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The Vision : Keyboard/Choral Score

The Vision : Keyboard/Choral Score

Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied ones. The English text is a rhapsodic vision of one entering into the Kingdom of God, the Latin text "In paradisum" weaves in near the end and brings the piece to a close. Duration: 6:00 Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied ones. The English text is a rhapsodic vision of one entering into the Kingdom of God, the Latin text "In paradisum" weaves in near the end and brings the piece to a close. Duration: 6:00

SEK 73.00
1

Love Me

Love Me

Stephen Chatman’s setting of Sara Teasdale’s whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The soft rolled chords of the harp-like piano accompaniment highlight the lilting 6/8-meter, folk-like melody, and consistent homophonic choral texture. The repetitive lines, “Love me, love me, love me!”, and “kiss me, kiss me, kiss me!”, inspire the musical refrains. One of a set of six of Teasdale's love songs. Duration: 1:45

SEK 70.00
1

Praise Now the Risen Christ

Praise Now the Risen Christ

The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic section expresses the lyrics, "I know that my Redeemer liveth." After the unaccompanied chorus sings "All glorious Risen Christ" and a brief moment of silence, the piece bursts forth again with fanfares and thicker choral textures that build in excitement to the end. A perfect Easter anthem! Duration: 2:45

SEK 70.00
1

Love Me

Love Me

Stephen Chatman’s setting of Sara Teasdale’s whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The soft rolled chords of the harp-like piano accompaniment highlight the lilting 6/8-meter, folk-like melody, and consistent homophonic choral texture. The repetitive lines, “Love me, love me, love me!”, and “kiss me, kiss me, kiss me!”, inspire the musical refrains. One of a set of six of Teasdale's love songs. Duration: 1:45

SEK 70.00
1

Black Pierrot

Black Pierrot

Commissioned by conductor Paul Crabb for the University of Missouri University Singers and the Mizzou New Music Ensemble (Stefan Freund, director) with funding from the Sinquefield Charitable Foundation through the Mizzou New Music Initiative. Based on seven poems by Langston Hughes, it is scored for SATB Chorus (divisi) and Chamber Ensemble (Flute, Clarinet, Violin, Violoncello, Percussion, and Piano). Duration: 32:30 Contents: 1. A Black Pierrot 2. Breath of a Rose 3. Jazzonia 4. Justice 5. Song for a Dark Girl 6. Silhouette 7. To a Dead Friend

SEK 147.00
1

Variations on Dona nobis pacem

Variations on Dona nobis pacem

The singing of Dona nobis pacem is an annual holiday tradition at the Eastman School of Music. I wrote the Variations on Dona nobis pacem to play at a gathering of University of Rochester alumni in November of 2016. In creating a solo piano piece from vocal material, I introduce the tune alone, then its bass, which is similar to that of Bach’s Goldberg Variations. Nine variations and a finale follow in a variety of styles that recall Classical and Romantic-period composers. -David Evan Thomas Duration: 6:30

SEK 137.00
1