Klaviertrio Opus 6

Since 2019, G. Henle Publishers has been the proud agent for Evgeny Kissin’s compositions, which have reached work number 6 with this Piano Trio composed in 2022. Following piano pieces, a violoncello sonata, a string quartet and vocal works with piano accompaniment, with this Trio Kissin presents us with his contribution to another important classical genre. The technically demanding three-movement composition was written against the backdrop of the war in Ukraine. In dramatic, gripping musical language Kissin describes here the horrors of the battlefield, but also gives moving expression to the hope for an early peace. The trio, which he has already performed on numerous occasions with his musician friends, has thus became his most personal work to date.

6 Sonatas For Piano And Violin op. 10 : 6 Sonatas for Piano and Violin op. 10 (b)

Weber composed an incredible array of compositions in his rather short but at the same time tireless life. Many of them have still to be discovered. The Six Violin Sonatas op. 10 (b), composed in Darmstadt in 1810, are most certainly amongst them. The individual movements are rather short and also not particularly difficult technically. The music is, on the other hand, all the more compelling, which is partly due to the various integrated dance forms: “Carattere Espagnuolo” and “Air Polonais” in Sonata No. 2, “Air Russe” in No. 3, “Siciliano” in No. 5 and a “Polacca” in No. 6.

Sonate F-dur Opus 6 für Violoncello und Klavier : Sonata in F major op. 6 for Violoncello and Piano

Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss’ early œuvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, “My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.”

Briefwechsel Band 6 : Briefwechsel Band 6

This complete edition of Beethoven's correspondence has been edited by Sieghard Brandenburg on commission from the Beethoven House in Bonn. It forms a milestone in the study of Beethoven, being the first complete edition in Germanto be compiled and fully annotated in accordance with modern scholarly-critical criteria. The edition includes all of Beethoven's known letters (1,789 items of primary correspondence), all obtainable letters written to him (370items of secondary correspondence) and numerous documents written on Beethoven's behalf by third parties (163 items of tertiary correspondence). It provides the text in a diplomatic transcription critically corroborated againstthe original sources, including deleted passages, addresses and drafts. The texts are presented in chronological order in six volumes and are made readily accessible by a seventh volume containing indices of names, places, works,senders, recipients, and text incipits as well as a list of sources and concordances to other editions of Beethoven's letters.

6 Sonaten

“Gallant” and “sensitive” by no means implies boring and old-fashioned. Proof of this is given by Franz (František) Benda, the Bohemian Paganini of the 18th Century. Not only was his life extremely colourful and successful, but also his musical compositions that were primarily for the violin. They are great examples of his compositional ability and mastery of the violin. Our highly praised Urtext edition with six selected sonatas from the master’s different creative periods including four first publications will provide a rich experience for all those violinists who are prepared to step off the usual beaten track. Your efforts will be rewarded!

Haydn-Studien Einb.-Decke 6 : Haydn Studies Cover 6

String Quartet No. 6

String Quartet No. 6

Haydn-Studien Bd. 6 Heft 1 : Haydn Studies Vol. 6 No. 1

Haydn-Studien Bd. 6 Heft 3 : Haydn Studies Vol. 6 No. 3

Haydn-Studien Bd. 6 Heft 2 : Haydn Studies Vol. 6 No. 2

Haydn-Studien Bd. 6 Heft 4 : Haydn Studies Vol. 6 No. 4

Samtliche Klavierwerke Band 6 (Clothbound)

To commemorate the 200th anniversary of Robert Schumann’s birth, an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879 93, all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works, comprising six volumes,are now available in paperbound or clothbound editions, as well as a study edition set in a slipcase. Clearly ordered by opus numbers, the complete edition includes not only all of Schumann’spiano works, revised to reflect the latest scholarlyfindings, but also informative commentary texts, alternative versions and many things more.Contents: Exercises - Etüden in Form freier Variationen über ein Thema von Beethoven- Variationen über ein eigenes Thema in Es [Geistervariationen]Es-dur - Drei Fantasiestücke op. 111- Drei Klaviersonaten für die Jugend op. 118- Albumblätter op. 124- Sieben Klavierstücke in Fughettenform op. 126- Gesänge der Frühe op. 133 - "Einsame Blume" aus Waldszenen op. 82- Bunte Blätter op. 99

Variationen f-moll (Sonata) Hob. XVII:6 : Variations f minor (Sonata) Hob. XVII:6

It was by a roundabout route that the autograph score of Haydn’s most important piano work ended up in the New York Library via a collector. Its four leaves contain a fair copy of the work- two leaves with a sketch-like character follow. Haydn composed the work, at the time still entitled “Sonate”, for “Signora de Ployer” (probably the pianist Barbara Ployer associated with Mozart). The variation movement was apparently intended as the beginning of a sonata with several movements. As can be seen from the second part of the autograph score, Haydn later extended the movement and ended it with an expansive Capriccio Coda. The first print already bears the title “Variations”. Themoving masterpiece has been played all over the world under the title “Variations in f minor” ever since.

