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Kaija Saariaho: Mirage

Kaija Saariaho: Mirage

Kaija Saariaho?s Mirage was commissioned by the Orchestre de Paris, BBC  Symphony Orchestra and Deutsches Symphonie-Orchester Berlin. The world premiere took place on 13 March 2008 in Salle Pleyel, Paris, given by Karita Mattila (Soprano), Anssi Karttunen (Cello), with the Orchestre de Paris, conducted by Christoph Eschenbach.This arrangement of Mirage for soprano, cello and piano was premiered on 25 July 2010 at Festival des Arcs 2010 in Les Arcs, France, by Pia Freund (Soprano), Anssi Karttunen (Cello) and Tuija Hakkila (Piano).Duration: c.12 minutes

SEK 484.00
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Kaija Saariaho: Emilie Suite - Vocal Score

Kaija Saariaho: Emilie Suite - Vocal Score

Kaija Saariaho ?s Emilie Suite was a joint commission by Carnegie Hall, New York City, Cité de la Musique, Paris, Luzerner Sinfonieorchester and Orchestre Philharmonique de Strasbourg. It was first performed on 30 November 2011 at Carnegie Hall by the Avanti! Chamber Orchestra conducted by Hannu Lintu, with Elizabeth Futral (soprano). The first performance in Paris took place on 23 April 2013 at Cité de la Musique by the Avanti! Chamber Orchestraconducted by Ernest Martinez Izquierdo, with Barbara Hannigan (soprano).

SEK 335.00
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Kaija Saariaho: Emilie Suite - Full Score

Kaija Saariaho: Emilie Suite - Full Score

Kaija Saariaho ?s Emilie Suite was a joint commission by Carnegie Hall, New York City, Cité de la Musique, Paris, Luzerner Sinfonieorchester and Orchestre Philharmonique de Strasbourg. It was first performed on 30 November 2011 at Carnegie Hall by the Avanti! Chamber Orchestra conducted by Hannu Lintu, with Elizabeth Futral (soprano). The first performance in Paris took place on 23 April 2013 at Cité de la Musique by the Avanti! Chamber Orchestraconducted by Ernest Martinez Izquierdo, with Barbara Hannigan (soprano).

SEK 751.00
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Lennox Berkeley: Eleven-Fifty

Lennox Berkeley: Eleven-Fifty

?Eleven-Fifty? is the fourth of seven separate songs to various poets written byLennox Berkeley in the late 1930s and early 1940s. They were grouped together forconvenience as Opus 14, No. 2.?The Beacon Barn?, the third of these songs, also has a text by Patrick O?Malleywho, according to Tony Scotland, was ?one of the First World War poets whoserved as a private in the Royal Dublin Fusiliers?. ?Eleven-Fifty? was composed in April1938 and is a brief glorification of a high-speed train where the moto perpetuoaccompaniment barely stops. Berkeley admired Honegger, bought a copy of thescore of his railway depiction Pacific 231 in 1924 and reviewed enthusiastically an all-Honegger concert conducted by the composer in Paris (?A Paris Letter?, The MonthlyMusical Record, June 1929).

SEK 177.00
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Michael Nyman: Yamamoto Perpetuo (Flute)

Michael Nyman: Yamamoto Perpetuo (Flute)

Yamamoto Perpetuo was written by Michael Nyman for solo Violin in 1993 to a commission by fashion designer Yohji Yamamoto for his show that year in Paris. Following its success, Nyman added a second Violin, Viola and Cello to the solo line and turned it into his String Quartet No.4. This arrangement by Andy Findon for solo Flute restores the work as a stand-alone piece for one player in eleven sections, drawing additionally upon material from the quartet version.

SEK 236.00
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Debussy:Premiere Rhapsodie

Debussy:Premiere Rhapsodie

For clarinet and piano. In February 1909, Debussy was elected a member of the Conseil Superieur of the Paris Conservatoire and, in this capacity, was called on to serve on the jury at internal competitions. He was invited to write two test pieces for the 1910 clarinet contest; one for the interpretation class, the other for the sight reading test. The Premiere Rhapsodie was composed during December 1909 and January 1910, concurrently with work on the first book of Preludes for piano.

SEK 196.00
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