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Contemporary Color Theory and Use

Color Grading 101 Getting Started Color Grading for Editors Cinematographers Directors and Aspiring Colorists

A Working Costume Designer's Guide to Color

Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects (Second Edition) analyzes and explains traditional color theory for fine artists and applies it to make-up artistry. This beautifully illustrated guide begins with the basics of color theory – why we see color how to categorize and identify color and relationships between colors – and relates these concepts to beauty and special effects make-up. The book provides a wealth of information including how to mix flesh tones by using only primary colors how these colors in paints and make-up are sourced and created the reason for variations in skin colors and undertones and how to identify and match these using make-up while choosing flattering colors for the eyes lips and cheeks. Colors found inside the body are explained for special effects make-up like why we bruise bleed or appear sick. Ideas and techniques are also described for painting prosthetics in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film television theater and photography sets and how to properly light a workspace for successful applications. The second edition features: A brand-new chapter on color inspiration in make-up and design Additional and updated diagrams More real-life application photos and demonstrations including new examples of tattoo covering and prosthetic painting using optical mixtures airbrush and stippling Expanded discussion on undertones skin variations color correction pigments colored gels and more Filled with stunning photography and practical information Color Theory for the Make-up Artist provides guidance and inspiration for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. | Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

GBP 34.99
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Color and Victorian Photography

The Art and Technique of Digital Color Correction

The Art and Technique of Digital Color Correction

The only guide to the art and technique of color correction based on the invaluable knowledge of more than a dozen of the top colorists in the world. This book allows you unprecedented access to the way the masters of the craft approach their work. Containing decades of industry experience and professional colorist know-how this book provides an understanding of what top-tier colorists look for in an image and how they know what to do to make it great. Featuring techniques performed in a variety of color correction software applications (DaVinci Resolve Apple Color Synthetic Aperture's Color Finesse and more) this book turns what has long been a misunderstood black art into a set of skills that any colorist editor independent filmmaker or motion graphics artist can begin to master. Packed with explanations tips and concepts that build on each other you will learn how to:* fix poorly exposed shots and shots with color casts* create looks* match shots* master primary and secondary color correction techniques* use color correction to advance a storyThis edition includes* Downloadable resources containing two hours of video tutorials using DaVinci Resolve extended interview transcripts and color correction sessions with the professional colorists featured in the book * A brand new tutorial-based chapter with companion project files on the downloadable resources so you can work along with the text* New insight from additional professional colorists including legendary colorists Bob Festa Stefan Sonnenfeld and Pankaj Baipai showing you the 'hows' and 'whys' of each grade | The Art and Technique of Digital Color Correction

GBP 180.00
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Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

We have all felt the frustration of wasting time paper and effort when our prints or web images don’t match the images we see on our monitors. Fortunately you’re holding the resource that will help solve these problems. This book guides you through the hardware settings and software steps you’ll need to post professional images and make stunning prints that showcase your artistic vision. In Color Management & Quality Output Tom P. Ashe a color expert and gifted teacher shows you how to color manage your files from input all the way through output by clearly explaining how color works in our minds on our monitors and computers and through our printers. You’ll learn to: properly calibrate your monitor understand Adobe Photoshop color settings build and evaluate color profiles for all your devices navigate the print menu in both Photoshop and Lightroom appreciate the differences between inkjet prints and C-prints optimize sharpening for a variety of print media understand how and why to use RIPs communicate with creative professionals clients and output service providers to ensure the highest quality results. This book is part of The Digital Imaging Masters Series which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Masters of Professional Studies in Digital Photography created by Katrin Eismann at the School of Visual Arts in New York City these books are the next best thing to being in the classroom with the Digital Photography Masters themselves. | Color Management & Quality Output: Working with Color from Camera to Display to Print (The Digital Imaging Masters Series)

GBP 130.00
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Tracking Color in Cinema and Art Philosophy and Aesthetics

