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GOLDEN - Gloss Pouring Medium (237ml)

GOLDEN - Gloss Pouring Medium (237ml)

Acrylic painting medium Makes acrylics perfect for pouring Opaque, glossy and level appearance Colours hold their edges Made in the USA Video: Golden Artist Colours - Pendulum Pours with Colour Pouring Mediums Mix Golden Heavy Body Acrylics into Colour Pouring Medium: Gloss for an almost opaque, glossy and level appearance. Colour Pouring Medium: Matte provides a low lustre finish on colour pours. Colours hold their edges when poured wet into wet. Gently mix 10 parts of Colour Pouring Medium with 1 part acrylic colour and allow mixture to sit covered (ideally overnight) to eliminate air bubbles. Pour close to the surface to reduce air bubbles. Paintings may need to dry for a few days before moving and tenting is recommended. Do not pour thicker than 1/8" (3mm) or attempt to accelerate drying. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Soft Gloss Gel (237ml)

GOLDEN - Soft Gloss Gel (237ml)

Acrylic painting medium Excellent for glazing and as a glue for collage Moderately pourable Transparent gloss finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Soft Gel is a flexible medium for use with acrylic colours, and is excellent as a glue for collage. Thinner than Golden Heavy Body Acrylic colours, Soft Gels are moderately pourable. Soft Gel reduces the consistency of a heavy body acrylic and dries to a high quality finish, which holds peaks or brush marks only lightly. It's excellent for glazing and other techniques where transparency is desired. Soft Gel Gloss is useful as a non-removable isolation coat, applied over an acrylic painting prior to varnishing (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water; do not use Soft Gel Semi-Gloss or Matte for this purpose). About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Matte Pouring Medium (237ml)

GOLDEN - Matte Pouring Medium (237ml)

Acrylic painting medium Makes acrylics perfect for pouring Low lustre finish Colours hold their edges Made in the USA Video: Golden Artist Colours - Pendulum Pours with Colour Pouring Mediums Mix Golden Heavy Body Acrylics into Colour Pouring Medium: Gloss for an almost opaque, glossy and level appearance. Colour Pouring Medium: Matte provides a low lustre finish on colour pours. Colours hold their edges when poured wet into wet. Gently mix 10 parts of Colour Pouring Medium with 1 part acrylic colour and allow mixture to sit covered (ideally overnight) to eliminate air bubbles. Pour close to the surface to reduce air bubbles. Paintings may need to dry for a few days before moving and tenting is recommended. Do not pour thicker than 1/8" (3mm) or attempt to accelerate drying. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - Gloss Medium (237ml)

GOLDEN - Gloss Medium (237ml)

Acrylic painting medium Great for glazes and extending colours Enhances gloss and translucency Promotes flow and levelling Made in the USA Golden Gloss Medium is useful for creating glazes, extending colours, enhancing gloss and translucency. It has an oil-like feel and resinous nature that promotes flow and levelling. It is the best product for blocking Support Induced Discoloration (SID). About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Retarder (237ml)

GOLDEN - Retarder (237ml)

Acrylic painting medium Increases paint drying time Great for wet-on-wet techniques Reduces skinning on palette Made in the USA Golden Retarder is an additive used to increase the open (drying) time of acrylic paints. It is useful for wet-on-wet techniques and reducing skinning on the palette. Golden Retarder does not contain any binding agents. To ensure adhesion, it is recommended that the addition of Retarder not exceed 15%. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.45
1

GOLDEN - Regular Matte Gel (237ml)

GOLDEN - Regular Matte Gel (237ml)

Acrylic painting medium Creamy consistency Holds moderate peaks and texture Transparent matte finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Regular Gels offer the same creamy consistency as Golden Heavy Body Acrylic colours. They are ideal for extending your paint and regulating its translucency without changing the consistency of the Heavy Body and Matte colours. Regular Gels hold moderate peaks and texture, and are perfect for glazing and other techniques where transparency is desired. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Regular Gloss Gel (237ml)

