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Timothy Brown: Sky Sonatina

Timothy Brown: Sky Sonatina

Part of the Wtritten For You Series Timothy Brown's Sky Sonatina is a sparkling and lyrical piece which promotes musical expression. This late elementary solo contains three short movements: the first portraying a happy spirit using a combination of legato and staccato articulations; the second in a lyrical legato style; and the third creating a bright and peppy mood. This piece provides a perfect introduction to the sonatina form for the late elementary level student.

SEK 90.00
1

John Robert Poe: I'd Rather Be? (NFMC)

John Robert Poe: I'd Rather Be? (NFMC)

These fanciful compositions describe scenes and activities that would be enjoyable diversions for any student. There are ten solos consisting of single-line melodies divided between the hands, with some use of hands-together technique. Optional teacher duets enhance the fun! Contents include: Hang Gliding; Popping Popcorn; Sailing on a Pirate Ship; Singing a Happy Tune; Walking on Stilts; Riding a Camel; Solving a Mystery; Ice Skating with a Friend; Floating Down the River; Traveling to a Distant Land.

SEK 112.00
1

Helen Marlais, Kevin Olson And Julia Olson: Sight Reading & Rhythm Every Day - Book B

Helen Marlais, Kevin Olson And Julia Olson: Sight Reading & Rhythm Every Day - Book B

Filled with fun subject matter, fanciful lyrics and happy illustrations, Sight Reading & Rhythm Every Day will motivate students to practice their sight reading. Fun in the Sun, At the Farm and Weather Watching are some of the engaging themes presented in the seven units. Interval recognition includes 2nds, 3rds, 4ths and 5ths from Guide Notes Middle C, Treble C and Bass C. These carefully crafted exercises develop eye, ear, and hand coordination where students learn to play musical examples from beginning to end without stopping.

SEK 133.00
1

Emma Lou Diemer: Reaching Out for Solo Piano

Emma Lou Diemer: Reaching Out for Solo Piano

From lyrical, to rhythmic, to simply amusing, Emma Lou Diemer asks the student to play with a colourful palette of different sounds, pedal effects, articulations, and in some cases, non-traditional techniques. These pieces are sure to bring enjoyment and a bit of a challenge to the pianist and the listener. Intended for early intermediate to Intermediate Pianisits, this is a wonderful collection that includes: Happy Dance, Echo Dream, Waves, Anger, Another Moonlight Serenade, Remembering, Reaching Out, Hand Over Hand, Surprises and many more. The FJH Contemporary Keyboard Editions Series focuses on the best contemporary music for the keyboard form the late 20th and early 21st centuries. These collected works have all been chosen for their strong musical voices and their artistic and pedagogical merits.

SEK 196.00
1

Lyndell Leatherman: Honor and Majesty

Lyndell Leatherman: Honor and Majesty

Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring, Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem, My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing, Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come, Let Us Adore Him/Joyful, Joyful, We Adore Thee).

SEK 186.00
1

Edwin McLean: Jazz Nocturnes, Volume 2

Edwin McLean: Jazz Nocturnes, Volume 2

This original collection of jazz solos asks the musical question, Do certain keys suggest a color? These haunting nocturnes, written in minor keys, depict the lyrical moods and textures associated with certain colors: Nocturne in Rose (romantic), Nocturne in Blue (reflective), Nocturne in Black & White (film noir), and Nocturne in Violet (sumptuous) have been written especially for the early advanced pianist. While written for the acoustic piano, they will also sound effective when played on digital or electric pianos.

SEK 112.00
1

William Owens: Of Gentle Spirit

William Owens: Of Gentle Spirit

In the beginning, clarinets should play full with good airflow and firm embouchures. Accompanying parts should be connected and delicately tongued. When breathing, students must always take in plenty of air. Long sounds require lots of support. Whenever eighth notes occur, do not allow fingers to be slow - be accurate and assertive. In the forte section at measure 41, continue to play beautifully connected tones with great airflow. Work hard to achieve the piano in measure 47 and the crescendo in measure 48 for a glorious musical effect.

SEK 833.00
1