Contemporary Plays by Women of Color An Anthology

Women of Color in the Aviation Industry

Women of Color in the Aviation Industry

Women of Color in the Aviation Industry offers a critical look at the reasons why the aviation industry remains underrepresented with minoritized groups particularly women of color. Despite the increased efforts to advocate for diversity equity and inclusion within the industry the diversity of its employees remains stagnant. Through interviews and conversations with a number of women of color this book argues that the industry is not doing enough to create and sustain a more equitable workforce. In this book readers will discover why less than 4% of qualified commercial airline pilots are women and of that less than 1% are Black women. The numbers of Latinx Indigenous people Asian and other people of color working in the aviation industry are lacking. This book explores how the aviation industry often fails to incorporate the experiences of women of color when developing and implementing diversity equity and inclusion initiatives and offers different perspectives on why it remains challenging to recruit and retain minoritized people to the industry. By bringing in the experiences of a variety of women this book asks readers to reflect on what it means for an organization to describe itself as one that supports diversity equity and inclusion. This timely important book is a valuable resource for a wide spectrum of researchers and students in aviation as well as gender race and ethnic studies. Whilst the examples in this book serve as a case study for aviation it can be used to examine other fields encountering similar challenges in creating a more equitable workforce.

GBP 130.00
1

Multicultural Counseling Perspectives from Counselors as Clients of Color

Multicultural Counseling Perspectives from Counselors as Clients of Color

This is the first book to explore the experiences of people of color in counseling from the perspective of individuals who are practicing counselors and were previously clients in counseling themselves. Marbley conducted a research study in which she interviewed eight individuals representing each of the major groups of color in the United States - African American Asian and Asian American Hispanic/Latino and American Indian � to obtain the stories of their experiences in their own words. These stories provide insight into the problems in and failures of counseling services provided to people of color. She quotes extensively from these interviews throughout the book using the voices of the participants to highlight these shortcomings and personalize her discussion of the issues they have faced. A chapter is devoted to each of the groups of color as well as one to counseling issues related to gender. These chapters provide an overview of the literature on the historical experiences of these groups in mental health and a discussion of the counselors� experiences and conclude with implications and recommendations for counseling and psychotherapy with these groups. Information from follow-up interviews conducted 12 years after the original ones are also provided to compare and contrast the participants� responses to their earlier ones. Marbley concludes with a look at the need for a social justice movement within the mental health field in order to improve the experiences of and outcomes for people of color. | Multicultural Counseling Perspectives from Counselors as Clients of Color

GBP 175.00
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If It's Purple Someone's Gonna Die The Power of Color in Visual Storytelling

If It's Purple Someone's Gonna Die The Power of Color in Visual Storytelling

If It's Purple Someone's Gonna Die is a must-read book for all film students film professionals and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors. Guided by her twenty-five years of research on the effects of color on behavior Bellantoni has grouped more than 60 films under the spheres of influence of six major colors each of which triggers very specific emotional states. For example the author explains that films with a dominant red influence have themes and characters that are powerful lusty defiant anxious angry or romantic and discusses specific films as examples. She explores each film describing how why and where a color influences emotions both in the characters on screen and in the audience. Each color section begins with an illustrated Home Page that includes examples anecdotes and tips for using or avoiding that particular color. Conversations with the author's colleagues - including award-winning production designers Henry Bumstead (Unforgiven) and Wynn Thomas (Malcolm X) and renowned cinematographers Roger Deakins (The Shawshank Redemption) and Edward Lachman (Far From Heaven) - reveal how color is often used to communicate what is not said. Bellantoni uses her research and experience to demonstrate how powerful color can be and to increase readers awareness of the colors around us and how they make us feel act and react. Learn how your choice of color can influence an audience's moods attitudes reactions and interpretations of your movie's plot. See your favorite films in a new light as the author points out important uses of color both instinctive and intentional. Learn how to make good color choices in your film and in your | If It's Purple Someone's Gonna Die The Power of Color in Visual Storytelling

GBP 175.00
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Men Educators of Color in U.S. Public Schools and Abroad

