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Canon EOS Digital Rebel XS/1000D Focal Digital Camera Guides

Cold Mountain Poems Text Travel and Canon Construction

Cold Mountain Poems Text Travel and Canon Construction

This book unveils the legendary life and the mystic poems of the iconic Chinese Tang poet Han-shan (known by his pen name “Cold Mountain”) and investigates the dissemination and reception of the Cold Mountain Poems (CMPs) attributed to him. Han-shan and the CMPs are amongst the most legendary literary landscapes and cultural memories in the history of world scholarly exchange. The maniac poet recluse hidden in the Cold Mountains the delicate poetic realms of Confucianism Buddhism Zen and Taoism contained in the Cold Mountain Poems and the incredible pervasiveness of its text travel and canon construction worldwide as well as the profound impact of CMPs on comparative literature world literature and Chinese studies provide the perfect lens to learn about Chinese language literature culture and society. This book is thus intended to investigate CMPs in a coherent global context. Considering the vertical studies of the Chinese literature polysystem it highlights the horizontal influence of CMPs literarily or non-literarily. Furthermore it addresses the making and developing of the Han-shan phenomenon and its implications for translation studies travel writing canon construction and literary historiography. This book is for scholars researchers and students in literary history and East Asian Studies focusing on Chinese literature and culture and those interested in the history of poetry in general. | Cold Mountain Poems Text Travel and Canon Construction

GBP 130.00
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Commonplace Reading and Writing in Early Modern England and Beyond

Speedlights & Speedlites Creative Flash Photography at Lightspeed Second Edition

Nineteenth-Century Interiors Volume II: Styles of Decoration and Design

The Inequality Reader Contemporary and Foundational Readings in Race Class and Gender

Women Philosophers Genre And The Boundaries Of Philosophy

Hybrid Documentary and Beyond

Discipline by Mary Brunton

Religious Authority in South Asia Generating the Guru

Failed Methods and Ideology in Canonical Interpretation of Biblical Texts Changing Perspectives 9

Music Fundamentals A Balanced Approach

The Road to Antioch and Jerusalem The Crusader Pilgrimage of the Monte Cassino Chronicle

Early Sound Recordings Academic Research and Practice

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged – in exhibitions collecting practices communication and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians academics and curators the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices which hail primarily from Europe and Scandinavia the essays examine the politics of staging “national” “international” and “global” framings of modernism as well as the new public spaces shaped in digital practices and changing political frameworks. The book investigates both the seminal and the unknown exhibitions and institutions that created contemporary art as we know it today. Curating the Contemporary in the Art Museum provides a historical perspective on the museum of contemporary art. It constitutes a step towards differencing the canon of modernist and contemporary art and a more complex understanding of the politics of curating the contemporary in the art museum why it will be of interest to academics and students engaged in the study of museums curating exhibitions and art history.

GBP 120.00
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The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories The Novelist in the Novel explores the forms and functions of author-stories and the characters within them offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist entirely aloof from the marketplace and from the literary sphere at large. Yet each of these dynamics is gendered with women denigrated to commercial producers and men elevated to artists and while the canon has largely supported the male view of authorship a closer look at the work of women writers from this period reveals concerted attempts to counteract it. Silly Lady Novelists are pitted against serious male modernists in a battle to define what it means to be a literary genius. | The Novelist in the Novel Gender and Genius in Fictional Representations of Authorship 1850–1949

GBP 130.00
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Nursing Theory Postmodernism Post-structuralism and Foucault

Nursing Theory Postmodernism Post-structuralism and Foucault

Nursing Theory Postmodernism Post-structuralism and Foucault critiques mainstream American nursing theory and its use of post-structural theory comparing and contrasting how postmodern and post-structural ideas have been used fruitfully in nursing research and theorizing elsewhere. In the late 1980s references to post-structuralism and Michel Foucault started to appear in nursing journals. Since then hundreds of nursing publications have cited postmodernism and key post-structural ideas such as power/knowledge discourse and de-centring the human subject. In Nursing Theory Postmodernism Post-structuralism and Foucault Olga Petrovskaya argues that the application of these ideas is markedly different in American nursing theory scholarship compared to nursing theoretical scholarship generated outside the canon of unique nursing theory. Analysing relevant literature from the late 1980s through 2010s she demonstrates this difference arguing that American nursing theory calcified into a matrix of dogmas built on logical positivism wary of borrowed theory and loyal to a unique nursing science. Post-structural ideas that fit the matrix such as criticism of medicine are sanctioned whereas ideas sceptical of humanistic agendas including those that challenge American nursing theory are rendered meaningless. In contrast other nurse scholars from Britain Australia Canada and what the author calls the American enclave group engaged with postmodern and post-structural perspectives to enrich their research and invite readers to rethink nursing practice. The book showcases examples of their intelligent creative theorizing. Arguing that American nursing theory enervated nursing theorizing Petrovskaya calls for opening this matrix to theoretical and methodological creativity less rigid categories of scholarship and healthy self-examination. Making the case that post-structural ideas are vital for nurses’ ability to critically reflect on their discipline and profession this is a necessary read for all those interested in nursing theory philosophy and praxis. Chapter 1 of this book is available for free in PDF format as Open Access from the individual product page at www. routledge. com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license.

GBP 130.00
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Philosophic Classics: Ancient Philosophy Volume I

Philosophic Classics: Ancient Philosophy Volume I

This seventh edition of Philosophic Classics Volume I: Ancient Philosophy includes essential writings of the most important Greek philosophers along with selections from some of their Roman followers. In updating this edition editor Forrest E. Baird has continued to follow the same criteria established by the late Walter Kaufmann when the Philosophic Classics series was first established: (1) to use complete works or where more appropriate complete sections of works (2) in clear translations (3) of texts central to the thinker’s philosophy or widely accepted as part of the canon. To make the works more accessible to students most footnotes treating textual matters (variant readings etc. ) have been omitted and important Greek words have been transliterated and put in angle brackets. In addition each thinker is introduced by a brief essay composed of three sections: (1) biographical (a glimpse of the life) (2) philosophical (a résumé of the philosopher’s thought) and (3) bibliographical (suggestions for further reading). New to this seventh edition: Changes in translations: New translations of Plato’s Apology and Phaedo and Aristotle’s Nichomachean Ethics and Politics from the acclaimed Focus Philosophical Library Series. New translations of Plato’s Euthyphro and Crito. New translations of Epicurus’s Letter to Herodotus Letter to Menoeceus and Principal Doctrines. New translation of the Parmenides fragments. Additional material: Gorgias’s model oration Encomium on Helen which gives a defense of Helen of Troy. A selection from Plato’s Gorgias on nature versus convention or law . Additional material from the opening of Plato’s Symposium to contextualize the dialogue. Additional material from Plato’s Republic (Book IX) on the tri-partite soul. Additional material from Aristotle’s Metaphysics (Book IV 1-4 7) on the nature of being and the so-called three rules of thought. A brief selection from Porphyry’s Life of Plotinus giving a sense of the person. Updated and reorganized bibliographies. To allow for all these changes a section of Book V from Plato’s Republic has been dropped. Those who use this first volume in a one-term course in ancient philosophy will find more material here than can easily fit a normal semester. But this embarrassment of riches gives teachers some choice and for those who offer the same course year after year an opportunity to change the menu. | Philosophic Classics: Ancient Philosophy Volume I

GBP 115.00
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