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Anna Katharina Emmerick - Che condivise la passione di Gesù | Joachim Bouflet usato Storia Biografie Diari e Memorie

Anna Katharina Emmerick - Che condivise la passione di Gesù | Joachim Bouflet usato Storia Biografie Diari e Memorie

Anna Katharina Emmerick (1774-1824), suora agostiniana di Dülmen in Germania, ha un percorso spirituale e mistico che il poeta romantico Clemens Brentano trascrive - dopo averla incontrata e frequentata per cinque anni - nella sua opera letteraria, Das bittere Leiden unsers Herrn Jesu Christi (La dolorosa passione di nostro Signore Gesù Cristo), comparsa in Germania nel 1833 con un successo straordinario, che continua ancora oggi. L'opera trova poi il suo complemento nel testo Leben der HL. Jungfrau Maria (La vita della santa Vergine Maria), pubblicata postuma e integrata dal fratello Christian, sulla base dei testi di Clemens.

EUR 15.00
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How big is too small? | Jane Godwin/Andrew Joyner usato Libri per ragazzi Illustrati

How big is too small? | Jane Godwin/Andrew Joyner usato Libri per ragazzi Illustrati

My brother was making a game with a ball, Bouncing and throwing up high on a wall, When I asked to join in, he straightened up tall And I knew what he'd say, he said, 'You're too small.' Poor Sam! He always gets left out of his big brother's games. But one day when the big boys leave him out again, Sam gets to thinking...How big is too small? From these award-winning creators comes a delightful, rollicking story that explores big and small in a whole new way.

EUR 17.00
1

Gustav Metzger - Act of perish! A retrospective. | AA.VV. usato Arte Contemporanea

Gustav Metzger - Act of perish! A retrospective. | AA.VV. usato Arte Contemporanea

Act or Perish: Gustav Metzger: a Retrospective is the first extensive overview of an artistic oeuvre considered as one of the most important in the 20th century, and spans the period from the late 1940s until today. It includes a systematic insight into Gustav Metzger's early years of political activism and his formative years as an artist. Showing the influence of environmental and political engagement on his artistic radicalization, it includes documentary material from the artist's newly rediscovered own archives. Gustav Metzger was born in 1926 in Germany to a family of Polish-Jewish descent. He grew up in the shadow of increased Nazi propaganda and power display in his hometown of Nurenberg. Metzger was rescued in 1939 and taken to England by the buses of the Refugee Children Movement, while his parents and elder brother perished in the Holocaust. A central role in Gustav Metzger's art is held by his manifestos for Auto-Destructive art - the first was published in 1959. The exhibition sheds light on how this radical move evolved from his experiments and developments with painting. In particular, his "demonstrations" with acid paintings, together with works on industrial materials, like mild steel and plastic, show a direct relationship to the manifestos for Auto-Destructive art.

EUR 28.00
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