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Faber-Castell - Polychromos Colour Pencils Dark Red 225

Faber-Castell - Albrecht Dürer Watercolour Pencils Dark Red 225

Daler-Rowney - Graduate Acrylic Colour (120ml) Burnt Umber 225

GBP 3.95
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Caran d'Ache - Luminance 6901 Colour Pencils Moss Green (225)

Schmincke - HORADAM Aquarell Watercolour (5ml) Cadmium Yellow Medium 225 (S2)

Schmincke - HORADAM Aquarell Watercolour (5ml) Cadmium Yellow Medium 225 (S2)

Made using only the finest pigments Excellent lightfastness 69 single pigment formulations Superior quality Fantastic value for money Also available in half pans Video: Behind The Scenes of Schmincke Watercolour Production Knowing watercolour relies upon the variable characteristics its pigments, more than any other medium, Schmincke watercolour paints use only the finest pigments in their watercolour tubes. The Horadam Aquarell range features excellent levels of light fastness in its collection of vibrant colours. Including 69 single pigment formulations, combined with only the highest standard Kordofan Gum Arabic binding medium, Horadam Aquarell Watercolour Tubes offer a superior quality synonymous with the Schmincke brand. Why choose Schmincke Horadam Aquarell Watercolour Half Pans? Formed by a unique manufacturing process, Schmincke Horadam Aquarell Watercolour Half Pans contain the same high quality formulation as Aquarell Watercolour Tubes. Pans are filled four times, over a period of four months, with the colours being allowed to dry and settle between each filling. This creates a concentrated half pan, ready for use when wetted with water. What is watercolour? Watercolour is produced by the combination of a pigment with a binder, usually Gum Arabic. This is then applied, with water, to a support such as watercolour paper. The pigment fixes to the support upon evaporation of the water. Water colours are water-based, so brushes used to apply the watercolour paint need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for watercolour brushes. Why use tube watercolour? Watercolour paint is available in two different formats, tubes and pan. Watercolour tubes are ideal for creating a strong wash quickly, and are popular with artists who are producing large scale work, and using a lot of colours. Tube watercolour lends itself to many different techniques, in contrast to pan colours, which are better suited to creating more detailed artwork. What is better, tube watercolour or half pans? There is no difference in quality between tube watercolour and half pans, the difference is in the application. One of the main features of the tubes is controlled measurement of use, applying as little or as much as required by the artist. Big spaces are more easily covered using tube water colour than when using a half pan. Designed for ease of travel, half pan colours are perfect to use on the go. Half pans are popular with artists who paint infrequently, as the paints may be left for a long periods of time between uses, without affecting their quality. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, the watercolour paint cannot be re-softened. However, the colour may still be used by cutting open the tube, and using in the same way as a pan of watercolour.  Which surfaces best support Watercolour? When choosing a watercolour surface, it is important to consider the absorbency, colour and stability of the paper. Our range of watercolour paper & pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for watercolour painting? Watercolour painting requires the brush to hold large amounts of water and paint. Natural hair brushes, particularly Red Sable brushes, tend to be favoured by artists working with watercolour. With a middle body able to hold a good reservoir of colour, Sable hair has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Watercolour Brushes, especially if price and durability are an issue. Who are Schmincke? Founded in 1881 by Hermann Schmincke and Josef Horadam, the Schmincke Company originated in Düsseldorf. Renowned for "tradition, passion and quality", Schmincke continue to manufacture all their products in the German town of Erkrath. Combining the latest technology with handmade processes, Schmincke produce the finest calibre artists' colours, which are predominantly single pigmented. Schmincke offer an array of paints to suit all abilities and budgets, including Akademie, a collection of inexpensive acrylic colours developed for students and beginners.

GBP 6.18
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Daniel Smith - Extra-Fine Watercolour (5ml) Quinacridone Purple 225 (S2)

Daniel Smith - Extra-Fine Watercolour (5ml) Quinacridone Purple 225 (S2)

Size: 5ml Colours: 117 sold individually Artist-Quality watercolour Available in over 100 colours Includes a variety of unique tones Formulated to meet & exceed industry standards Boasts the widest range of lightfast, highly pigmented tones Available in 117 colours, these artist-quality watercolour paints from Daniel Smith boast the widest range of highly-pigmented, unique colours in the world. Specially formulated to meet & exceed the highest industry standards, every batch is thoroughly analysed for its performance qualities including lightfastness, colour value, tinting strength, clarity, vibrancy, undertone, particle size, density & viscosity. Vibrant, consistently coloured & fully intermixable, this variety of 117 colours features highlights from across several of their lines; Extra-Fine, PrimaTek & Luminescent. PrimaTek Made using genuine minerals, finely ground into pigments.  This includes semi-precious materials such as amethyst, hematite & lapis lazuli. Luminescent Contains 4 different types.  Iridescent colours reflect light like a mirror, Interference colours refract and scatter the light, Duochrome bounce between two colours depending on the light source & Pearlescent colours add an opalescent shine. Daniel Smith's products are not tested on animals. The only animal-derived ingredient is the pigment PBk9 (found in Sepia, Ivory Black, Joseph Z's Neutral Grey, and Payne's Grey).

