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Haeckels Courtesy Flush

Etat Libre d'Orange Eau de Parfum Exit the King

Etat Libre d'Orange Eau de Parfum Exit the King

Etat Libre d'Orange Exit the King er en moderne og elegant chypre-duft som symboliserer en ny æra. Den fanger essensen av overgangen fra gammelt til nytt, og inviterer deg til å omfavne forandring og frihet. Duften åpner med friske og sprudlende noter av aldehyder og rosépepper, som gir en følelse av fornyelse. I hjertet finner vi en delikat bukett av rose og jasmin, som tilfører en klassisk og tidløs eleganse. Basen er forankret i jordnære noter av patchouli, mose og sandeltre, som gir en varm og sensuell dybde. Exit the King er en sofistikert og allsidig duft som passer perfekt for både kvinner og menn. Den er ideell for den som ønsker en duft som er både moderne og tidløs, og som uttrykker en selvstendig og fri sjel. Toppnoter: Timur JE, Soap Foam Accord (aldehyder og musk), Pink Pepper JE Hjertenoter: Jasmine e-pure JE, Rose Superessence, Lily-of-the-valley Accord Basenoter: Patchouli, Moss Absolute, Sandalwood Accord og Orcanox The curtain rises on a state at the corner of 69 rue des Archives, in the Marais, Paris. A place that is like a frontier, where the old world ends and the new world begins. The pale moon can be seen lowering over the towers of Notre Dame in the distance. A man and a woman are in a perfumery, surrounded by bottles. He has yielded in submission to a fallen sovereign and is condemned to the ultimate fate. She is the new soul, the new role, she is desirable and she has conquered. She is the denunciation, a touch condescending. The fluttering of her eyelashes declares she is the one whose hour of glory has arrived, a scent testing blotter in hand.The date is November 16, 2019. "- EXIT THE KING, a perfume to dream of entropy? Etienne, you're rambling, you have finally lost your mind. Entropy has nothing to do with perfume. - Yes Lola, you heard correctly. EXIT THE KING, a perfume to dream about entropy. Don’t you think entropy is nice? - Perched on the scaffold before the guillotine, you speak these three words like a farewell to the troubled world.- There's nothing for you to understand, innocent child. This is about making a perfume like a Loire castle, a perfume that could rise higher than the castle of Blois, higher than the terrace where the last Valois watched the sun set in its glory. And then disappear, die, as if by magic before the fall. With the whisper of a kiss at the moment of its glory, and then a humble return to something else. A perfume of magnificence, love and goodness for the new world, and of forgetting the old and overwhelming powers. Resolutely chypre.- Welcome to the new world, you mean?- Yes Lola, provided it's modern and eternally chypre like this perfume."EXIT THE KING.

NOK 1799.00
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Etat Libre d'Orange Eau de Parfum Les Fleurs du Déchet - I am Trash

Etat Libre d'Orange Eau de Parfum Les Fleurs du Déchet - I am Trash

En duft av paradokser. Etat Libre d'Orange "I am Trash - Les Fleurs du Déchet" er en ukonvensjonell og fascinerende duft som utfordrer konvensjonelle forestillinger om parfyme. Inspirert av ideen om resirkulering og fornyelse, er denne duften en hyllest til skjønnheten som kan finnes i det uventede. "I am Trash" åpner med friske, fruktige noter av eple som raskt utvikler seg til et hjerte av delikate blomster, inkludert rose. Duften er forankret i en varm base av sedertre, sandeltre og akigalawood, som gir en unik og uforglemmelig karakter. Denne parfymen er perfekt for den som tør å være annerledes og som ønsker en duft som vekker oppsikt. Med sin unike blanding av friskhet, blomster og treaktige noter, er "I am Trash" en duft som vil vare lenge og etterlate et varig inntrykk. Toppnoter: Eple, bitter appelsin, grønn mandarin Hjertenoter: Rose absolute, Iso E Super, jordbær Basenoter: Sedertre, sandalore, oud The most wanted scent made from the unwanted. By virtue of my mother, I am the son of a forgotten coast, far away in New Caledonia. At the mouth of the Ngoye live the Borindi, who have known since the twilight of the gods the great principle of harmony with Mother Nature: to take from her no more than is necessary while preserving for tomorrow. They understand the future of mankind, and in the shade of the niaouli tree and jacarandas in bloom, they guide our first steps into this new direction for Etat Libre d’Orange. In the early years of this new millennium, when my children were young and I was a hopeful thirty-year-old, I took them to see an animated film called Titan AE. I learned by heart the introduction, which went something like this: “Once in a while, man unlocks a secret so profound that it can change the universe: fire, electricity, atom splitting. At the dawn of the 21st century, we invented the Titan program . . . ” There is a jumble of romantic and titanic science fiction poetry that emerges from the slow, sure, and inevitable rocking of wastewaters in the industrial cycle. We want to make this perfume a messenger, in service not only to the survival of the species which results from seduction, but above all in service to the planet where our own miasmas must reflect beauty. We believe that a new post-religious “jihad” is approaching, coming from an often disillusioned and polluting West, and echoing a new animistic era. Those who have committed crimes against the environment are repenting, and democracies are acknowledging nature as the sacred focal point, meant to be shared. The beliefs of the primitive and ancient tribes are back, and demand our full allegiance. This perfume will carry a universal message: that which is dirty must reflect the beautiful, “…and wash me clean of the bluish wine stains and the splashes of vomit, Carrying away both rudder and anchor.” (Arthur Rimbaud, The Drunken Boat.) Les Fleurs du Déchet represents a passage to the adulthood of Sécrétions Magnifiques. It is a counter-revolution for Etat Libre d’Orange, still noisy and disruptive, but ultimately functional. Givaudan, Ogilvy and Etat Libre d’Orange have created a three-fold company in the service of Mother Nature, to offer her a bouquet of forgiveness and let everyone know – loudly and quickly – that soon it will be too late. Dear world: Do not throw anything away because at the bottom of our trash lies the fermented distillation of great love. The garbage trucks hold flowers that can still bleed, the peels and rinds that can still give. The noxious exhalations have honey notes that can merge with the earth. And there are so many floating concretions, the trash that is thrown into the sea, and the natural waste, the ambergris, mystical symbols, the attitudes of primitive tribes – these must now be reprocessed. To paraphrase and distort Alan Paton: Cry, my beloved planet, for the unborn child; let him not love the earth too deeply, for it is slipping away. So before it’s too late, let us (s)pray to the god of waste, our dear lord of leftovers. End of sermon. This is a messianic fragrance (in natural spray, of course.) — Etienne de Swardt

