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Paris The Powers that Shaped the Medieval City

GBP 35.99
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The Parlement of Paris

Is Paris Still the Capital of the Nineteenth Century? Essays on Art and Modernity 1850-1900

The Implementation of the Paris Agreement on Climate Change

The Implementation of the Paris Agreement on Climate Change

In December 2015 196 parties to the United Nations Framework Convention on Climate Change (UNFCCC) adopted the Paris Agreement seen as a decisive landmark for global action to stop human- induced climate change. The Paris Agreement will replace the 1997 Kyoto Protocol which expires in 2020 and it creates legally binding obligations on the parties based on their own bottom-up voluntary commitments to implement Nationally Determined Contributions (NDCs). The codification of the climate change regime has advanced well but the implementation of it remains uncertain. This book focuses on the implementation prospects of the Agreement which is a challenge for all and will require a fully comprehensive burden- sharing framework. Parties need to meet their own NDCs but also to finance and transfer technology to others who do not have enough. How equity- based and facilitative the process will be is of crucial importance. The volume examines a broad range of issues including the lessons that can be learnt from the implementation of previous environmental legal regimes climate policies at national and sub-national levels and whether the implementation mechanisms in the Paris Agreement are likely to be sufficient. Written by leading experts and practitioners the book diagnoses the gaps and lays the ground for future exploration of implementation options. This collection will be of interest to policy-makers academics practitioners students and researchers focusing on climate change governance. | The Implementation of the Paris Agreement on Climate Change

GBP 39.99
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Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris Bibliothèque Nationale de France codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits an extensive narrative cycle and unique polychromatic texts. However it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome. | Between Constantinople and Rome An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches

GBP 38.99
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Opera in Paris from the Empire to the Commune

Opera in Paris from the Empire to the Commune

Studies in the history of French nineteenth-century stage music have blossomed in the last decade encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique opérette comédie-vaudeville and mélodrame for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera and its focus moves towards the music of its closest neighbours the Italian-speaking states and of its most problematic partners the German-speaking states especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange genre and institution this collection brings together twelve of the author’s previously published articles and essays fully updated for this volume and translated into English for the first time. | Opera in Paris from the Empire to the Commune

GBP 38.99
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Cities and Labour Immigration Comparing Policy Responses in Amsterdam Paris Rome and Tel Aviv

Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

The transition from the valveless natural horn to the modern valved horn in 19th-century Paris was different from similar transitions in other countries. While valve technology was received happily by players of other members of the brass family strong support for the natural horn with its varied color palette and virtuoso performance traditions slowed the reception and application of the valve to the horn. Using primary sources including Conservatoire method books accounts of performances and technological advances and other evidence this book tells the story of the transition from natural horn to valved horn at the Conservatoire from 1792 to 1903 including close examination of horn teaching before the arrival of valved brass in Paris the initial reception and application of this technology to the horn the persistence of the natural horn and the progression of acceptance use controversies and eventual adoption of the valved instrument in the Parisian community and at the Conservatoire. Active scholars performers and students interested in the horn 19th-century brass instruments teaching methods associated with the Conservatoire and the intersection of technology and performing practice will find this book useful in its details and conclusions including ramifications on historically-informed performance today. | Horn Teaching at the Paris Conservatoire 1792 to 1903 The Transition from Natural Horn to Valved Horn

GBP 36.99
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Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

