Michael Nyman: And Do They Do (Chamber Ensemble Score)

And Do They Do was commissioned by Siobhan Davies and the London Contemporary Dance Theatre. It was composed during the summer of 1986 and first performed at Sadler's Wells Theatre on 25 November in that year. It consists of four linked 'songs' of which the third is based on Schumann's 'Nachtlied' Opus 96, No. 1.

Do-Re-Mi

One of the landmark musicals of all time, The Sound of Music featured a number of enduring melodies - none more popular with musicians in particular than Do-Re-Mi! Here's a clever arrangement that features the melody traded around the band from section to section.

Do I Hear a Waltz

Complete vocal score to the only Richard Rodgers and Stephen Sondheim collaboration. 17 songs, including: Do I Hear a Waltz? * Here We Are Again * Moon in My Window * Perfectly Lovely Couple * Someone like You * Take the Moment *Thinking * We're Gonna Be All Right * and more.

TINOCO LUIS OS PASSEIOS DO SONHADOR JOURNEYS OF A SOLITARY DREAMER

TINOCO LUIS OS PASSEIOS DO SONHADOR JOURNEYS OF A SOLITARY DREAMER

On My Own Do You Hear The People Sing : From Les Miserables

Including some of the most dramatic music from Les Mis?rables, this closing production starts with the melodic On My Own. The rousing march Do You Hear the People Sing? begins very quietly then builds steadily to a dynamic finish.

Everything I do : (I do it for you)

This massive hit by Canadian singer/songwritter Bryan Adams has now become a classics rock ballad. This arrangement for brass band will bring great pleasure to both performers and audience.

'Deed I Do

Continuing the fine big band tradition of Count Basie and Thad Jones, John Clayton's exquisite chart on this standard tune blazes a trail of excitement and power. Written as a medium up-tempo swinger, the saxes are featured offthe top, followed by trade-off solos for trombones and trumpets, and later a tenor solo. A screaming shout chorus takes us out.

What'Ll I Do?

Mark has taken this Irving Berlin favorite and crafted a marvelous setting for solo flugelhorn using a unique 3/4 samba feel. Beautifully supported by the ensemble, and all of the solo part is written out.

Do It Again

No one could pen a melody like Gershwin and this lesser known song is still a gem. The trombones take the lead the first time around followed by the trumpets and later the saxes. This medium swing chart is nicely scored for the entire ensemble with no solos required.

Rued Langgaard: Drapa (Ved Edvard Griegs Død)

Drapa (Ved Edvard Griegs Død). Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/hp/str. BVN20

Rued Langgaard: Symfoni nr. 4 "Løvfald"

Symphony No.4 'Løvfald' ('Autumn'). Instrumentation: 2.2.2.2/4.3.0.0/timp/hp(and/or) pf/str. BVN124. Composed 1916 (rev. 1920).

Do Wah Diddy Diddy

Here she comes, just a walkin' down the street - a classic pop tune that everybody knows and it works great for strings, echo effects and all. It's fun, infectious, and easy to play.

Monkey See, Monkey Do

Based on the blues in F and featuring a catchy riff traded around the band, here is the perfect swing chart for beginning jazzers! Rick carefully uses tutti rhythms for ease in learning, and the sample solo can be played by any sax, or by the entire section.

Saudades Do Brasil (Poche)

In Remembrance

This lyrical and emotional setting by John Leavitt creates a harmonic tapestry that perfectly matches the text of unknown origin: “Do not stand at my grave and weep. I am not there, I do not sleep,” Creating anatmosphere of hope and assurance, it begins softly and gradually builds to a full and dramatic expression, then recedes into quiet reflection. Available separately: SATB, SSA, TTB, ChoirTrax CD. Score and parts available as aprinted edition and as a digital download (fl 1-2, ob, cl 1-2 (in A), bn, perc 1-2, hp, vn 1-2, va, vc, db). Duration: ca. 3:00.

Antonio Bibalo: Suite From "Pinnochio" Score

This a suite from Antonio Bibalo's ballet PinnochioOrchestration: 3.3.3.3/4.3.3.1/timp.perc/hp/pf/man/strParts are for hire: hire@ewh.dk

Rued Langgaard: Endens Tid

Endens Tid . Instrumentation: Soprano, Tenor, Baryton solo + mixed choir, 3.3.3.4/4.4.3.1/2 timp/2 perc/2 hp/pf/cel/str. BVN243

Selim Palmgren: A Pastorale In Three Scenes (Score)

1920Opus 50Nr.1 MorningNr.2 ElegieNr.3 EveningOrchestration: 2.2(ca).2.2/4.2.0.0/timp.perc/hp/cel/strParts are for hire: hire@ewh.dk

Rued Langgaard: Symfoni nr. 6 "Det Himmelrivende"

Symfoni nr. 6 "Det Himmelrivende". Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Composed 1920. BVN165.

Geirr Tveitt: A Hundred Airs From Hardanger, Suite 1 (Score)

Hundrad HardingtonarSuite 1, Op. 151, No. 1-15ScoreOrchestration: 2(pic).2.2.2/4.3.3.1/timp.perc/hp/cel/strDuration 33 min.Parts are for hire: hire@ewh.dk

Rued Langgaard: Symfoni nr. 13 "Undertro"

Symphony No.13 'Undertro'('Belief in Wonders'). Instrumentation: 3.3.3.3/4.3.3.1/timp/2 perc/hp/pf, cel/org (ad lib.)/str. Composed 1946-47. BVN319.

All I Do Is Win

Pump up the energy in your stadium with this driving arrangement of the recent chart hit recorded by DJ Khaled. A great style and tempo for dancin' or groovin'!

Do You Believe In Love

The breakthrough hit for Huey Lewis & the News back in 1982, this infectious rock tune remains as appealing now as it was 30 years ago! Michael's arrangement takes full advantage of the energetic style and soaring chorus.

'Deed I Do : (Key: F)

What a Man Gotta Do

The Jonas Brothers continue their impressive comeback with this high-energy rocker. Matt's version for younger bands beautifully captures the upbeat flavor of the original and will sound great with limited rehearsal.