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Flute 103: Mastering The Basics

Flute 103: Mastering The Basics

Flute 103: Mastering The Basics continues the technical, creative and musical development of advanced intermediate flautists by integrating etudes, solo repertoire, orchestral excerpts, duets and contemporary techniques through an innovative curriculum in the major and relative minor A Flat, E, D Flat, B and G Flat. Lesson plans present, in a clear and logical sequence, activities to develop tone, vibrato, technique and musicianship. The phrasing guides, practice suggestions and prelude activities expand on the pedagogical approach used in Flute 101 and Flute 102, making Flute 103 a must-have staple - perfect for use in the private and university studio. Flute 103: Mastering The Basics New comprehensive daily warm-up Major and minor scale studies, arpeggios and more Continuation of technical studies: articulation, dynamics, tone and vibrato Solo and duet recital repertoire and performance guides Preludes to develop musicianship and technical facility More in-depth work on trills, including a trill fingering chart May be used for Piccolo, Alto and Bass Flute studies Ideal to follow Flute 102 and any other intermediate Flute method

DKK 324.00
1

Roxio Easy Media Creator For Dummies

Roxio Easy Media Creator For Dummies

Roxio's Easy Music Creator is an up-to-date and highly powerful media package, capable of all manner of digital media manipulations. Create CDs and DVDs of your music and home videos, create a music library, capture and edit digital video and take full control of your digital photos. This easy to follow and humorous guide will bring all these functions and possibilities to the tips of your fingers, allowing you to fully integrate all your digital media and take full advantage of the hidden secrets in this powerful package.

DKK 196.00
1

Digital Media In The Classroom

Digital Media In The Classroom

Digital media is an increasingly important part of a teacher's arsenal to excite and engage students in music lessons. Digital Media In The Classroom presents a wide variety of practical, creative ideas and activities that you can dip in and out of to spice up your lessons.It will help you to make the most of:Interactive whiteboardsVideo cameras and other recording devices Websites such as YouTube and NUMU Virtual Learning Environments Blogging Mobile phonesThe book also includes advice on issues such as e-safety, student behaviour and developing a digital media school policy. It has been written by an experienced secondary music teacher who is an e-learning consultant for a number of schools in Sheffield.

DKK 189.00
1

Bobby Owsinski: Social Media Promotions For Musicians

Bobby Owsinski: Social Media Promotions For Musicians

Social Media Promotions For Musicians is filled with invaluable advice on how to use social media as a tool for promoting your music. This book reveals a host of online insider tips and tricks that will help you to gain more fans and followers, increase your views and grow your ticket and merchandise sales. Social Media Promotions For Musicians shows artists, bands, engineers and producers the latest techniques and strategies to increase their online presence more effectively and efficiently than they ever thought possible. This book covers YouTube, Facebook, Twitter, Google+, blogs, Pinterest, bookmarking sites, websites and newsletters. In Social Media Promotions For Musicians you'll discover: How to increase your online exposure to increase your fan base. How to have more time for creating by saving at least an hour every day on common social media operations. Exclusive promotional tips that boost your views and followers. How to uncover and develop your brand. The secret behind successful tweets and posts. Why a mailing list is the key to your ticket and merch sales.

DKK 260.00
1

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

Symphony in Eb major Hob. I:103 SE : Symphony in Eb major Hob. I:103 (Drumroll)

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning: a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn’s heading Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the HaydnComplete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

DKK 162.00
1

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Urtext edition also contains additional parts for Horns in F.

DKK 162.00
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Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

Ludwig Van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet

“ His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe ”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia op. 103 that had been sent as evidence of the composer’s progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven ’s great skill. This Henle Urtext edition also contains additional parts for Horns in F.

DKK 366.00
1

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I”. Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77, no. 2, his “most beautiful string quartet”.

DKK 304.00
1

Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

Franz Joseph Haydn: String Quartets, Volume XI, Lobkowitz-Quartets op. 77 and last Quartet op. 103

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77 . Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I.” Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call Op. 77, no. 2, his “most beautiful String quartet”.

DKK 218.00
1