GBP 7.95
1

Montana Colors - MTN Water-Based Spray Paint (300ml) Blue Violet (RV-225)

Montana Colors - MTN Water-Based Spray Paint (300ml) Blue Violet (RV-225)

This range is transitioning to a new 400ml sizing. If you're unable to see the colour you need below, please click here to for this new range. Size: 300ml Colours: 52 Sold Individually Water-Based Spray Paint Low-Odour application Water-resistant once dry Quick-dries to a matte finish Ideal for use both indoors & outdoors MTN Water-Based Spray Paints are available in a broad range of matt colours, made using only the highest quality, lightfast pigments. Fast-Drying & low-odour, ideal for both interior & exterior use, provided areas are suitably well-ventilated. Suitable for use with concrete, metal, plastics, wood, canvas, glass & even expanded polystyrene. This versatility makes them ideal for a myriad of techniques including fine art, crafts, DIY and decoration. Whilst wet, these can be washed away from surfaces, fabrics & skin using only soap & water. Once dry, they are completely permanent & water-resistant. This range is transitioning to a new 400ml size, if you're unable to see the colour you need below, please click here for this original listing. Instructions For Use Before using, shake the can vigorously for around a minute. Hold the aerosol upside down after use to purge the valve. If the nozzle is blocked, replace it with a new one. Notes / Tips Water-Soluble when wet, Water-Resistant when dry. Before application, be sure to check that your surface is clean & dry. Apply thin coats for better results, layering as you go. Use only in well-ventilated areas. Do not apply on plugged-in electrical equipment. AGE RESTRICTED PRODUCTAfter placing your order, you will be required to provide a valid form of ID before dispatch.Failure to do so will result in the product being removed from your order. For further information, please refer to our Terms & Conditions.

GBP 7.49
1

Liquitex - Professional Heavy Body Acrylic Colour (59ml) Hooker's Green Deep Hue Permanent 225 (S1)

Liquitex - Professional Heavy Body Acrylic Colour (59ml) Hooker's Green Deep Hue Permanent 225 (S1)

Size: 59ml Colours: 109 Sold Individually Professional-quality acrylic colour With a smooth, buttery consistency Dries to a flexible, permanent satin finish Highly concentrated artist-quality pigments Retains brush strokes for easy impasto techniques Archival-quality, guaranteed for 50+ years in gallery conditions Also available individually in 138ml These professional-quality heavy body acrylic colours from Liquitex have been a staple in the acrylic painting community since they were first introduced back in 1963 thanks to their potent artist-quality pigments, high lightfastness & smooth, buttery consistency. This thicker viscosity provides several benefits including excellent handling, economic coverage of largescale areas, a broader variety of applications & extended working times. Another key attribute is that brush strokes, knife marks & other physical attributes can be easily retained, making them uniquely ideal for practicing, producing or experimenting with a myriad of applications, textures & impasto techniques. Drying to a satin finish, each rich & permanent colour has been made using highly concentrated artist-quality pigments & features a flexible film, preventing potential cracking during the drying process. Individually & extensively tested for lightfastness against ASTM standards in order to ensure the highest possible grade of archival performance, guaranteeing no colour shifting, fading or yellowing for at least 50+ years (in gallery conditions).

GBP 6.87
1

Liquitex - Professional Soft Body Acrylic Colour (59ml) Hooker's Green Deep Hue Permanent 225 (S1)

Liquitex - Professional Soft Body Acrylic Colour (59ml) Hooker's Green Deep Hue Permanent 225 (S1)

