Niels Marthinsen: Dr. Jekylls Advokat (Parts)

Dr. Jekylls Advokat was expertly composed by Niels Marthinsen, for full Orchestra.

Sunset Serenade : In memoriam Dr. Klaus Brandstätter

Sunset Serenade is a tribute by the composer to a music colleague, whose life was unexpectedly cut short. In spite of the sad circumstances of its creation, the music reflects overwhelmingly happy memories and thoughts of gratitude for timespent together and shared experiences. The overall peaceful nature of this composition symbolises a reconciliation with, and acceptance of, the transient nature of man.

Sunset Serenade : In Memoriam Dr. Klaus Brandstätter

Siorai September : (Gaelic: Eternal September)

Translated from Gaelic as “Eternal September,” this marvelous setting for band is designed to take each listener back to their own vivid fall memories on a college campus. Commissioned by the University of Notre Dameand premiered at their Carnegie Hall performance in 2010, this work is also dedicated to the composer's father, Dr. Samuel J. Hazo, a 1949 graduate of Notre Dame. Additionally, Dr. Hazo's poem “Home Are the Sailors”is incorporated in the middle of the piece. Rich in musical references and varied textures, this is a dramatic and rewarding work for mature ensembles. Dur: c. 5:30

DEBUT 15E Blackstar Guitar amp 15W - øve forstærker

Fænomenale naturlige toner Din første forstærker burde lyde fænomenal. Omhyggeligt designet af det samme britiske R&D-team som Blackstars high-end ventilforstærkere, Debut Series' enkle at bruge, alt analoge design leverer forbløffende rige og naturlige rene og overdrive toner. Den ultimative spilleoplevelse for enhver guitarist, der begynder deres rejse. Øv og optag Debuts praktiske hovedtelefon-/optagelsesudgang simulerer toneegenskaberne af et guitarhøjttalerkabinet i utrolige detaljer, hvilket giver vanedannende organiske toner til stille øvelse eller direkte hjemmeoptagelse. Din alt-i-et-værelses højttaler I stedet for en konventionel guitarhøjttaler er Debut-forstærkerne udstyret med et par lineære stereohøjttalere, der ligner dem, du ville finde på et HiFi-system. Dette betyder, at Debut fungerer som en højttaler med fantastisk lyd til: musik Film Gaming lyd   Indbygget 'Tape' Delay Debut Series forstærkere er udstyret med en alsidig "tape" delay effekt for en fordybende spilleoplevelse. Indstil en kort forsinkelsestid for autentisk slapback og rumlyde perfekt til country og rock 'n' roll, eller en lang forsinkelsestid til omgivende lydlandskaber. Fantastisk udseende Debuts smukke vintage creme- og okseblodsfarvepalet med førsteklasses betræk, bånddug og hardware sidder elegant i ethvert hjem. Patenteret ISF kontrol Debut er udstyret med vores patenterede ISF EQ, der giver dig mulighed for ubesværet at ringe til utrolige lyde. Fuldt mod uret har en amerikansk karakteristik med en stram bund og aggressiv midte. Fuldt med uret har en britisk karakteristik, som er mere 'woody' og mindre aggressiv.   2 kanaler: Clean og Overdrive Effekt: 15 W Højttalerkomponenter: 2x 3" højttaler Kompakt og let forstærker Stereohøjttalere med lineær respons - perfekt til MP3-afspilning ISF (Infinite Shape Feature) tonekontrol Integreret digital "tape" ekko Kontrol: Gain, Volume, ISF, Delay Kontakter: OD, Delay on/off Effekter: Forsinkelse Instrumentindgang: 6,3 mm Jack MP3/Line indgang Højttaleremuleret udgang/hovedtelefonforbindelse Mål (B x D x H): 327 x 263 x 174 mm Vægt: 4,6 kg  

Folklore for Band

First published in 1964, this dynamic work endures as a classic for young concert bands. Heavily influenced by the modal folk idiom found in early Welch and British band works, this new edition features a full score and isdedicated by the composer to the memory of Dr. Frederick Fennell. Dur: 5:35 (Includes full performance CD)

Slavonic Dances : A Symphonic Suite

This monumental suite is one of the most impressive transcriptions ever published. Every note comes from the original Dvorak work, including the transitions from one dance to the next. Written for Dr. Harry Begian's last tour withthe University of Illinois Symphonic Band, this powerful concert work lets every section of the band shine ... a must for mature groups.