Men Educators of Color in U.S. Public Schools and Abroad

This book reflects the diversity and possibility of critical research in education with an emphasis on the examination of the intersections of social identities for men teachers of color and the relationship between social identity and struggles for political and professional agency. The authors address race and race inequality in education and provide a strong theoretical foundation for filling the empirical gap on men teachers of color by engaging in questions such as: How do critical considerations of the intersection of race gender and profession inform the future of teacher education? What does it mean to be ‘men’ or ‘of color’ in the context of the teaching profession in the U. S. and abroad? What are the aims of ethnoracial diversity in the field of education? The research included in this edited volume explores topics including but not limited to men teachers of color and their perceived pathways to the profession; their perceptions of and partnerships with colleagues of other genders; their sexual and gendered identities and performances; and how they embrace reject or negotiate the expectations of performing as a role model in classrooms. Moreover the chapters provide explicit implications for teachers teacher educators university and PK-12 administrators education activists and/or education policymakers. In sum this volume charts a new landscape in education research for all men teachers of color. The chapters in this book were originally published as a special issue of the journal Race Ethnicity and Education. | Men Educators of Color in U. S. Public Schools and Abroad

GBP 130.00
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Rising to Full Professor Pathways for Faculty of Color

Rising to Full Professor Pathways for Faculty of Color

Academe has made little progress in hiring and advancing faculty of color. Through the narratives of full professors of color this book aims to make visible their journeys - beset with lack of criteria transparency marginalization discouragement and discrimination on the way to success - to provide insights for junior and mid-level scholars as they negotiate their pathways to full professorship. This book offers readers a unique micro-and macroscopic window into the lived experiences of individuals who represent a multitude of social ethnic and cultural identities disciplinary domains academic and professional credentials and socialization experiences. They share their doubts and fears as they began their applications the contradictory advice they received who they consulted for guidance some of the indelible costs of the experience and when they encountered it how they dealt with initial rejection. In describing their persistence and success the contributors reflect on the rewards of the position and the opportunities it offers to play influential decision-making roles and become agents of change shifting institutional culture values and practices. Beyond filling a gap in the literature and research on and promotion to this position this book uniquely addresses the experiences of women and men faculty of color raising broad implications for how higher education recruits evaluates and rewards faculty work as well as the broader context of racial and social institutional goals and outcomes. This book is intended for several audiences. First for faculty of color who aspire to the rank of full professor. Second for faculty in general including allies who work tirelessly for social justice to dismantle white supremacy racism sexism and the range of discriminatory practices Third for administrators in senior leadership positions to make them aware of the inequitable path to full professorship and the gross underrepresentation of faculty of color at that rank whose experiences and expertise are now more than ever needed as student demographics are changing. | Rising to Full Professor Pathways for Faculty of Color

GBP 26.99
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College Curriculum at the Crossroads Women of Color Reflect and Resist

The Color Line A Short Introduction

Supporting Literacies for Children of Color A Strength-Based Approach to Preschool Literacy

Color that Matters A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism

Color that Matters A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism

This book examines the ways in which mixed ethnic identities in Scandinavia are formed along both cultural and embodied lines arguing that while the official discourses in the region refer to a post-racial or color blind era color still matters in the lives of people of mixed ethnic descent. Drawing on research from people of mixed ethnic backgrounds the author offers insights into how color matters and is made to matter and into the ways in which terms such as ethnic and ethnicity remain very much indebted to their older racialized grammar. Color that Matters moves beyond the conventional Anglo-American focus of scholarship in this field showing that while similarities exist between the racial and ethnic discourses of the US and UK and those found in the Nordic region Scandinavia and Norway in particular manifests important differences in part owing to a tendency to view itself as exceptional or outside the colonial heritage of race and imperialism. Presenting both a contextualization of racial discourses since World War II based on documentary analysis and new interview material with people of mixed ethnic backgrounds the book acts as a corrective to the blind spot within Scandinavian research on ethnic minorities offering a new reading of race for the Nordic region that engages with the idea that color has been emptied of legitimate cultural content. | Color that Matters A Comparative Approach to Mixed Race Identity and Nordic Exceptionalism

GBP 38.99
1

The Materiality of Color The Production Circulation and Application of Dyes and Pigments 1400–1800

The Materiality of Color The Production Circulation and Application of Dyes and Pigments 1400–1800