NOK 1799.00
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Etat Libre d'Orange Eau de Parfum You or Someone Like You

Etat Libre d'Orange Eau de Parfum You or Someone Like You

Etat Libre d'Orange You or Someone Like You er en frisk og sofistikert duft som fanger essensen av Los Angeles. Den er en hyllest til individualitet og den evige jakten på drømmer, inspirert av byens pulserende energi og den californiske livsstilen. Duften åpner med en forfriskende blanding av mynte, grapefrukt og bergamott, som gir en umiddelbar følelse av energi og optimisme. Hjertet byr på en delikat blanding av grønne noter, solbær, rose og hedione, som tilfører en sofistikert og elegant touch. Basen er forankret i myk hvit musk, som gir en ren og sensuell avslutning. You or Someone Like You er en allsidig duft som passer perfekt for både kvinner og menn. Den er ideell for den som ønsker en duft som er både frisk og sofistikert, og som uttrykker en selvstendig og drømmende personlighet. “The raw materials are completely irrelevant. The work is the work. If you need to know what it’s made of, don’t wear it; You is not for you.” — Chandler Burr In On the Road, Jack Kerouac wrote, “LA is the loneliest and most brutal of American cities.” It’s the city described by Woody Allen’s character in Annie Hall as the city where “the only cultural advantage is being able to make a right turn on a red light.”But they come, the dreamers, for the sunshine and the possibilities, to this land of opportunity, where hope springs eternal. Whatever they’re searching for — happiness, love, money, fame — the temptations lure them deeper and deeper into this concrete paradise.Does Los Angeles have a scent? It’s impossible to say. But Chandler Burr knows Los Angeles. And Chandler Burr knows perfume. So we decided to collaborate on a fragrance that an LA woman might wear. And we gave it the name of Chandler’s novel, set in Los Angeles.And you dreamers, with your dreams — you might flourish, you might wither, but you don’t give up. You keep coming, or you think about coming, and sometimes you stay.Because someday, someone just might be looking for you, pointing at you, wanting you. Or someone like you.“A few years ago I wrote a novel called You Or Someone Like You set in Los Angeles. Its central character is a woman, Anne Rosenbaum, who lives in the Hollywood Hills with her husband, Howard, a movie studio executive. Like so many of the homes up the fantastical curves and canyons of the Hills they look down on LA’s Downtown skyscrapers and the concrete ribbon of the 101 freeway, across Mid-Wilshire and Robertson, the glass towers of Century City, and, on clear days, over the 405 to Santa Monica and the placid, blue Pacific. And always the palm trees, imported and planted in LA in the early 20th century, ‘just as I am an import,’ Anne observes, ‘now indigenous.’ Anne is English, born in Hammersmith, London.“As many have observed, Los Angeles is not a city. It is a state of mind. A strange amalgam of places and languages. Los Angeles is rivers of cement highways and infinite strips of asphalt, traffic, and despite or because of it all one of the most breathtakingly beautiful places on earth, a natural beauty made by nature and molded by people, cobalt sky and the greens and tans of the desert parks, ocean fog, the white and delicate pale yellow jasmine and honeysuckle flowers that grow up parking signs reading ‘Permit Parking Only Violators Will Be Towed.’“This scent is very specific. When Etienne de Swardt approached me about creative directing a fragrance whose name would be the title of my novel, I told my perfumer, Caroline Sabas, that we were creating the fragrance Anne would wear. She is also very specific. Coolly crisply English, covered in but untouched by the silver, materialistic movie industry, literary, somewhat removed.“You Or Someone Like You is not the ‘scent of LA’ or ‘the smell of the Hollywood Hills captured.’ It is not one of those olfactory synecdoches. It is, on the other hand, stylistically and in its technical construction what a Los Angeles woman would wear in my view. Caroline and I discussed this at each step during the creation process. It is contemporary, 21st century. It is LA, whatever that means, though in part it means the norms a scent would follow in a meeting at one of the agencies near Wilshire, at a studio, at a lunch in Bel Air or dinner off Beverly Drive. (The raw materials are completely irrelevant. The work is the work. If you need to know what it’s made of, don’t wear it; You is not for you.)“My fictional Anne wears it; so presumably do thousands of other women. It represents her only in the way all such choices represent us. What it will be to you is for you to decide, obviously.”— Chandler BurrYou or Someone Like You is a welcoming fragrance: neither off-putting nor strange. It is a contemporary creation built around timeless materials.It embodies the women of LA — someone like Anne Rosenbaum: cool and crisp; once foreign but now indigenous; very exposed to Hollywood’s silver screen dreams yet untouched by its materialistic machinery. Anne finds comfort in literature, and the garden of her

NOK 1799.00
1