GOLDEN - Regular Gloss Gel (237ml)

Acrylic painting medium Creamy consistency Holds moderate peaks and texture Transparent gloss finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Regular Gels offer the same creamy consistency as Golden Heavy Body Acrylic colours. They are ideal for extending your paint and regulating its translucency without changing the consistency of the Heavy Body and Matte colours. Regular Gels hold moderate peaks and texture, and are perfect for glazing and other techniques where transparency is desired. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Regular Semi-Gloss Gel (237ml)

GOLDEN - Regular Semi-Gloss Gel (237ml)

Acrylic painting medium Creamy consistency Holds moderate peaks and texture Transparent gloss finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Regular Gels offer the same creamy consistency as Golden Heavy Body Acrylic colours. They are ideal for extending your paint and regulating its translucency without changing the consistency of the Heavy Body and Matte colours. Regular Gels hold moderate peaks and texture, and are perfect for glazing and other techniques where transparency is desired. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Crackle Paste (237ml)

GOLDEN - Crackle Paste (237ml)

Acrylic painting medium Designed to develop deep fissure-like cracks Water-based Cleans up with soap and water Made in the USA Video: Golden Artist Colours - Exploring Crackle Paste Golden Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying. This product utilises defects in the film formation process, and controlled failure is problematic. This results in the cracking performance being variable and to some extent unpredictable. Golden has provided the most current and comprehensive knowledge of what may be expected while using this product, but artist-conducted testing will ultimately assure more reproducible and sound applications. Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace traditional fillers. Its unique ratio of specific solids and binders allows for a "controlled failure" to occur and the result is its tendency to crack. It has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Moulding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with Golden Heavy Body, Matte, High Load and Fluid Acrylic Paints. It is imperative to test all aspects when working with Golden Crackle Paste. This is a highly variable product, and it should NOT be assumed that it will perform exactly the same each time the product is used. Review this information carefully and conduct testing before using this product on artwork or decorative finishes. Drying times greatly depend upon film thickness. Very thin films will dry to the touch in several hours but may not develop much cracking. Increasing film thickness will increase the tendency to crack and also the size of the cracks and platelets. Cracks can take several days to fully develop. Do not force dry Crackle Paste, nor try to slow the drying by adding Retarder or other additives, as both conditions may interfere with the products ability to crack. Product should be allowed to cure between 65oF and 75oF, and under 75% Relative Humidity. Crackle Paste cleans up with soap and water. Do not let products dry on tools. Keep tools wet while in use. Soak tools in soapy water to remove dried films. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Extra Coarse Pumice Gel (237ml)

GOLDEN - Extra Coarse Pumice Gel (237ml)

Acrylic painting medium Creates a gritty, absorbent textured surface Dries hard with a greyish colour Extra coarse consistency Made in the USA Video: Golden Artist Colours - Pumice Gels Provide Texture & Grit Create gritty, absorbent, textured surfaces with Golden Pumice Gels. They dry hard with a greyish colour from the ground volcanic rock the contain. While generally opaque, these gels contain only clear acrylic gel and ground pumice. Fine Pumice Gel is an excellent ground for charcoal, graphite and pastel. All Pumice Gels have an absorbent quality that works well under or blended with Golden Acrylic colours. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Fine Pumice Gel (237ml)

GOLDEN - Fine Pumice Gel (237ml)

Acrylic painting medium Creates a gritty, absorbent textured surface Dries hard with a greyish colour Fine consistency Made in the USA Video: Golden Artist Colours - Fine Pumice Gel For Drawing and Painting Create gritty, absorbent, textured surfaces with Golden Pumice Gels. They dry hard with a greyish colour from the ground volcanic rock the contain. While generally opaque, these gels contain only clear acrylic gel and ground pumice. Fine Pumice Gel is an excellent ground for charcoal, graphite and pastel. All Pumice Gels have an absorbent quality that works well under or blended with Golden Acrylic colours. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.95
1

GOLDEN - Coarse Pumice Gel (237ml)

