Gesaenge I-Z und Nachtraege : Nos. 331-813 - Zyklische Sammlungen Vol. 5

Critical Commentary - Gesaenge I-Z und Nachtraege (Nos. 331-813) / Critical Commentary - Zyklische Sammlungen (Vol. 5).Verzeichnisse:1. Verzeichnis der Textincipits I–Z und Nachträge (Nr. 331–813)3. In Band 3, 4 und 7 benutzte Quellen nach Bibliotheksorten4. Allgemeine Abkürzungen5. Bibliographische Abkürzungen6. Publikationen (Editionen und Literatur)Kritische Berichte zu Gesänge I–Z (Bd. 3–4, Nr. 331–813)Kritische Berichte zu Zyklische Sammlungen (Bd. 5)

DO-Quintett - Antoniou, Theodore

Performance score 2Trp/Hn/trombone/Tb Hæftet udgave

Concerto K 246 Do

Internationales Quellenlexikon der Musik (RISM), Serie A/1. -

Einzeldrucke vor 1800: Addenda et Corrigenda S - Z book Indbundet udgave

Please Don't Do It In Here

I?d do anything for love

Tri-ra-ro, der Sommertag is do!

Tasta Groove - Spengler, Christoph

113 Pop-Arrangements zur Begleitung Neuer Geistlicher Lieder Liedanfänge L-Z Performance score, CD, Anthology keyb/piano Hæftet udgave

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

part(s) Folded

Tri-ra-ro, der Sommertag is do! - Bresgen, Cesar

score, set of parts Ch (children choir)/2recorder-S/Str Hæftet udgave

From the Homeland / Z domoviny - Smetana, Bedrich

for Violin and Piano Performance score, set of parts, Urtext edition V/piano Hæftet udgave

Fantasia on All People That on Earth Do Dwell : Op. 109

Gesänge N-Z und Nachträge : Nos 537-813 - Das Deutsche Kirchenlied

Die Musik in Geschichte und Gegenwart : Subject Encyclopedia, Volume 9: Sy-Z

Die Musik in Geschichte und Gegenwart : Biographical Encyclopedia, Volume 17: Vin-Z

The Spectre's Bride Op. 69 : Balada na text Karla Jaromíra Erbena

The preference of English audiences for large-scale Vocal works led to Dvorák being commissioned in November 1883 to write this cantata for solo voices, chorus and orchestra for the 1885 Birmingham MusicalFestival.As the basis for his composition, Dvorák chose the ballad text “Svatebn košile” (literally “The Bridal Gowns”) from the collection “Kytice z povest národn ch” (“A Garland of Folk Tales”) by the Czechpoet Karel Jarom r Erben (1811 1870).Dvorák stipulated that the premiere take place in Bohemia. The work was then taken up in England with great enthusiasm.Separate edition from the “NewCompleteDvorák Edition”, vol. II/2New foreword by Daniela Philippi (Cz/Eng/Ger)Underlayed singing text in three languages (Cz/Eng/Ger)

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

Die Entführung Aus Dem Serail : German singspiel in three acts

“I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a newpath. [...] I think it would be a good thing for me provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him.”Thus Mozart in a letter of 1011 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meonany other terms, then let him try me with an opera. After that he can do what he likes for all I care.”Urtext of the New Mozart EditionFull score (BA4591-01), vocal score (BA4591-90) and studyscore format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)

A Taste Of Schubert : For High Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

Spazio Immergente

Innovative work by the Siemens prize winner 2018 (the “Nobel prize” of music)Beat Furrer’s Duo “Spazio Immergente I” (everlasting space) leads an over2000-year-old text of visionary breadth into fascinating worlds of sound – with voice, language, and breath. The ancient poet Lucretius describes a concept of dislimitation and apocalypse, whose timelessness lends thischallenging, musically innovative dialogue an incomparable urgency: “... that the walls of the universe do not suddenly flee like flames into an unfathomable void, ... and nothing, not a vestige remains –abandonedspace.”– Valuable addition to the repertoire– Impressive concertante duo

A Taste Of Schubert : For Medium Voice

Do you know our performing edition of Schubert Lieder? 13 volumes containing the complete Lieder for solo voice and piano in editions for high, medium and low voice are planned. Nine of these volumes have already been published and provide the basis for this special sampler at a very special price. “A Taste of Schubert” presents one to three pieces from each volume to create a cross-section of Schubert’s complete lieder œuvre. Lieder from his famous cycles are included as well as “Sehnsucht”, of which he wrote several settings.

Two Sonatas RV40 And RV46 : Edition specially prepared for the ABRSM & TRINITY GUILDHALL exam syllabuses

Vivaldi was familiar with the technique and idiomatic qualities of the cello and writing for the cello seems to have drawn from Vivaldi a special empathy: there is a degree of seriousness and expressive depth which isencountered much less consistently in his violin music. Perhaps it has something to do with the cello's low register, since similar qualities inform his writing for bassoon.This Urtext edition, edited by BettinaHoffmann, provides you with a clear and accurate realisation of the composer’s original intentions with thoroughly detailed editorial markings and suggestions. The solo cello part is also included on a separate insert.