The Seven Deadly Sins : Variations

Contents: Movement I (Pride, Envy, Anger) · Movement II (Sloth) · Movement III (Avarice, Gluttony, Carnality).

Happy Anniversary

(Full score). Copland, A

Happy Thought

Poetry by Robert Louis Stevenson

We Happy Few

Go not, happy day

Why Do We Sing?

Why Do I Love?

Medium Voice in F minor.

What Do We Plant?

Words by Henry Abbey

I Do Not Sleep

Focusing on the text that speaks of “what I am” rather than “what I am not,” this beautiful ballad is an inspiration. A lush and supportive Piano accompaniment enhances Vocal lines that soar.

Do Matki [Ad Matrem]

The Red Pony : Film-Suite for Band

Contents: Dream March · Circus March · Walk to the Bunkhouse · Grandfather's Story · Happy Ending.

How Do I Love Thee?

This anthem was composed for the service of thanksgiving for a Civil Partnership in June 2011. In looking for a suitable text the composer turned to Elizabeth Barrett Browning (1806–61), one of whose sonnets he had usedfor another wedding anthem (Love is beautiful indeed) a few years earlier. As the title suggests, this highly expressive text puts into words the intense feeling of love and the mostly homophonic music reflects that throughluscious harmonies and beautifully shaped phrases. Suitable for intermediate choirs, this setting of a popular wedding text is a joy for both performers and audience.

Do not go my Love

Till death us do part

Happy We! : from Acis and Galatea

Go not, happy day A major

The edition is part of the Trinity syllabus 2007 (grade 8).

Do not neglect : from The Stranger

Where do the stars come from? : Legend

The Rose Tree

The Rose Tree is a setting of the poem Envy by brother and sister poets Charles and Mary Lamb. The poem is a beautiful affirmation that each of us has a unique contribution to make to the world. This musical setting employs ahighly chromatic melody with frequent changes of meter to fit the flow of the poetry. (3:00)

Jerusalem, my happy home : The sounds we bring

SATB. Rorem, N

Do Not Stand at My Grave and Weep

A highly effective and poignant setting of the famous memorial text. It is completely homophonic with sumptuous harmonies, and perfect for a very special service or memorial occasion.

Do Not Stand at My Grave and Weep

O, Why Do You Turn To the Wild Sky

Child Alice Part II/3 : All in the Golden Afternoon

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.

Child Alice Part II/1 : Quaint Events

For Soprano and Orchestra From the composer's notes: Child Alice was conceived as a single continuity ... the various extracts may be performed separately. Options include: Part II of Child Alicemay be played without Part I ·Quaint Events (No. 1) and Happy Voices (No. 2) may be played as a unit · Quainty Events may be played separately · Happy Voices may be played separately · All in the Golden Afternoon may by played separately.