To set the darkness echoing

This intriguing composition, marked by its innovative sounds and haunting orchestration, is a tribute to Martin Luther King, Jr. The composer's intent was to capture the way Dr. King inspired profound change by leading us to see how we, not others, were behaving – and thus “set the darkness echoing,” according to the words of poet Seamus Heaney. This dramatic and thought-provoking piece will truly inspire.

Kirkpatrick's Muse

Commissioned by the McDaniel College Summer Music Camp in Westminster, Maryland, Kirkpatricks Muse celebrates 30 years of excellence and is dedicated to camp founder, Dr. Linda Kirkpatrick. The piece opens with a plaintive Irish style flute solo,then moves seamlessly to the fast-paced section loosely based around the Appalachian fiddle tune “Glory in the Meeting House” introduced by the bodhran (Irish frame drum). Highlighting the simple charm of traditional Irish music, Kirkpatricks Musealso features some wild excursions in color, texture and harmony. Dur: 5:00

Suite Old American Dances : Deluxe Edition

MusicWorks – Grade 4Score and PartsOne of the band repertoire treasures of all time, this uniquely American work by Robert Russell Bennett continues to stand the test of time as it moves triumphantly into itssixth decade! This marvelous new printing features a full score detailing all parts, as well as program notes and extensive historical background information. Carefully researched by Dr. Edward Higgins from the original editions,many inconsistencies and part errors have also been corrected. This beautifully engraved deluxe edition is destined to become a staple in every band's library of serious works.

The Spheres

This evocative work is a wind band version of the composer's mass for choir and string orchestra entitled Sunrise. The piece is built around a five-note chorale theme, and the opening section features an overlappingfade-in/fade-out effect meant to give a sense of floating in space, as if surrounded by stars and planets. A stunning composition from an exciting new voice in the band world - Ola Gjeilo. Dur: 5:20 Online audio sample wasrecorded by the Pacific Lutheran University Wind Ensemble - Dr. Edwin Powell, conductor Watch the featurette about The Spheres here.

Everything Beautiful

Premiered by Maestro Eugene Migliaro Corporon conducting the National Honor Band of America, this spectacular memorial for renowned band director Charles Campbell will surround your students and audiences in layers of emotion. Expressive moments upon moments allow the ensemble to follow their musical instincts, gaining an aesthetic reward each time. Typical of performances, the work fades into introspective silence, then is followed by lengthy applause. Available in the original three-movement set, and also just Mvt. 1, The Stillness of Remembering. Dur: 9:00(Live concert recording by the University of Kentucky Wind Symphony - Dr. John Cody Birdwell, conductor - Samuel R.Hazo, guest conductor)

Tan Dun Internet Symphony Eroica Concert Band Score/Parts

Originally commissioned by Google/YouTube for the inaugural YouTube Symphony Orchestra project, this edition represents Academy Award winner (Crouching Tiger, Hidden Dragon) and UNESCO Goodwill Ambassador Tan Dun 's first contribution for Wind Band. A four-and-a-half minute micro-symphony that combines multicultural influences, Beethoven's iconic theme from Eroica, some extended techniques for the brass players, and a collection of car parts for the percussion section! A work that is sure to excite and entertain your ensembles and audiences by one of the world's unique contemporary voices. Dur: 4:30 (Recorded by the Triangle Wind Ensemble - Dr. Evan Feldman, music director).

