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Trio Sonata Canon Perpetuos : aus dem Musikalischen Opfer

Trio Sonata Canon Perpetuos : aus dem Musikalischen Opfer

Bach’s Trio Sonata for flute, violin and basso continuo from the Musical Offering is probably the pre-eminent trio sonata in music history. When Bach met King Frederick the Great in Potsdam in 1747, the sovereign presented the composer with the celebrated “Royal Theme”, composed by himself. It underpins the entire Musical Offering, which also contains several fugues and canons as well as the Trio Sonata. The Canon perpetuus that follows the Trio can also be played by a trio. The term “perpetuus” here means that the performers themselves are to determine when the canon ends.

SEK 271.00
1

Complete Piano Sonatas Volume II w/o fg pb. : Edition without fingering

Complete Piano Sonatas Volume II w/o fg pb. : Edition without fingering

The revision of the three-volume edition of Haydn’s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure” Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

SEK 436.00
1

Five Famous Piano Sonatas

Five Famous Piano Sonatas

Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia. Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia.

SEK 319.00
1

Complete Piano Sonatas Volume III w/o fg pb. : Edition without fingering

Complete Piano Sonatas Volume III w/o fg pb. : Edition without fingering

The revision of the three-volume edition of Haydn’s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure” Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume III offers the crowning achievement of Haydn’s sonata-writing with these late works, including famous works such as the stormy Sonata in e minor Hob. XVI:34 and the grand” Sonata in E-flat major Hob. XVI:52. Superbly laid-out settings for the piano are combined here with great musical expressivity, which is why these sonatas remain firmly anchored in concert life to this day.

SEK 399.00
1

Complete Piano Sonatas Volume I w/o fg pb. : Edition without fingering

Complete Piano Sonatas Volume I w/o fg pb. : Edition without fingering

The revision of the three-volume edition of Haydn’s piano sonatas also appears in a version without fingerings. Whoever wishes to study the Classical sonata canon in pure” Urtext, free from added fingering suggestions, will now also find these in the Henle catalogue. Volume I contains Haydn’s early sonatas, very much still born of the spirit of the early Classical period: catchy music, fun to play, often at a moderate level of difficulty, without which modern piano instruction would be nearly unthinkable. Time and again, the authenticity of individual sonatas from this group has been questioned – the preface by Armin Raab, the Scholarly Director of the Joseph Haydn Institute,now provides comprehensive information on new findings regarding this important topic area.

SEK 436.00
1

Complete Piano Sonatas Volume II cb.

Complete Piano Sonatas Volume II cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

SEK 642.00
1

Complete Piano Sonatas Volume II pb.

Complete Piano Sonatas Volume II pb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

SEK 436.00
1

Fantasies, Preludes and Fugues : Fantasies, Preludes and Fugues

Fantasies, Preludes and Fugues : Fantasies, Preludes and Fugues

In contrast to the large collections of partitas, along with the French and English Suites, Bach’s Fantasies, and his Preludes and Fugues besides the Well-Tempered Clavier have not come down to us as interconnected cycles. Perhaps this is one of the reasons why only few of these works gained widespread popularity. Only the much-acclaimed Chromatic Fantasy and Fugue BWV 903/903a and the great c-minor Fantasy BWV 919 have found a permanent place in pianists’ concert repertoires. Some of the works compiled in this volume are undoubtedly juvenilia that do not yet hint at the mature Bach whilst nevertheless pointing out the composer’s fresh power of invention.

SEK 696.00
1

Waltzes Op.39 : Easy Arrangement

Waltzes Op.39 : Easy Arrangement

Following the publication of the 16 Waltzes for piano four hands, Brahms' publisher succeeded in persuading the composer to do a version for piano solo. After initially hesitating, Brahms suggested two versions, one for cleverhands and one - perhaps for the more beautiful ones. Both versions were published in 1867. The simplified one, which Brahms also called the version for children, not only thins out some of the full chords but also transposescomplicated keys. Thus no. 6 is no longer in C sharp major but in the easier key of C major instead. Henle is now issuing this simplified version of the popular Op. 39 based on the revised musical text of the new Brahms CompleteEdition.

SEK 149.00
1

Piano Sonata In F Minor Pp. 14

Piano Sonata In F Minor Pp. 14

As is the case with quite a few of his works, there are two versions of Schumann’s opus 14 a three-movement “Concert sans Orchestre” from 1836 and a “Grande Sonate” in five movements from 1853. We do not know the reason for the revision- the publisher of the first version was, however, delighted- he considered the “idea of the concerto” to be very up-to-date. Perhaps Schumann later reacted to what the dedicatee Ignaz Moscheles had said that the piece had “less of the demands of a concerto and more the characteristics of a grand sonata”. In our revised edition, which now also contains the complete early version, the editor Ernst Herttrich provides detailed information on bothversions in an extensive preface and commentary.?

SEK 441.00
1

Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns ' Havanaise Op.83 for Violin and Piano. Urtext edition. It is said that Camille Saint-Saëns ' was inspired to write Havanaise Op.83 after observing a crackling open fire at one of the hotels where he stayed whilst on tour with the violinist Rafael Diaz Albertini in 1885. We do not know whether, when writing the composition two years later, the Habanera (French Havanaise) with its typical two beat dance rhythms was an allusion to the Cuban origin of his friend Albertini , to whom this work is dedicated. At any rate, the composition was extremely well received from the very beginning, both in its original form and in the Orchestral version. Ingolf Turban kindly provided the bowings for the virtuoso Violin part.

SEK 213.00
1

Nine Songs Opus 5 : On Poems by Boris Sandler

Nine Songs Opus 5 : On Poems by Boris Sandler

A new work by cult pianist and composer Evgeny Kissin! These nine Yiddish poems were penned by his friend, the author and lyricist Boris Sandler (*1950). Kissin follows in his very folksong-like settings, which are easy for amateur music-lovers to sing and play, the prevailing mood of each poem, the titles of which - such as “Sternlein mit Mandeln” (Little stars with almonds), “Wenn der Kopf kein Topf ist” (When the head isn’t a pot), “Moschl-Kaposchl”, “Was weiss ich” (What do I know) - promise a subtle, cryptic and also entirely profound humour. This Henle edition presents the Yiddish song texts not only in Hebrew letters, but also transliterated into Latin characters, with an appendix additionally offering German and English prose translations of the poems.

SEK 335.00
1

Variations In F Minor

Variations In F Minor

Haydn’s last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia” (thus described in a review of the time). The form is also demanding: not merely one theme but two one in a major key, the other in a minor one are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of “Piano pieces” (HN 224) and furnished with a detailed commentary.Henle also recently published a facsimile of Haydn’s autograph of the Variations in f minor: HN 3218.?

SEK 128.00
1

Symphony in G major Hob. I:88

Symphony in G major Hob. I:88

Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). The G-major symphony is characterised by its cheerful, almost cheeky inflection – the theme of the rondo finale in particularpossesses the strong qualities of an earworm. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.

SEK 202.00
1

Symphony in F major Hob. I:89

Symphony in F major Hob. I:89

According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future.

SEK 202.00
1