Sonatas Bk 2 TRec Bc : for Recorder (Flute, Violin, Oboe) and Basso continuo

Sonatas Bk 2 Op 3 No 9 Op 4 Nos 9-10 Tre Rec/Pno

Fantasien(9)

Beethoven Around The World

9 Popular Arrangements for Piano solo

Piano Concerto No.9 In E-Flat K.271 - Jeunehomme : Jeunehomme

Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass.The New Mozart Edition offers researchers a musicologicallyunimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In theinternational music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominentmusicologistsas well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter, “Urtext” is more than just alabel it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentions as thesurviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

Beautiful Adagios -

9 Pieces for 2 Violins Performance score (2), Anthology 2V Hæftet udgave

Piano Concerto No.9 In E-Flat K.271 - Jeunehomme : for Piano and Orchestra

Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass.2-Piano reduction.The New Mozart Edition offersresearchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authenticperformances.BÄRENREITER URTEXT:In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycriticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicologicalresearch.For Bärenreiter, “Urtext” is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enablingmusicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies themost discerning eye.

Trio 3 - Hufschmidt, Wolfgang

Ein Magnificat peregrini toni Texte aus Mythologie, Bibel, Märchen, Literatur für Sprecherin/nen und Instrumente. Versionen für 1 oder 3 Sprecherinnen und/oder 1-9 Oboeninstrumente und/oder 1-9 Gitarren oder andere Zupfinstrumente Sprecherin(nen)-Part part(s) Hæftet udgave

Trio 3 - Hufschmidt, Wolfgang

Ein Magnificat peregrini toni Texte aus Mythologie, Bibel, Märchen, Literatur für Sprecherin/nen und Instrumente. Versionen für 1 oder 3 Sprecherinnen und/oder 1-9 Oboeninstrumente und/oder 1-9 Gitarren oder andere Zupfinstrumente Oboeninstrumente Performance score Ob Hæftet udgave

Trio 3 - Hufschmidt, Wolfgang

Ein Magnificat peregrini toni Texte aus Mythologie, Bibel, Märchen, Literatur für Sprecherin/nen und Instrumente. Versionen für 1 oder 3 Sprecherinnen und/oder 1-9 Oboeninstrumente und/oder 1-9 Gitarren oder andere Zupfinstrumente Gitarren oder andere Zupfinstrumente Performance score guitar

Serenade II - Zillig, Winfried

for 9 Solo Instruments study score 3clarinet/Hn/Trp/trombone/V/Va/Vc Hæftet udgave

Magnificat im 9. Ton - Wenzel, Eberhard

for Organ, 2 Trumpets and 3 Trombones score 2Trp/3trombone/Org Hæftet udgave

Opern-Arien - Meyerbeer, Giacomo

20 Arien, Balladen, Cavatinen, Chansons und Couplets aus 9 Opern for Tenor singing score TSolo/piano Paperback

Rattenfängers schönste Lieder - Koerppen, Alfred

9 Spielstücke und 1 Choral for Recorder and Piano Performance score, part(s), Anthology recorder-S/piano Hæftet udgave

Die 9 Symphonien Beethovens : Entstehung, Deutung, Wirkung

Streichquartett Nr. 5 f-Moll op. 9

Sonata I - Schenck, Johann

from "L'Echo du Danube" op. 9 for Viola da gamba (Viola) and Basso continuo Performance score, part(s) Vagb/Bc Hæftet udgave D major

Irish -

9 Arrangements for variable Instrumentation score mit Stimmen in C/B score, set of parts Instr-Mel1/Instr-Mel2/guitar/piano/Vc/double bass Hæftet udgave

Historische Bläsermusiken -

25 Militärmärsche des 18. Jahrhunderts. Ausgabe nach den Originalhandschriften für den praktischen Gebrauch. Heft 1: 9 Märsche score, set of parts, Anthology 2Ob/2clarinet/2bassoon/Trp Hæftet udgave

Symphonie Nr. 9 In E : Aus Der Neuen Welt - Op. 95

Psalm Non Nobis Domine - Nicht Unserm Namen, Herr : Op. 31 Mwv A 9

Psalm 'Non nobis Domine' / 'Nicht unserm Namen, Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketchesand the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms, Mendelssohn took the Latin wordsfrom the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.This edition by the leading MendelssohnauthorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath.Rounding off this Urtextedition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages(Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale

Concerto in G major TWV 51

The Concerto in G major (TWV 51: G 9) is not only Telemann’s only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited forless experienced players, being relatively easy to master.

Tre quintetti per stromenti da fiato : Op. 88, No. 3, Op. 91, No. 9, 11

Symphony no. 9 in D minor op. 125 : Set of Vocal Score and Pronunciation Guide for Japanese Singers

Messe De Minuit

Probably composed in 1690, the Messe de Minu t pour Noël, H 9, is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum, H 146. The special appeal of this 'Mass for theMidnight Service on Christmas Eve' lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier's mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily betaken from the chorus. They are divided into three groups one group of two sopranos and two groups each comprising alto, tenor and bass which interact with the chorus and instruments. This new edition represents thecurrentstate of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.Urtext based on the latest scholarly researchStraightforward and easy-to-play keyboardreductionDuration: approx. 25 minutes

eine schöne, prächtige Stadt. – : Wolfgang Amadé Mozart an Constanze Mozart. Brief vom 28. September 1790

The coronation of a new emperor marks a distinctive moment in history. On 9 October 1790 Leopold II. ascended the throne. This special occasion brought together not only the highest representatives of aristocracy in Frankfurt, but also close to 25,000 visitors resided in that city which was about to offer a spectacle of considerable magnitude. You had to participate if you wanted to draw attention to yourself in high society. Wolfgang Amadé Mozart was also one of the visitors. On 28 September 1790, the composer told his wife about his journey from Vienna to Frankfurt which took six days. The cities of Regensburg, Nürnberg and Würzburg belonged to the places where he stopped over. The lively descriptions render an authentic insight into the biography of Mozart in his later years.