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Paris The Powers that Shaped the Medieval City

GBP 35.99
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The Parlement of Paris

Baudelaire's Le Spleen de Paris Shifting Perspectives

Foreign Artists and Communities in Modern Paris 1870-1914 Strangers in Paradise

Foreign Artists and Communities in Modern Paris 1870-1914 Strangers in Paradise

Foreign Artists and Communities in Modern Paris 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles immigrants students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new transnational identities in the City of Light. Considering Paris from an innovative global perspective the book situates both important modern artists - such as Edvard Munch Sonia Delaunay-Terk Marc Chagall and Gino Severini - and lesser-known American Czech Italian Polish Welsh Russian Japanese Catalan and Hungarian painters sculptors writers dancers and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures peoples and traditions contributed to the development of a hybrid and multivalent modern art. | Foreign Artists and Communities in Modern Paris 1870-1914 Strangers in Paradise

GBP 46.99
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Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity 1850-1900

The Implementation of the Paris Agreement on Climate Change

The Implementation of the Paris Agreement on Climate Change

In December 2015 196 parties to the United Nations Framework Convention on Climate Change (UNFCCC) adopted the Paris Agreement seen as a decisive landmark for global action to stop human- induced climate change. The Paris Agreement will replace the 1997 Kyoto Protocol which expires in 2020 and it creates legally binding obligations on the parties based on their own bottom-up voluntary commitments to implement Nationally Determined Contributions (NDCs). The codification of the climate change regime has advanced well but the implementation of it remains uncertain. This book focuses on the implementation prospects of the Agreement which is a challenge for all and will require a fully comprehensive burden- sharing framework. Parties need to meet their own NDCs but also to finance and transfer technology to others who do not have enough. How equity- based and facilitative the process will be is of crucial importance. The volume examines a broad range of issues including the lessons that can be learnt from the implementation of previous environmental legal regimes climate policies at national and sub-national levels and whether the implementation mechanisms in the Paris Agreement are likely to be sufficient. Written by leading experts and practitioners the book diagnoses the gaps and lays the ground for future exploration of implementation options. This collection will be of interest to policy-makers academics practitioners students and researchers focusing on climate change governance. | The Implementation of the Paris Agreement on Climate Change

GBP 39.99
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Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris Bibliothèque Nationale de France codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits an extensive narrative cycle and unique polychromatic texts. However it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome. | Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

GBP 38.99
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Opera in Paris from the Empire to the Commune

Opera in Paris from the Empire to the Commune

Studies in the history of French nineteenth-century stage music have blossomed in the last decade encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique opérette comédie-vaudeville and mélodrame for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera and its focus moves towards the music of its closest neighbours the Italian-speaking states and of its most problematic partners the German-speaking states especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange genre and institution this collection brings together twelve of the author’s previously published articles and essays fully updated for this volume and translated into English for the first time. | Opera in Paris from the Empire to the Commune

GBP 38.99
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Constructing Space A Longitudinal Study of Immigrants from Wenzhou in Paris

Cities and Labour Immigration Comparing Policy Responses in Amsterdam Paris Rome and Tel Aviv

The Making of a World Order Global Historical Perspectives on the Paris Peace Conference and the Treaty of Versailles

Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family strong support for the natural horn with its varied color palette and virtuoso performance traditions slowed the reception and application of the valve to the horn. Using primary sources including Conservatoire method books accounts of performances and technological advances and other evidence this book tells the story of the transition from natural horn to valved horn at the Conservatoire from 1792 to 1903 including close examination of horn teaching before the arrival of valved brass in Paris the initial reception and application of this technology to the horn the persistence of the natural horn and the progression of acceptance use controversies and eventual adoption of the valved instrument in the Parisian community and at the Conservatoire. Active scholars performers and students interested in the horn 19th-century brass instruments teaching methods associated with the Conservatoire and the intersection of technology and performing practice will find this book useful in its details and conclusions including ramifications on historically-informed performance today. | Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

GBP 36.99
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Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork Marcel Duchamp’s Large Glass. Aligning the two works materially historically and conceptually the book challenges the accepted architectural descriptions of the Maison de Verre makes original spatial and social accounts of its inhabitation in 1930s Paris and presents new architectural readings of the Large Glass. Through a rich analysis which incorporates creative projects into history and theory research the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife Annie Dalsace the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction the Large Glass where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory part-architecture fuses analytical descriptive and creative processes to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass the book has three main chapters: ‘Glass’ ‘Dust’ and ‘Air’. Combining theory text creative writing and drawing each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history. | Part-Architecture The Maison de Verre Duchamp Domesticity and Desire in 1930s Paris

GBP 46.99
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COVID-19 and Climate Change in BRICS Nations Beyond the Paris Agreement and Agenda 2030

