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200 Sonate per clavicembalo (pianoforte) 4 : Parte quarta (No. 151-200)

200 Sonate per clavicembalo (pianoforte) 4 : Parte quarta (No. 151-200)

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

SEK 484.00
1

200 Sonate per clavicembalo (pianoforte) 2 : Parte seconda (No. 51-100)

200 Sonate per clavicembalo (pianoforte) 2 : Parte seconda (No. 51-100)

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

SEK 459.00
1

200 Sonate per clavicembalo (pianoforte) 1 : Parte prima (No. 1-50)

200 Sonate per clavicembalo (pianoforte) 1 : Parte prima (No. 1-50)

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

SEK 459.00
1

200 Sonate per clavicembalo (pianoforte) 3 : Parte terza (No. 101-150)

200 Sonate per clavicembalo (pianoforte) 3 : Parte terza (No. 101-150)

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

SEK 459.00
1

Cello & Piano 1

Cello & Piano 1

The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included, apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina, Mozart: Divertimento, Vivaldi: Concerto) and sets of variations (Beethoven, Tartini) there are many shorter pieces as well, not only the famous minuets by Boccherini, Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson’s Dance of the sylphids, the lighter kind include Joplin’s Ragtime. This colourful, ampleselection provides a good basis for a music-lover’s library.

SEK 459.00
1

Cello & Piano 2

Cello & Piano 2

.Two volumes entitled Cello Meets Piano, edited and published by Árpád Pejtsik, were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out, and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano, with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included, apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina, Mozart: Divertimento, Vivaldi: Concerto) and sets of variations (Beethoven, Tartini) there aremany shorter pieces as well, not only the famous minuets by Boccherini, Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson’s Dance of the sylphids, the lighter kind include Joplin’s Ragtime.

SEK 484.00
1

Two Centuries of Military Music in Hungary : A History of Hungarian Military Music Conductors an Marches, 1741 - 1945

Two Centuries of Military Music in Hungary : A History of Hungarian Military Music Conductors an Marches, 1741 - 1945

The purpose of this book is to describe the function of military music in the musical life of Hungary in a historical context. With this historical account, it can contribute to the general wind music history revealing the details of band music in that culture. The study analyzes the music of the Hungarian Permanent Army from the early eighteenth century until the middle of the twentieth century. The musical development from the instruments of tunesters is described from the oboists, harmonie, and the seminal appearance of wind band as we know it today. Through the biographical sketches of conductors, descriptions of instruments used in various instrumentations, the role of theuniform unique to each band, and programs of the performed music, the study also describes the function of band music in the cultural life of Hungarian cities during this particular period. This descriptive study is an account of 200 years of Hungarian military music.

SEK 360.00
1