This book covers the work of psychoanalysts in post WWII France with patients beset by somatic problems with little manifest fantasy life and how their concept of opératoire continues to inform the theory and practice of working with patients in crisis. The author explores what the new concept has elicited in a community of practitioners – close to the École Psychosomatique de Paris – over a period of some sixty years. As a 'skin for thought' it facilitated change while preserving coherence gradually beginning to attract further considerations. Important themes have included: the early groundwork necessary for the configuration of fantasy the importance of a shared imaginary the role of denial and obliterated memories as a bond between people emergency measures of a Me cut off from revitalisation the effects of the rhythms and atmosphere at the workplace on family life and the consequences of a crisis suppressed for lack of a holding frame. As psychoanalytic discourse adapted to the challenges the original perspective changed aspect moving from a systematic evaluation of what the patients did not produce to what the analyst had to fill in to make sense of the situation. Clashing with the terrain French psychoanalysts raised important problems about psychic anaemia that are stimulating and deserve cross-cultural discussion. This book will appeal to psychoanalysts in practice and training who wish to learn more about this ground-breaking work on memory and trauma and how to apply it to their own practice. | Lost to Desire The École Psychosomatique de Paris and its Encounter With Patients Who Do Not Thrive

GBP 31.99
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The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

A groundbreaking approach to Rococo religious décor and spirituality in Europe and South America The Spiritual Rococo addresses three basic conundrums that impede our understanding of eighteenth-century aesthetics and culture. Why did the Rococo ostensibly the least spiritual style in the pre-Modern canon transform into one of the world’s most important modes for adorning sacred spaces? And why is Rococo still treated as a decadent nemesis of the Enlightenment when the two had fundamental characteristics in common? This book seeks to answer these questions by treating Rococo as a global phenomenon for the first time and by exploring its moral and spiritual dimensions through the lens of populist French religious literature of the day-a body of work the author calls the ’Spiritual Rococo’ and which has never been applied directly to the arts. The book traces Rococo’s development from France through Central Europe Portugal Brazil and South America by following a chain of interlocking case studies whether artistic literary or ideological and it also considers the parallel diffusion of the literature of the Spiritual Rococo in these same regions placing particular emphasis on unpublished primary sources such as inventories. One of the ultimate goals of this study is to move beyond the cliché of Rococo’s frivolity and acknowledge its essential modernity. Thoroughly interdisciplinary The Spiritual Rococo not only integrates different art historical fields in novel ways but also interacts with church and social history literary and post-colonial studies and anthropology opening up new horizons in these fields. | The Spiritual Rococo Decor and Divinity from the Salons of Paris to the Missions of Patagonia

GBP 42.99
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Cathedrals of Urban Modernity Creation of the First Museums of Contemporary Art

American Pop Art in France Politics of the Transatlantic Image

An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

An Evidence-Based Critique of Contemporary Psychoanalysis assesses the state of psychoanalysis in the 21st century. Joel Paris examines areas where analysis needs to develop a stronger scientific and clinical base and to integrate its ideas with modern clinical psychology and psychiatry. While psychoanalysis has declined as an independent discipline it continues to play a major role in clinical thought. Paris explores the extent to which analysis has gained support from recent empirical research. He argues that it could revive its influence by establishing a stronger relationship to science whilst looking at the state of current research. For clinical applications he suggests while convincing evidence is lacking to support long-term treatment brief psychoanalytic therapy lasting for a few months has been shown to be relatively effective for common mental disorders. For theory Paris reviews changes in the psychoanalytic paradigm most particularly the shift from a theory based largely on intrapsychic mechanisms to the more interpersonal approach of attachment theory. He also reviews the interfaces between psychoanalysis and other disciplines ranging from neuropsychoanalysis to the incorporation of analytic theory into post-modern models popular in the humanities. An Evidence-Based Critique of Contemporary Psychoanalysis concludes by examining the legacy of psychoanalysis and making recommendations for integration into broader psychological theory and psychotherapy. It will be of great interest to psychoanalysts psychoanalytic psychotherapists and scholars and practitioners across the mental health professions interested in the future and influence of the field. | An Evidence-Based Critique of Contemporary Psychoanalysis Research Theory and Clinical Practice

GBP 36.99
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The Path to Net Zero for the Fashion Industry Five Strategies for Decarbonisation

The Path to Net Zero for the Fashion Industry Five Strategies for Decarbonisation

