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Psalm 150 Op. 67

Psalm 150 Op. 67

for two part children's voices and instrumentsScoring: Treble instr 1, Treble instr II, bass instr, 2 perc (timps, sd or tamb, cymb, susp cym, trng, tamb or castanets), keyboard. Optional parts, transposed if necessary,for 2 cl; tpt, hn, trbn; vaText: Psalm 150 in EnglishPublisher: Boosey & HawkesDifficulty level: 1-2This setting of the great psalm of praise which concludes the Psalter is typical of Britten'scompositions for schools. It was composed for the centenary of Britten's own prep school - Old Buckenham Hall School (called South Lodge School when he was there) - which he attended between 1923 and '28. As can be seen from thescoring details above it is intended that as many children as possible can be involved in the performance by playing a variety of instruments which are not specifically detailed. So, there are two 'treble instrument' parts whichmight be anything from a recorder to a violin or flute and a 'bass instrument' which might be a 'cello or a bassoon - and so on. The voice parts divide into four (a canon at 'let everything that hath breath praise the Lord') butare basically in two parts and there is a great deal of unison singing.As one might expect, Britten makes full use of the different forms of praise 28described in the verses of the psalm to colour his composition. Thedelightful, dancing 7/8 rhythm of 'Praise him with the sound of the trumpet' makes an irresistible, light-hearted and toe-tapping section before the culminatory 'Let everything that hath breath praise the Lord'. A Gloria gives thework a suitably climactic ending.This is another brilliant, flexible and involving work for children. At only six minutes duration it can form a magical item in a school concert without the additional challenges ofscenery/choreography which some of his other works for young people can involve.Duration: 6 minutesPaul Spicer, Lichfield, 2011

SEK 170.00
1

Psalm 150 op. 67

Psalm 150 op. 67

for two part children's voices and instruments Scoring: Treble instr 1, Treble instr II, bass instr, 2 perc (timps, sd or tamb, cymb, susp cym, trng, tamb or castanets), keyboard. Optional parts, transposed if necessary, for 2 cl- tpt, hn, trbn - va Text: Psalm 150 in English Publisher: Boosey & Hawkes Difficulty level: 1-2 This setting of the great psalm of praise which concludes the Psalter is typical of Britten's compositions for schools. It wascomposed for the centenary of Britten's own prep school - Old Buckenham Hall School (called South Lodge School when he was there) - which he attended between 1923 and '28. As can be seen from the scoring details above it isintended that as many children as possible can be involved in the performance by playing a variety of instruments which are not specifically detailed. So, there are two 'treble instrument' parts which might be anything from arecorder to a violin or flute and a 'bass instrument' which might be a 'cello or a bassoon - and so on. The voice parts divide into four (a canon at 'let everything that hath breath praise the Lord') but are basically in two partsand there is a great deal of unison singing. As one might expect, Britten makes full use of the different forms of praise 28described in the verses of the psalm to colour his composition. The delightful, dancing 7/8 rhythm of'Praise him with the sound of the trumpet' makes an irresistible, light-hearted and toe-tapping section before the culminatory 'Let everything that hath breath praise the Lord'. A Gloria gives the work a suitably climactic ending.This is another brilliant, flexible and involving work for children. At only six minutes duration it can form a magical item in a school concert without the additional challenges of scenery/choreography which some of his otherworks for young people can involve. Duration: 6 minutes Paul Spicer, Lichfield, 2011

SEK 117.00
1

A Hymn Of St Columba : Regis regum rectissimi

A Hymn Of St Columba : Regis regum rectissimi

Text: attributed to St. Columba (in Latin) Publisher: Boosey & Hawkes Difficulty level: 2 This short work was commissioned for the 1400th anniversary of the voyage Columba made from Ireland to the island of Iona. Rather bizarrely,the first performance was given outdoors at Churchill, Co. Donegal where St. Columba was said to have preached and was apparently inaudible because of the strength of the wind! The anthem is wonderfully effective and is a verygood example of Britten s ability to create an original canvas within the traditions of the Anglican Church. The piece is all about the fire in Columbas belly for his missionary task. The words are almost a variation on the DiesIrae: 'King of Kings and Lord most high, his day of judgement comes near, Day of wrath and vengeance, Day of shadows and dark clouds...' etc. Britten brilliantly sets the mood with a disturbing pedal ostinato which keeps returningthroughout the piece sometimes in the manuals and often in the pedals. The broad unison melody which begins the anthem returns at the end briefly as a canon between sopranos/tenors and altos/basses before closing, without slowingdown, with two almost menacing, but ever-quietening repetitions of the word 'domini'. Don't let the brevity of this work put you off from programming it. In fact, Britten wrote four 'Hymns' (Virgin/St. Peter/St. Columba/St.Cecilia) which work very well together in a concert and around which an imaginative programme can be built. Its brevity also makes it either suitable as an introit for a service Mixed Voices with keyboard commemorating Columba, orperhaps, at All Souls or even Remembrance. It would serve equally as an anthem. In performance it is Britten's direction that it should be sung 'with fire' which should underpin the interpretation. As always, making the most ofdynamic variation will give the work some of its colour. The wonderful moment when, after a diminuendo, the first theme returns pianissimo and with a crescendo (...maeroris ac tristitiae, Regis regum rectissimi,) where the words'King of Kings' are uttered with hushed awe needs special care and thought about tone quality. Duration: 3 minutes Paul Spicer, Lichfield, 2011

SEK 144.00
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