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Hans Abrahamsen: Concerto For Piano And Orchestra (Score)

Hans Abrahamsen: Concerto For Piano And Orchestra (Score)

Abrahamsen's Concerto For Piano And Orchestra was composed in 1999, by commission for the BIT-20 Ensemble. A complex and multi-layered work, opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist.

SEK 910.00
1

Nocturnal - Partitur

Nocturnal - Partitur

Nocturnal (1998-2001) for Trombone and String Quartet was composed by Bent Sørensen . Progamme note: The two movements of ”Nocturnal” were written with a gab of three years. The last movement, which bears the title ”The Wings of Night”, was commisioned by Warsaw Autumn in 1998, while the first movement – ”Mondnacht” – was commisioned for Ultima Festival in Oslo in 2001.Despite the three years gab, these are not two separate pieces which have been linked together. The sketches for the first movement were begun immediately after the first performance of the second movement in Warsaw 1998.As the title suggests, there is a nocturnal atmosphere in the work. In the first movement we are perhaps in a park and notice the shadows of the clouds passing the bright moon. In the short second movement we are perhaps with Shakespeare’s Juliet, calling for love, calling for the night: ”Come night; come Romeo; come, thou day in night;For thou wilt lie upon the wings of nightWhither than snow upon a raven’s back.” ...perhaps we are elsewhere – at night! Nocturnal was written for Christian Lindberg and the Arditti Quartet and premiered in Oslo in 2001.

SEK 589.00
1

Christian Sinding: Piano Sonata In B Minor Op.91

Christian Sinding: Piano Sonata In B Minor Op.91

Christian August Sinding, born in 1856, studied music in addition to his academic studies throughout his school years, taking violin with Gudbrand Bøhn and music theory with L.M. Lindeman, one of the most important musicians in Christiana (later renamed Oslo). In 1874 he followed the path of his famous countryman Edvard Grieg by going to Leipzig to study. There, his violin teacher was Schradieck and his theory and composition teacher was Jadassohn. It became obvious that his major talent was for composition, so he gave up his violin studies in favor of it. Piano sonata written in 1909.

SEK 560.00
1

Per Nørgård: String Quartet No.9 - Into The Source (parts)

Per Nørgård: String Quartet No.9 - Into The Source (parts)

PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one, (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into the source? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies.INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård

SEK 981.00
1

Per Nørgård: String Quartet No.9 - Into The Source (score)

Per Nørgård: String Quartet No.9 - Into The Source (score)

PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement, whose basic mood of meditative rest is challenged by occasional centrifugal utbursts, while the third movement takes the inherent conflicts to a higher level, contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one, (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into the source? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement, a more coherent-solid second movement, and finally - in the third movement - a return-run, ever more vehemently, like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different, but simultaneous tempi, and there are more abstract upwards and downwards half-tone-scales, with changing accents, creating glimpses of melodies.INTO THE SOURCE, String Quartet No. 9, was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård

SEK 750.00
1