GOLDEN - Coarse Pumice Gel (237ml)

Acrylic painting medium Creates a gritty, absorbent textured surface Dries hard with a greyish colour Coarse consistency Made in the USA Video: Golden Artist Colours - Pumice Gels Provide Texture & Grit Create gritty, absorbent, textured surfaces with Golden Pumice Gels. They dry hard with a greyish colour from the ground volcanic rock the contain. While generally opaque, these gels contain only clear acrylic gel and ground pumice. Fine Pumice Gel is an excellent ground for charcoal, graphite and pastel. All Pumice Gels have an absorbent quality that works well under or blended with Golden Acrylic colours. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Soft Semi-Gloss Gel (237ml)

GOLDEN - Soft Semi-Gloss Gel (237ml)

Acrylic painting medium Excellent for glazing and as a glue for collage Moderately pourable Transparent semi-gloss finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Soft Gel is a flexible medium for use with acrylic colours, and is excellent as a glue for collage. Thinner than Golden Heavy Body Acrylic colours, Soft Gels are moderately pourable. Soft Gel reduces the consistency of a heavy body acrylic and dries to a high quality finish, which holds peaks or brush marks only lightly. It's excellent for glazing and other techniques where transparency is desired. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Soft Matte Gel (237ml)

GOLDEN - Soft Matte Gel (237ml)

Acrylic painting medium Excellent for glazing and as a glue for collage Moderately pourable Transparent matte finish Made in the USA Video: Golden Artist Colours - Painting With Acrylic Gel Golden Soft Gel is a flexible medium for use with acrylic colours, and is excellent as a glue for collage. Thinner than Golden Heavy Body Acrylic colours, Soft Gels are moderately pourable. Soft Gel reduces the consistency of a heavy body acrylic and dries to a high quality finish, which holds peaks or brush marks only lightly. It's excellent for glazing and other techniques where transparency is desired. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Glass Bead Gel (237ml)

GOLDEN - Glass Bead Gel (237ml)

Acrylic painting medium Contains genuine glass beads Creates a a glossy texture Particularly effective with light colours Made in the USA Video: Golden Artist Colours - Clear Texture Acrylic Gels Golden Glass Bead Gel is a coarse textured medium with a viscosity similar to Heavy Body that holds peaks. It is made with genuine glass beads roughly the size of poppy seeds. The visual effect of this gel is like condensation on cold glass as it creates not only a textured but glossy surface over colour, and will appear similar to our Coarse or Extra Coarse Pumice Gels when enough colour is added to hide their transparency. Golden Glass Bead Gel is particularly effective with light colours. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.95
1

GOLDEN - Clear Levelling Gel (237ml)

GOLDEN - Clear Levelling Gel (237ml)

Acrylic painting medium Increases transparency and sheen Dries to a flexible, high gloss finish Functions like a resin Made in the USA Video: Golden Artist Colours - Clear Texture Acrylic Gels Formulated with a 100% acrylic polymer emulsion, Golden Clear Levelling Gel is a thin medium that will increase the transparency and sheen of your acrylic colours. It has a unique resinous and stringy consistency that dries to a flexible, high gloss film. It's milky white when wet and becomes transparent when dry. It functions like a resin in its consistency. Clear Levelling Gel dries evenly and boosts the clarity of your colours with a high-gloss finish. It can also be used to produce glazes. The finished film has excellent chemical, water, and ultraviolet resistance. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - GAC 100 Acrylic Primer & Extender (237ml)

GOLDEN - GAC 100 Acrylic Primer & Extender (237ml)

Acrylic painting medium Moderate tack and gloss Dilutes and extends colours Pigment surfaces well Made in the USA This polymer is one of the most universal used in paint manufacturing. Artists who had used "Rhoplex" (a registered trade name) will find that this GAC most closely reflects the properties to which they were accustomed. This is the most flexible in the series with a moderate level of tack and gloss. It is useful for diluting and extending colours, especially when film flexibility and integrity are important characteristics. It wets pigment surfaces well and is the most ideal for artists formulating their own paints. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

