DO-Quintett - Antoniou, Theodore

Performance score 2Trp/Hn/trombone/Tb Hæftet udgave

Concerto K 246 Do

Please Don't Do It In Here

I?d do anything for love

Tri-ra-ro, der Sommertag is do!

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

score, set of parts Ch (children choir)/2recorder-S/Str Hæftet udgave

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Fantasia on All People That on Earth Do Dwell : Op. 109

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

A Taste Of Schubert : For Medium Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

A Taste Of Schubert : For High Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

Spazio Immergente

Innovative work by the Siemens prize winner 2018 (the “Nobel prize” of music)Beat Furrer’s Duo “Spazio Immergente I” (everlasting space) leads an over2000-year-old text of visionary breadth into fascinating worlds of sound – with voice, language, and breath. The ancient poet Lucretius describes a concept of dislimitation and apocalypse, whose timelessness lends thischallenging, musically innovative dialogue an incomparable urgency: “... that the walls of the universe do not suddenly flee like flames into an unfathomable void, ... and nothing, not a vestige remains –abandonedspace.”– Valuable addition to the repertoire– Impressive concertante duo

Two Sonatas RV40 And RV46 : Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses

Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which isencountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register, since similar qualities inform his writing for bassoon.This Urtext edition, edited by BettinaHoffmann, provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.

Magnificat Anima Mea

Magnificat for a Chorus of four mixed voices and Basso continuoPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect, but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally, but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik', that isfunctional music for the church service on Sundays and feast days, for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate choralecantusfirmi.Score & Basso continuo (BA2877) available for sale

Magnificat

Magnificat for a Chorus of four mixed voices and Basso continuoPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect, but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally, but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik', that isfunctional music for the church service on Sundays and feast days, for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate choralecantusfirmi.Score & Basso continuo (BA2877) available for sale

Now thank we all our God : Motet

Nun danket alle Gott (Now thank we all our God)MotetPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect, but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally, but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik', that isfunctional music for the church service on Sundays and feast days, for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate choralecantusfirmi.Score & Basso continuo (BA2873) available for sale

Nun danket alle Gott

Nun danket alle Gott (Now thank we all our God)MotetPachelbel's choral works excel in the magnificence and festive splendour of their tonal effect, but at no point do they depart from an easy singable style. Simplicity of harmonic texture and voice leading is a characteristic of Pachelbel's art generally, but it asserts itself especially in these vocal compositions. They are in the best sense of the word 'Gebrauchmusik', that isfunctional music for the church service on Sundays and feast days, for these choral works are always closely associated with the seasonal liturgical themes by means of themnatic employment of the appropriate choralecantusfirmi.Score & Basso continuo (BA2873) available for sale

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.

Missa in C major K.167 : Trinity Sunday Mass

The Missa in honorem SS:mae Trinitatis K.167 is Mozart's only mass bearing a dedication in its title and the only one written for chorus and orchestra without vocal soloists. We do not know the occasion for which the mass waswritten, although it was undoubtedly related to the dedication. Perhaps it was first performed on Trinity Sunday 1773, since the autograph bears the date Giugno 1773 and Trinity Sunday fell an 5 June that year. The heavy scoring- for two oboes, two clarini, two trombe, timpani, two violins, bass and organ - suggests that the mass owes its origin to a special festivity.Urtext of the New Mozart EditionFull score, performancematerial(BA4783) and vocal score (BA4783-90) available for sale.