Available in 100 brilliant shades Soft body formula Satin finish Offers great flat coverage Highly pigmented intense colours Exceptionally smooth and creamy consistency Retains little to no brush marks Video: An Introduction to Liquitex Professional Soft Body Acrylic This low viscosity professional acrylic paint gives excellent coverage, a satin finish and high levels of artist-quality pigment for archival brilliance. It's incredibly versatile. Use it to paint, pour, glaze or print on almost any surface. First produced in 1955, Liquitex Professional Soft Body Acrylic is the original Liquitex acrylic formulation, and is suitable for most fine art and decorative art techniques. It's ideal for fine line details, and its smooth, creamy consistency retains little or no brush marks. Video: Discover The Differences Between Liquitex Professional Soft & Heavy Body A Brand New Design When you're working, your tools need to work for you. Soft Body's brand new ergonomic bottle and clear labelling have been designed in collaboration with artists, to help create the perfect format. It's fully reusable and recyclable - and not a drop of paint will go to waste. Each squeezable bottle is stackable either way up with an easy-open and close lid. The screw-off top reveals an extra-wide neck for easy access. There are no shoulders or corners to trap paint, allowing you to use every last drop. What's more, you can also used the tapered nozzle with a choice of cut marks to tailor your pour exactly how you like it. Versatility If you had to choose one paint then this would be the one you'd get most out of. Soft Body suits a wide range of techniques and applications. It loves almost any surface and dries flexibly and quickly for easy layering and masking. Want something new? Use a professional medium to change its character further. The Formula If you thought Soft Body was just a watered-down Heavy Body, you'd be wrong. This flowing low viscosity formula was in fact created first and actually gives triple the coverage area of Heavy Body. The two paints have compatible binders and pack the same high pigment load. But if you thin Heavy Body with water or mediums, you reduce concentration and get noticeably weaker colours. Paint feel, performance and stability are also impacted, so choose the right consistency of paint for the job. Surfaces If it sticks to it, you can use it. You can use Soft Body on stretched canvas, photo paper, plaster, brick, clay, pottery, paper, board, wood, fabric and glass. Archival On a client's wall. In a gallery. Your work needs to stay as you intended. As with all Liquitex products, the pigments in Soft Body have passed extensive tests for lightfastness. Each pigment is rated according to the American Society for Testing & Materials (ASTM), and Liquitex only use pigments rated ASTM I or II*. This means your work will have the greatest archival permanence possible – at least 50 years+ in gallery conditions – with no colour shifting or fading, to stay vibrant and true. *Some pigments, such as fluorescents, are not rated Why choose Liquitex Professional Soft Body Acrylic? Available in sets or individually in 59ml tubes, the Liquitex Soft Body Acrylic range boasts a varied spectrum of 100 colours, providing the artist with a broad mixing palette. Blog Post: Infinite Intermixability With Liquitex Acrylic Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour. What is Acrylic paint? Fast-drying and water based, Acrylic paint is comprised of a pigment suspended in an acrylic co-polymer binder. This is then applied to a support such as a canvas. The pigment fixes to the support upon evaporation of the water, producing a slight colour change in the process. Acrylic paint dries to a water-resistant, flexible finish, making it the ideal medium for a number of craft purposes including screen printing and model making. All colours can be thinned with water to pale washes, or used directly from the pot or tube. The quick drying properties of the range enable the artist to work speedily, and a hairdryer may be used to further accelerate the drying process.  All Liquitex Soft Body colours are fully intermixable and suitable for interior and exterior use, ideal for all art and craft projects. Different textures and effects can be created with these acrylic paints by adding a medium such as Super Heavy Gel or Glass Beads.  Once completed and dry, a thin layer of varnish may be applied, to protect and prese

GBP 7.49
1

Search Press - The Printmaking Bible

Search Press - The Printmaking Bible

Authors: Ann d'Arcy Hughes & Hebe Vernon-Morris Dimensions: 228 x 260mm Format: BC Paperback Pages: 416 The Printmaking Bible: The Complete Guide to Materials & Techniques A comprehensive guide ideal for students & professionals alike Includes five chapters: intaglio, relief, lithography monotype/monoprint & screenprinting Inspirational and authoritative, The Printmaking Bible is a complete guide to this traditional art practice that constantly evolves through the creative input of each new generation of artists. This guide has been created to reflect developments in different techniques and to showcase examples of new work by leading international artists across a range of print styles. Broken down into five chapters, each focuses on a major print medium: intaglio, relief, lithography, monotype/monoprint, and screenprinting. This definitive volume presents the tips and tools needed to create great artwork at any level. A brief overview of each medium is followed by illustrated step-by-step instructions, detailed historical information, troubleshooting tips, an extensive resource section, and interviews with working artists. This comprehensive guide is ideal for students and professionals alike. About the Authors Ann d'Arcy Hughes has enjoyed an illustrious career in printmaking. She assisted Anthony Gross at the Slade School of Art in London, and worked with S. W. Hayter at Atelier 17 in Paris before embarking on her lecturing career at the University of Brighton in the UK. Ann was the Regional Organizer with the Open College of the Arts (OCA) for 10 years before co-founding Bip-Art independent printmaking workshop in Brighton. She was joint first prize winner of the Fine Press Book Association Award in 2004. Permanent collections of her work include prints at Xerox headquarters, BBC, and the Victoria & Albert Museum in London. She lives in Brighton. Hebe Vernon-Morris studied as a ceramicist and metalworker before turning to printmaking. She now specializes in lithography and woodcut. She is a founder member and co-director of Bip-Art printmaking studio in Brighton.

GBP 25.00
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