Although much has been written on the aesthetic value of color there are other values that adhere to it with economic and social values among them. Through case studies of particular colors and colored objects this volume demonstrates just how complex the history of color is by focusing on the diverse social and cultural meanings of color; the trouble pain and suffering behind the production and application of these colors; the difficult technical processes for making and applying color; and the intricacy of commercial exchanges and knowledge transfers as commodities and techniques moved from one region to another. By emphasizing color's materiality the way in which it was produced exchanged and used by artisans artists and craftspersons contributors draw attention to the disjuncture between the beauty of color and the blood sweat and tears that went into its production circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts. This book captures color's global history with chapters on indigo plantations in India and the American South cochineal production in colonial Oaxaca the taste for brightly colored Chinese objects in Europe and the thriving trade in vermilion between Europeans and Native Americans. To underscore the complexity of the technical knowledge behind color production there are chapters on the 'discovery' of Prussian blue Brazilian feather techné and wallpaper production. To sound the depths of color's capacity for social and cultural meaning-making there are chapters that explore the significance of black ink in Shakespeare's sonnets red threads in women's needlework samplers blues in Mayan sacred statuary and greens and yellows in colored glass bracelets that were traded across the Arabian desert in the late Middle Ages. The purpose of this book is to recover color's complex-and sometimes morally troubling-past and in doing so to restore a sense of wonder and appreciation for our colorful world. With its nuanced and complex depiction of how color operated within local contexts and moved across the globe this book will appeal to art historians social and cultural historians museum curators literary scholars rhetoric scholars and historians of science and technology. | The Materiality of Color The Production Circulation and Application of Dyes and Pigments 1400–1800

GBP 46.99
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Diversity and Inclusion on Campus Supporting Students of Color in Higher Education

Diversity and Inclusion on Campus Supporting Students of Color in Higher Education

This new and updated second edition of Diversity and Inclusion on Campus: Supporting Students of Color in Higher Education provides an exploration of the range of college experiences from gaining access to higher education to successfully persisting through degree programs. By bridging research theory and practice related to the ways that peers faculty administrators staff and institutions can and do influence racially and ethnically diverse students’ experiences Winkle-Wagner and Locks examine how and why it is imperative to have an understanding of the issues that affect students of color in higher education. This new edition also includes features such as: New case studies and examples throughout that allow readers to take institutional-level and student-level approaches to the chapter topics Updated citations and theory across chapters New topical coverage including discussion of college affordability an exploration of a variety of institution types and the role of merit in maintaining and perpetuating racial inequality in higher education End-of-chapter questions that encourage readers to explore chapter concepts in more detail This second edition is an invaluable resource for future and current higher education and student affairs practitioners working towards full inclusion and participation for students of color in higher education. | Diversity and Inclusion on Campus Supporting Students of Color in Higher Education

GBP 42.99
1

Automated Lighting The Art and Science of Moving and Color-Changing Lights

Cinema Raw Shooting and Color Grading with the Ikonoskop Digital Bolex and Blackmagic Cinema Cameras

The Experiences of Queer Students of Color at Historically White Institutions Navigating Intersectional Identities on Campus

The Experiences of Queer Students of Color at Historically White Institutions Navigating Intersectional Identities on Campus

This significant text employs an intersectional analysis and considers the role of queer frameworks to understand the experiences of Queer People of Color at historically white institutions of higher education in the U. S. By presenting data from student interviews and reflection journals the book explores what it means to hold multiple minoritized identities and asks how such intersections are navigated contested and experienced on college campuses. Exploring both micro- and macro-level mappings of marginalization and power the text reveals issues including institutional erasure pervasive whiteness in college and LGBTQ+ communities and institutionalized racism and heterosexism and offers in-depth insights into the material psychological emotional and social impacts on queer students of color. Ultimately the analysis highlights the necessity of employing intersectional frameworks for addressing interlocking systems of oppression and offers recommendations for the integration and support of queer students of color at historically white institutions (HWIs). This monograph will offer invaluable insights for scholars researchers and graduate students working in the fields of gender and sexuality higher education and issues of educational equity who wish to realize the potential of intersectionality as an analytic framework for the study of identity and development of affirming educational environments. | The Experiences of Queer Students of Color at Historically White Institutions Navigating Intersectional Identities on Campus

GBP 38.99
1