Gypsy Songs Op.55 (Low Voice & Piano) : Op. 55

Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and thework’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger)andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Gypsy Songs Op.55 (High Voice & Piano) : Op. 55

Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk, were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter, a member of the Vienna Court Opera and thework’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes, one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger)andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Triosonate C

Trio Sonata in C major for Treble Recorder, Flute and Basso Continuo.

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Overture and Conclusion in E minor TWV 55

Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with theoverwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music,Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of histime.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces forvarious ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a varietyof instruments.- Urtext of the Telemann Edition- Full score & parts (BA3533) available for sale

Sonate C-Dur Opus 1/2

Francesco Barsanti's Sonata In C for Treble Recorder or Flute with Basso Continuo. Selected for ABRSM and Trinity Guildhall grade 8 Treble Recorder examinations. Edition no.: HM 183

Sonaten 3 C Bes Op.2

Volume 3 of Benedetto Marcello's Sonatas For Treble Recorder (Flute, Violin) And Basso Continuo Op.2. Contains Sonatas No. 6 in C minor and No. 7 in B-flat major. Edition no.: HM 152

Handel-Jahrbuch 2009, 55. Jahrgang

Cello Concerto No.1 In C Hob.VIIb

Haydn composed the C Major Cello Concerto between 1762 and 1765, almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found, but orchestralparts were discovered in 1961 in the Prague National Museum.

Cello Concerto No.1 In C Hob.VIIb

Haydn composed the C Major Cello Concerto between 1762 and 1765, almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found, but orchestralparts were discovered in 1961 in the Prague National Museum.

Cello Concerto No.1 In C Hob.VIIb

Haydn composed the C Major Cello Concerto between 1762 and 1765, almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found, but orchestralparts were discovered in 1961 in the Prague National Museum.

Cello Concerto No.1 In C Hob.VIIb

Haydn composed the C Major Cello Concerto between 1762 and 1765, almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found, but orchestralparts were discovered in 1961 in the Prague National Museum.

Cello Concerto No.1 In C Hob.VIIb

Haydn composed the C Major Cello Concerto between 1762 and 1765, almost certainly for cellist Joseph Weigl of the Esterházy Orchestra. The complete autograph score has never been found, but orchestralparts were discovered in 1961 in the Prague National Museum.

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Symphony No.6 In C D 589

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing, lending these works a transparency lacking in earlier editions of a more romantic bent.The eight symphonies traceSchubert’s artistic evolution from the First Symphony, which develops a theme from Beethoven’s Eroica, to the Mozartean Fifth and the romanticism of the 'Great' Eighth.Full score, performance material and study score forall symphonies are available for sale.Symphony No.1 in D major D 82 (BA5601, TP401)Symphony No.2 in B-flat major D 125 (BA5602, TP402)Symphony No.3 in D major D 200 (BA5603,TP403)SymphonyNo.4 in C minor D 417 Tragic (BA5604, TP404)Symphony No.5 in B-flat major D 485 (BA5645, TP405)Symphony No.6 in C major D 589 (BA5646, TP406)Symphony No.7 in B minor D 759Unfinished (BA5647, TP407)Symphony No.8 in C major D 944 The Great (BA5648, TP408)

Missa in C minor K.139

Mozart had barely turned twelve when he composed and conducted his Missa solemnis in C minor, K.139, to inaugurate a new orphanage on Vienna’s Rennweg in 1768.This astonishing early work adheres to the form of aNeapolitan cantata mass, in which the separate movements (“Gloria”, “Credo” etc.) are themselves made up of self-contained choruses, ariosos and ensembles.This frequently heard Mass is characterized by a sharp contrastbetween its cheerful underlying C major mood and gloomy dramatic passages in the minor mode.Urtext of the New Mozart EditionStraightforward piano part in the vocal scoreIdeal for church servicesandconcert performances Full score & performance material (BA4858) and vocal score (BA4858-90) available for saleArrangement for soloists, choir & organ (BA7521) for sale

Tantum ergo : N 110a - Op. 55