GOLDEN - GAC 900 Heat-Set Fabric Medium (237ml)

Acrylic painting medium Modifies acrylics for painting on fabric Soft, pliable feel Excellent laundering stability Made in the USA GAC 900: Heat-Set Fabric Painting Medium is designed to be used as a modifier for acrylic paints for painting on clothing. It offers a soft, pliable feel and when properly heat-set, providing excellent laundering stability. Blend with Golden Heavy Body Acrylics for brush or screen applications.The heat-setting process will release low levels of formaldehyde; therefore it is recommended that adequate ventilation be provided when using this medium. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Silkscreen Medium (237ml)

GOLDEN - Silkscreen Medium (237ml)

Acrylic painting medium For silk-screen applications Increases working time Prevents paint from drying too quickly Made in the USA Video: Golden Artist Colours - Spraying With Heavy Body Acrylics Golden Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silk-screen application onto paper, wood and other suitable fine art materials. This product is designed to increase working time and prevent paint from drying in the screen too quickly. It is not intended for use on fabrics to be laundered. Although any addition of Golden Silkscreen Medium will increase the open time of a paint, a good starting point is to blend even parts of paint and medium. Higher levels of the medium will increasingly affect the transparency, but also will increase the open time. Lower levels of Silkscreen Medium produce mixes with the greatest opacity, but these are more likely to clog in the screen. Silkscreen Medium can be blended with any of the Golden Acrylic paint lines, Gels and Mediums to lengthen the working (open) time for silk-screening. It is a pourable blend of acrylic, retarder & water that, unlike retarder alone, will form a film, thereby increasing durability and thinning the paint while retarding the drying time. Silkscreen Medium is not designed to impart opacity. The opacity of the mixture will be determined by the nature of the colour being used and the ratio of paint to medium used. Higher levels of the Silkscreen Medium will be increasingly more transparent. Adding Titanium White to a mixture will increase opacity. Any addition of white will lower a colour's chroma and value. Additionally, transparent colours, including Iridescent and Interference Colours, can be made to appear more opaque when a "base coat" is screened first. For example, Golden Iridescent Gold will appear to have greater opacity over a buff-coloured base coat. Refer to screen-printer's books and other reference material for further suggestions. General Product Information Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Minimum film formation temperature is 49oF/9oC. Avoid freezing. Clean screens/tools with soap and water. Safe to use with minimal odour. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 12.35
1

GOLDEN - Fibre Paste (237ml)

GOLDEN - Fibre Paste (237ml)

Acrylic painting medium Suitable for wet techniques Can be used as a texture or ground Provides a good surface for pastels or pencils Made in the USA Video: Golden Artist Colours - Exploring Fibre Paste With Melanie Matthews Golden Fibre Paste is a cream-coloured modelling paste suitable for wet techniques and is ideal for use with acrylic paints. It can be used as texture or as a ground on canvas or board. Fibre Paste is an opaque, viscous medium that dries to a surface similar to rough paper. You can give it a smoother finish either by skimming it with a wet palette knife before it dries or by applying it to a smooth plastic surface. Adding acrylic colours, watercolours or inks will give it a pastel tint. Once dry, Golden Fibre Paste provides a good surface for pastels or pencils. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Clear Granular Gel (237ml)

GOLDEN - Clear Granular Gel (237ml)

Acrylic painting medium Made in the USA Video: Golden Artist Colours - Clear Texture Acrylic Gels Golden Clear Granular Gel is a coarse textured medium with a viscosity similar to Heavy Body Acrylics. Made with granular acrylic solids, this gel has a consistency similar to coarse sea salt. It can be combined with acrylic colours to make a textured surface. Use it to build a fine, gritty, translucent film without affecting the boldness of your colours. The texture that this medium gives your acrylic is similar to that of the Coarse or Extra Coarse Pumice Gels, but with added transparency and without the opaque granules. This makes this medium great for creating translucent and textural glazes, much like condensation on cold glass.Golden Clear Granular Gel dries hard but can be made more flexible by adding other Golden gels. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.45
1

