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Flute 103: Mastering The Basics

Flute 103: Mastering The Basics

Flute 103: Mastering The Basics continues the technical, creative and musical development of advanced intermediate flautists by integrating etudes, solo repertoire, orchestral excerpts, duets and contemporary techniques through an innovative curriculum in the major and relative minor A Flat, E, D Flat, B and G Flat. Lesson plans present, in a clear and logical sequence, activities to develop tone, vibrato, technique and musicianship. The phrasing guides, practice suggestions and prelude activities expand on the pedagogical approach used in Flute 101 and Flute 102, making Flute 103 a must-have staple - perfect for use in the private and university studio. Flute 103: Mastering The Basics New comprehensive daily warm-up Major and minor scale studies, arpeggios and more Continuation of technical studies: articulation, dynamics, tone and vibrato Solo and duet recital repertoire and performance guides Preludes to develop musicianship and technical facility More in-depth work on trills, including a trill fingering chart May be used for Piccolo, Alto and Bass Flute studies Ideal to follow Flute 102 and any other intermediate Flute method

DKK 324.00
1

Praise, My Soul, The King of Heaven : Psalm 103

Praise, My Soul, The King of Heaven : Psalm 103

Set to the sturdy tune EBENEZER, this dynamic choral setting expresses the spirit of Psalm 103. Expressing God's grace to his children as ransomed, healed, restored, and forgiven, this is set in a vibrant Celtic style in 6/8 meter with the violin included and choral parts that are quickly learned. This is an energetic, engaging, and powerful anthem of praise. Set to the sturdy tune EBENEZER, this dynamic choral setting expresses the spirit of Psalm 103. Expressing God's grace to his children as ransomed, healed, restored, and forgiven, this is set in a vibrant Celtic style in 6/8 meter with the violin included and choral parts that are quickly learned. This is an energetic, engaging, and powerful anthem of praise.

DKK 62.00
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Bless the Lord. Psalm 103

Bless the Lord. Psalm 103

The motet Bless the Lord, O My Soul (2013) on verses from Psalm 103 exploits the possibilities of vocal combinations and the resulting sound effects to a high degree: In the opening invocation "O my soul", the soprano 1 ascends to float above the fanned out low chord of the other voices: and beginning from "For as the heavens are high above the earth", an eight-part fugato masses together into an extensive architecture of sound. The harmony of the work is tonal, but many enriched chords create a tension rich in nuances in the setting. The work has been released on the CD "Rejoice. Vocal Music by Kay Johannsen" (Carus 83.496/00).

DKK 58.00
1

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning: a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn’s heading Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the HaydnComplete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

DKK 162.00
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Marcel Mihalovici: Chant Premier, Op.103 (Bb Saxophone/Piano)

Marcel Mihalovici: Chant Premier, Op.103 (Bb Saxophone/Piano)

Chant Premier, Op. 103 is a sonata for Tenor Saxophone and Piano by Marcel Mihalovici . Introduced by some verses by the Comte de Lautréamont, this very melodious piece was dedicated to S.A.S the Prince Raigner III of Monaco and is perfect to be played in a contest or for a recital. It was commissioned by the French Cultural Council. Considered as hard, this piece was initially written for Tenor Saxophone and Orchestra. This reduction starts “Moderato”, with a tempo between 76 and 80 and requires the mastering of numerous technical aspects: trills, glissandos, accidentals and ornaments among others. The various nuances make this piece really interesting and challenging to play. Marcel Mihalovici (1898-1995) was a French-Romanian born contemporary composer, who produced numerous works, including plays, small operas, sonatas and studies.

DKK 448.00
1

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

DKK 162.00
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Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Henle Urtext edition also contains additional parts for Horns in F.

DKK 366.00
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Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I”. Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77, no. 2, his “most beautiful string quartet”.

DKK 304.00
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Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77 . Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I.” Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call Op. 77, no. 2, his “most beautiful String quartet”.

DKK 218.00
1