Bach for Brass 6 : Kantaten und weitere Werke Cor, Timp

Now that all four volumes for trumpet [Vols. 1-4], and the first volume for horn [Vol. 5] have been published in the Bach for Brass series, volume 6, the second of two for horn, will be published. This edition also appears in a generous, practically oriented music engraving with the parts in score form, measure numbers, cue notes, timpani parts - where applicable - as well as important information on the origins of the works, on scoring indications in the source [and much more]. An instructive foreword [in German, English and French] and facsimiles complete the picture. These volumes, prepared by experienced musicologists and performers for the first time from the originalscores and parts, aim to provide today’s musicians striving after an authentic interpretation of Bach’s works with reliable material for study, instruction, and performance.

Hasse-Studien 6

Bachs theologischer Formbegriff und das Duett F

Contributions to Musicology, Tübingen, Number 6

Weihegesang - WoO V/6

Drei Chöre - Op. 6

Motetten und Chorarien, Heft 6

The final part from 1791 took on a new direction, as was reflected in the formulation of the title: "Four-part Latin and German choral settings for use by choirs in churches and schools. The first part, or the motet collection, part VI, from Johann Adam Hiller, Ducal Music Director of Kurland, Cantor of St. Thomas School and Music Director of both of the main churches in Leipzig." [additional parts were not published]. The volume precedes a foreword, in which Hiller relates why he composed and published the present pieces. Of special interest is the great amount of information about church music and liturgical practice of this time, which he in part could shape, but in the faceof whose traditions he also sometimes felt powerless. So this foreword belongs among the most important documents on the living practice of Protestant church music in the last years of the 18th century.

c!6 Chorissimo - Material-CD

Rheinberger: Gesamtausgabe Abt. 6: Kammermusik

Schindler: Kinderhits mit Witz 6

Motetten und Chorarien, Heft 6

Schindler: Kinderhits mit Witz 6

Schindler: Kinderhits mit Witz 6

Beau soir : L 6 - E major

Drunten im Unterland. 6 Schwäbische Volkslieder

Schindler: Kinderhits mit Witz 1-6

The Dunkeld Prayer : 6 Short Motets

Kantoreisätze 6 [Tageszeiten/Tod und Ewigkeit]

Peter Schindler: Kinderhits mit Witz 3-6

Reger-Werkausgabe, Bd. I/6: Orgelstücke II

The Max-Reger-Institut [MRI], located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe [RWA] is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The sixth volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in between April 1902 and spring 1903 in Munich.

Wassermusik : Für Kinder von 6-15 Jahren

Reger-Studien 6 : Musikalische Moderne und Tradition

A publication of the Max Reger Institute

6 Chorsätze zur Osterzeit von Ehlers, Gadsch..

Lukaspassion & Die Sieben Worte : Complete recordings, Vol 6

A seventeenth century Passion “Radio Drama,” the sixth installment of the recording of Schütz’s complete works by the Dresdner Kammerchor and Hans-Christoph Rademann presents three powerful works for Passion. The St. Luke Passion SWV 480 unfolds a panorama inviting us to experience an intense, inward-looking pictorial reflection on Jesus’s Passion. The words of Luke the Evangelist are sung without accompaniment, the musical means skillfully reduced to a minimum. This narrative is interrupted by the choruses, creating dynamic emotional scenarios, clamoring, pleading, querying and raging: in this way, Schütz creates a form of Passion, a “radio drama” with a deeply movingintensification of events. The well-known “Sieben Worte Jesu am Kreuz” [The Seven Last Words of Jesus on the Cross] SWV 478 is the first contribution of the viola da gamba player Hille Perl and her ensemble "The Sirius Viols" to the complete Schütz recording. The sophisticated structure of the work, the intense sensuality of the individual sections and the beauty of the musical message make the “Seven Last Words” a masterpiece. The third work on this CD, “Erbarm dich mein, o Herre Gott” [Have Mercy on me, O Lord God] SWV 447 for solo soprano accompanied by a consort of viols a composition for the Good Friday service represents a charming and appropriate complement to the “Seven Last Words”.

Orgelsonate Nr. 6 In Es-Moll Op. 119

6 Chorsätze von Kretzschmar, Ochs, Schlenker.. : für Kinderchor