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

GOLDEN - GAC 400 Acrylic Polymer Fabric Stiffener (237ml)

Acrylic painting medium Dries to a very hard and stiff film Most useful for priming fabrics An alternative to rabbit skin glue Made in the USA GAC 400: Acrylic Polymer Fabric Stiffener dries to a very hard and stiff film. It is most useful for priming fabrics (cotton, linen, silk, etc.) when stiffness is desired. It can also be used as a rabbit skin glue alternative when applied directly to raw canvas or linen. GAC 400 also allows for the sculpting and shaping of draped fabrics. Optional heat setting will decrease water sensitivity but also releases low levels of formaldehyde; therefore if choosing to heat set GAC 400 it is recommended that adequate ventilation be provided. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
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GOLDEN - Clear Tar Gel (237ml)

GOLDEN - Clear Tar Gel (237ml)

Acrylic painting medium Creates fine detailed lines Extremely resinous Dries to a flexible, high-gloss finish Made in the USA Video: Golden Artist Colours - Clear Tar Gel Golden Clear Tar Gel is a 100% acrylic polymer dispersion colourless gel with an extremely resinous, syrupy , stringy, and tar-like consistency. It is a unique product with a long rheology; conceivably it could be poured from a three-story building as one long strand! Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all Golden Acrylic paints, offering a full range of colours with which to work. It blends with acrylics to produce a flow of colour that can be manipulated with a palette knife to create a drizzle effect. Golden Clear Tar Gel dries to a flexible film with a high-gloss finish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.95
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GOLDEN - Sandable Hard Gesso (237ml)

GOLDEN - Sandable Hard Gesso (237ml)

Acrylic painting medium Produces surfaces that are smoother and more even For use on inflexible substrates Apply in multiple thin layers Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Sandable Hard Gesso is formulated with 100% acrylic dispersion polymer and can be sanded to provide surfaces that are smoother and more even than those created using regular gesso. It contains high levels of titanium dioxide, calcium carbonate, and other inert solids to produce an easily sanded surface. Only use on inflexible substrates such as hardboard, wood or metal panels. Potential for cracking may occur if used on highly absorbent surfaces, like canvas, even when adhered to a rigid surface beforehand. Apply in multiple thin layers, gradually building up to the desired thickness. Single thick layers could crack upon drying. When sanding, follow these general guidelines: Allow Sandable Hard Gesso to dry completely before sanding. Cured acrylic films are easier to sand. Start with coarser grit sandpapers, followed by subsequently finer grits until desired smoothness is achieved. Both wet and dry sandpapers may be used. Wet sanding generates less airborne dust and tends to produce a smoother surface than dry sanding. Sanding to a glossy (polished) surface can reduce mechanical adhesion of paint films. As always, test for your application. Upon completion of sanding, use a damp, soft cloth to remove sanding dust particles from the surface. Failure to do so can cause poor adhesion. Brushing: This product may be diluted with up to 20% water for ease of brush application. Spraying: Dilute Sandable Hard Gesso with Golden Airbrush Medium. Begin at a 2:1 ratio (Gesso:Medium) and test spray quality, as various spray equipment may require additional thinning. Further reduce viscosity by adding up to 20% water. Acrylic Painting: To reduce yellowing caused by Support Induced Discoloration (S.I.D.) when painting on supports that contain water soluble impurities, such as canvas and wood panels, first apply two coats of Gloss Medium and allow to dry thoroughly. Then apply the desired number of coats of Sandable Hard Gesso. Oil Painting: Apply oil paints to 2 or more coats of Sandable Hard Gesso.To protect natural substrates from linseed oil acids, apply 2-3 coats of GAC 100 or Gloss directly on the raw canvas first. Allow the acrylic products sufficient time to cure before applying oil paints in order to maximise mechanical adhesion Please note: This product is designed for rigid substrates only and is NOT to be used on flexible materials, as cracking may occur. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.95
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