and structural makeup of these compositions. In celebration of Beethoven Year 2020, G. Henle Publishers presents the first of three volumes with the complete piano sonatas by Ludwig van Beethoven in a new Urtext edition, prepared by Maestro Murray Perahia and the renowned Beethoven expert at G. Henle Publishers, Norbert Gertsch. This volume contains the eleven sonatas published between 1802 and 1806, nos. 12 to 22, op. 26 to 54. All the sonatas have been edited to reflect the current state of research and include an extensive preface and a Critical Report that presents the source situation and problems of readings. Along with his invaluable fingerings, Murray Perahia bestows upon the piano world his in-depthreflections on the emotional world and structural makeup of these compositions.

SEK 536.00
1

32 Variation Works WoO 64, 70, 77

32 Variation Works WoO 64, 70, 77

The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song), contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello), and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition, with its extensive preface and commentary section, was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings. The compositions united here provide a good overview of the diversity of the variation genre in Beethoven’s early piano works – and present such moderate technical demands that even advanced beginners might try their hand at them. Beethoven found the models for these variations in popular song collections (WoO 64 on a Swiss song), contemporary opera performances (WoO 70 on “Nel cor più non mi sento” by Giovanni Paisiello), and his own compositions (WoO 77 on a theme from the finale of Piano Sonata op. 22). The revised musical text of the Henle Urtext edition, with its extensive preface and commentary section, was prepared on the basis of the Critical Report in the BeethovenComplete Edition and is published as a stand-alone edition from “Variations for Piano I/II” (HN 1267 and 1269). Ian Fountain provided the fingerings.

SEK 133.00
1

Samtliche Klavierwerke Band 4 (Clothbound)

Sämtliche Klavierwerke Band 4