Partita 6 E-Moll BWV 830

Klaviersonate Nr. 6 F-dur Opus 10 Nr. 2 : Piano Sonata no. 6 in F major op. 10 no. 2

After composing the three Piano Sonatas op. 2 between 1794/95, Beethoven presumably planned a further trilogy without delay. Because of its enormous scope, the Grande Sonata op. 7 was removed from this new project and published separately. But by the beginning of 1798, the next group of three, the Sonatas in C minor, F major, and D major, had already been completed and it was published in Vienna that year as opus 10. Like the Sonata in C minor, op. 10 no. 1, the Sonata in F major has only three movements, diverging from the four-movement model established in opuses 2 and 7 - the result of intensive experimentation with different variants of the minuet, all of which would ultimately be discarded. Beethoven’s autograph manuscripts for opus 10 no longer survive, leaving the team Perahia/Gertsch to turn primarily to the first edition. As always, our edition has an extensive commentary and proven fingerings by Murray Perahia.

Partita 6 E-Moll BWV 830 : Ausgabe Ohne Fingersatz

KBM 11/6 Eichstätt: Bischöfliches Seminar : Catalogues of Music Collections in Bavaria

KBM 6 Fürst Thurn und Taxis Hofbibliothek : Catalogues of Music Collections in Bavaria

Wedding Day at Troldhaugen op. 65 no. 6 : Single Edition from HN 1136

With his 66 Lyric Pieces Edvard Grieg created a multifaceted treasury of piano miniatures and character pieces. Many have become piano classics, none more so than The Wedding at Troldhaugen, which Henle publishers offers here in a separate edition. In this boisterous piece Grieg recalls a glittering celebration at the Villa Troldhaugen on the occasion of his silver wedding, something which attracted hundreds of guests and well-wishers. The fingerings by Norwegian Grieg specialist Einar Steen-Nøkleberg will be of help in mastering the fairly high-level technical challenges of this piece.

KBM 14/6 Bibliothek Franz Xaver Haberl : Catalogues of Music Collections in Bavaria

The Theory of Music - Addenda, Corrigenda : Répertoire International des Sources Musicales Volume III,6

Choral Works : Béla Bartók Complete Critical Edition Volume 9

Contents: Choral Works Evening BB 30 Four Old Hungarian Folk Songs BB 60 Four Slovak Folk Songs BB 77 Slovak Folk Songs BB 78 Hungarian Folk Songs BB 99 Székely Folk Songs BB 106 Twenty-Seven Two- and Three-Part Choruses BB 111aFrom Olden Times BB 112 Appendix: Two Romanian Folk Songs BB 57 Early version of Four Old Hungarian Folk Songs BB 60 Simplified version of nos. 3-6 of Székely Folk Songs with German words BB 106 4 + 7 Choruses from Twenty-SevenTwo- and Three-Part Choruses with English words BB 111a

Leichte Klavierstücke - Klassik und Romantik - II : Easy Piano Pieces - Classical and Romantic Period - II

The second volume of the Leichte Klavierstücke addresses itself to the somewhat more experienced pianist, and the level of difficulty of the individual pieces fluctuates between levels 3 and 6. The focal point here lies on works of the romantic era: starting with Mozart and Beethoven we stop to briefly enjoy some Schubert before reaching Mendelssohn, Schumann and Chopin, who are followed by Brahms, Liszt and Tchaikovsky. It was our intent to present different genres, such as variations, rondos, dances and the romantic “character pieces” such as, for example, Schubert’s Moments musicaux, Mendelssohn’s Lieder ohne Worte or Chopin’s Préludes

Piano Sonata G major Hob. XVI

In 1784 Joseph Haydn dedicated three piano sonatas to Princess Marie Esterházy in which the composer surprisingly turned to a two-movement form. This is also the case with the Sonata in G major Hob. XVI:40, which begins with a pastoral idyll in 6/8 time that is effectively complemented by a Presto full of clamorous gaiety. The editor of our Urtext edition, Georg Feder, is considered one of the most important Haydn researchers of his time. The fingerings by piano pedagogue Hans-Martin Theopold are a helpful aid for all those who work on this sonata.