This book uses a quantitative science-based approach to explain where the greenhouse gas (GHG) emissions emitted by the fashion industry are generated and it explores what strategies can be deployed to achieve Net Zero by 2050. With GHG emissions currently predicted to triple by the middle of the century the fashion industry is far off course to reach Net Zero as set out in the Paris Agreement. With misinformation and greenwashing representing an ever-growing barrier to potential solutions the book aims to demystify the source of GHG emissions from the industry breaking down in detail their origin while identifying the steps that can be taken when designing and sourcing new products. Detailing the market drivers and trends in fashion consumption it argues that change should be guided by science-based quantitative principles. Accessibly written with key insights at the end of each chapter this book will enable the reader to understand the tactics to tackle decarbonisation and ultimately outline five main strategies that can be deployed by the fashion and textile industries to align with the Paris Agreement. This book serves as a practical guide for designers buyers and the fashion industry in general to develop and understand approaches and strategies to reduce energy consumption and the resulting GHG emissions to reach Net Zero. | The Path to Net Zero for the Fashion Industry Five Strategies for Decarbonisation

GBP 31.99
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The Museums of Contemporary Art Notion and Development

The Museums of Contemporary Art Notion and Development

Where how by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue reviews recent museum developments in the last decades. Through its adoption of a long-term worldwide perspective the book not only provides a narrative of the development of museums of contemporary art but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris London and New York in particular - created their own models of museum provision as well as acknowledging the influence of such models elsewhere the book uncovers fascinating perspectives on the practice of museum provision and reveals how present cultural planning initiatives have often been shaped by historical uses. | The Museums of Contemporary Art Notion and Development

GBP 42.99
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The Colonial Agents of the British West Indies A Study in Colonial Administration Mainly in the Eighteenth Century

James Joyce's World (Routledge Revivals)

Topics in Latin Philosophy from the 12th–14th centuries Collected Essays of Sten Ebbesen Volume 2

New Histories of Art in the Global Postwar Era Multiple Modernisms

Heaven and Its Discontents Milton's Characters in Paradise Lost

Heaven and Its Discontents Milton's Characters in Paradise Lost

Many critics agree with C. S. Lewis that Satan is the best drawn of Milton's characters. Satan is certainly a wonderful creation but Adam and Eve are also complex and well-drawn and God may be the most complicated character of all. Paradise Lost is above all God's story; it is his discontent first with Lucifer and then with human beings that drives the action from the beginning until his anger subsides at the world's end. God and Satan have similarities not only in their pursuit of revenge but also in their craving for power and glory. The ambitious Satan wants more than he already has but what accounts for the voracity of God's appetite? Does the fact that each threatens the status of the other help to explain the intensity of their hatred and rage? Is their vindictiveness a response to being threatened an effort to repair the injury they feel they've sustained? This seems to be the case for Satan but must not God also have felt deeply hurt to have such a powerful need for vengeance? If so why is the Almighty so vulnerable? And why is he so hard on Adam and Eve and the rest of humankind? These are the kinds of questions Bernard Paris tries to answer in this book. Paris's purpose is not to focus on Milton's illustrative intentions but to try to understand God Satan Adam and Eve as psychologically motivated characters who are torn by inner conflicts. Most critics treat Milton's characters as coded messages from the author but their mimetic features interfere with the process of decoding. Instead of looking through the characters to the author Paris looks at Milton's characters as objects of interest in themselves as creations inside a creation who escape their thematic roles and are embodiments of his psychological intuitions. This book heightens our appreciation of an ignored aspect of Milton's art and offers new insights into the critical controversies that have surrounded Paradise Lost. | Heaven and Its Discontents Milton's Characters in Paradise Lost

GBP 42.99
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The Bohemian Ethos Questioning Work and Making a Scene on the Lower East Side

Psychosomatics Today A Psychoanalytic Perspective

Roger Hilton

Urban Sociolinguistics The City as a Linguistic Process and Experience

The Origin of Musical Instruments An Ethnological Introduction to the History of Instrumental Music