COVID-19 and Climate Change in BRICS Nations Beyond the Paris Agreement and Agenda 2030

This book provides a quantitative and qualitative overview of the overall impact that the COVID-19 pandemic had on the capacity of Brazil Russia India China and South Africa (BRICS countries) to reshape global climate governance and explore areas for mutual cooperation. BRICS countries account for nearly 40% of the total world population and are thus intrinsic to the global efforts and results for Agenda 2030 the Sustainable Development Goals the Paris Agreement and beyond. The outbreak of the COVID-19 pandemic does not at first appear to be directly related to BRICS’ policies to address climate change but it has influenced the pace and nature of climate action due to the loss of human and financial capital. This book examines this correlation and raises awareness of the COVID-19 pandemic’s impacts and potential solutions on BRICS’ climate strategies. Drawing on case studies from each country the authors use examples from urban governance energy transition strategy foreign investment and more to illustrate how COVID-19 has negatively or positively impacted climate data and draw wider conclusions about the long-term climate policies that may be implemented. This volume will be of great interest to students and scholars of climate change environmental politics and governance and global development studies. | COVID-19 and Climate Change in BRICS Nations Beyond the Paris Agreement and Agenda 2030

GBP 130.00
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Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

This book covers the work of psychoanalysts in post WWII France with patients beset by somatic problems with little manifest fantasy life and how their concept of opératoire continues to inform the theory and practice of working with patients in crisis. The author explores what the new concept has elicited in a community of practitioners – close to the École Psychosomatique de Paris – over a period of some sixty years. As a 'skin for thought' it facilitated change while preserving coherence gradually beginning to attract further considerations. Important themes have included: the early groundwork necessary for the configuration of fantasy the importance of a shared imaginary the role of denial and obliterated memories as a bond between people emergency measures of a Me cut off from revitalisation the effects of the rhythms and atmosphere at the workplace on family life and the consequences of a crisis suppressed for lack of a holding frame. As psychoanalytic discourse adapted to the challenges the original perspective changed aspect moving from a systematic evaluation of what the patients did not produce to what the analyst had to fill in to make sense of the situation. Clashing with the terrain French psychoanalysts raised important problems about psychic anaemia that are stimulating and deserve cross-cultural discussion. This book will appeal to psychoanalysts in practice and training who wish to learn more about this ground-breaking work on memory and trauma and how to apply it to their own practice. | Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

GBP 31.99
1

The French Economy Theory And Policy

The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

A groundbreaking approach to Rococo religious décor and spirituality in Europe and South America The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo ostensibly the least spiritual style in the pre-Modern canon transform into one of the world’s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ’Spiritual Rococo’ and which has never been applied directly to the arts. The book traces Rococo’s development from France through Central Europe Portugal Brazil and South America by following a chain of interlocking case studies whether artistic literary or ideological and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the cliché of Rococo’s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history literary and post-colonial studies and anthropology opening up new horizons in these fields. | The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

GBP 42.99
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Cathedrals of Urban Modernity Creation of the First Museums of Contemporary Art

American Pop Art in France Politics of the Transatlantic Image

Character and Conflict in Jane Austen's Novels A Psychological Approach

An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

An Evidence-Based Critique of Contemporary Psychoanalysis assesses the state of psychoanalysis in the 21st century. Joel Paris examines areas where analysis needs to develop a stronger scientific and clinical base and to integrate its ideas with modern clinical psychology and psychiatry. While psychoanalysis has declined as an independent discipline it continues to play a major role in clinical thought. Paris explores the extent to which analysis has gained support from recent empirical research. He argues that it could revive its influence by establishing a stronger relationship to science whilst looking at the state of current research. For clinical applications he suggests while convincing evidence is lacking to support long-term treatment brief psychoanalytic therapy lasting for a few months has been shown to be relatively effective for common mental disorders. For theory Paris reviews changes in the psychoanalytic paradigm most particularly the shift from a theory based largely on intrapsychic mechanisms to the more interpersonal approach of attachment theory. He also reviews the interfaces between psychoanalysis and other disciplines ranging from neuropsychoanalysis to the incorporation of analytic theory into post-modern models popular in the humanities. An Evidence-Based Critique of Contemporary Psychoanalysis concludes by examining the legacy of psychoanalysis and making recommendations for integration into broader psychological theory and psychotherapy. It will be of great interest to psychoanalysts psychoanalytic psychotherapists and scholars and practitioners across the mental health professions interested in the future and influence of the field. | An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

GBP 36.99
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Eroticism and Photography in 1930s French Magazines Risqué Shop Windows

Treatment of Borderline Personality Disorder A Guide to Evidence-Based Practice

Corporate Environmental Management Second Edition

Debordering and Rebordering Central and South Eastern Europe after the First World War