Samuel Barber: Second Essay Cb Full Set (Arranged For Concert Band)

Composed in 1942, Barber's Second Essay is a masterwork of concentrated musical drama, with a richness of texture comprised of highly charged and succinctly organised musical modules. The opening theme has a definite American flavour, which is followed by a fugal section that evolves from simple tonal patterns to polytonality. After an intensely rhythmic third section, all elements are combined in a huge climax and coda that round off the work. Expertly transcribed for symphonic band by Dr. George Schneider, this is certain to find its place in the standard repertoire for mature ensembles. Duration 11:00. (Grade 5)

Resonance: The Art of the Choral Music Educator : Pedagogy, Methods, and Materials for Tomorrow's Outstanding Music Teachers

Resonance: The Art of the Choral Music Educator by Dr. Christopher W. Peterson is a new collegiate methods textbook written specifically for today's emerging choral music teachers, guiding their growth as curious students whileenriching their passion for changing lives through music. The textbook is written in a straight-forward and conversational style that compels the reader to think rather than to memorize and to problem solve rather than find thecorrect answer. Professors can use this book as a stand-alone text for choral methods, or as a supplement to an established syllabus and curriculum. Practicing educators may want to use these resources and refer back to this bookthroughout their professional career.

Nexus : for Solo Trumpet, Winds and Percussion

The word nexus is defined as a tie or link between people and events. Nexus, for solo trumpet and band, includes several links between composer James Curnow and educator Alfred Watkins, to whom the work is dedicated. A well-known theme (particularly to Mr. Watkins' students) is drawn upon as the piece utilizes two primary musical settings - an energetic and agile scherzo that appears in the beginning and again at the end, contrasted with an expressive Ballad theme. The soloist at the premiere (and on the recording) is Christopher Watkins, Alfred's son. This is a well-crafted and rewarding work for soloist and band alike. Dur: 6:00 (Recorded by the University of Alabama atBirmingham Wind Symphony - Dr. Sue Samuels, conductor. Christopher Watkins, trumpet soloist.)

Poul Ruders: Symphony No.3 - Dream Catcher (Score)

For Orchestra. Premiered by The Royal Danish Orchestra, conducted by Michael Schonwandt, Koncerthuset, DR, 29th May 2009.Commissioned by and written for The Serge Koussevitzky Music Foundation in the Library of Congress.Dedicated to the memory of Serge and Natalie Koussevitzky.Instrumentation.3 Flutes, 3rd doubling Piccolo3 Oboe, 3rd doubling Cor Anglais3 Clarinets in Bb, 3rd doubling Bass Clarinet In Bb3 Bassoons, 3rd doubling Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba3 Percussion (three players)1 - Triangle, Mark Tree, Tubular Bells, TamTam (Large), Glockenspiel, Snare Drum, Lion's Roar.2 - TamTam (Large), Chinese Cymbal, Spring Coil (Mounted), TamTam (Large), Reco-Reco.3 - Bass Drum (Large), Antique Cymbals (full range), Spring Coil (mounted) TamTam (large), Cymbal (suspended), Reco-Reco.The three large TamTams should differ slightly in pitch.Strings (minimum 16-14-12-10-8)

Hail the Champions

Commissioned for the University of Akron Symphonic Band, this dynamic work celebrates 100 years of music composed for the Olympic Games. Based on three primary themes, the first is a brilliant fanfare that serves as an introduction as well as a unifying link throughout. Second is the 1896 Olympic Hymn (music by Spyros Samaras) set in a beautiful lyric style which builds to a magnificent climax juxtaposed with the opening fanfare. The final section presents a new version of Mr. Curnow's own Olympic Fanfare and Theme for the Olympic Flag which was commissioned for the 1996 Olympic Games in Atlanta and performed again in 2000. The dramatic closing is again combinedwith elements of the opening fanfare. Dur: c. 6:40 (Recorded by the University of Akron Symphony Band - Dr. Galen S. Karriker, Director of Bands. Premiere performance conducted by James Curnow)

Sorensen Intermezzi Fra Himlen F/S

Intermezzi from the opera Under Himlen was composed by Bent Sørensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003, when the Royal Theatre premiered the composer Bent Sørensen’s and the dramatist Peter Asmussen’s opera Under the Sky, it was not only Bent Sørensen’s first opera on the large scale, but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR, Per Erik Veng, who had asked Asmussen in 1996 whether he would write the libretto for an opera and pick out a composer to work with on it. Asmussen was willing, and he pointed to Bent Sørensen as the composer. Bent Sørensen reacted positively to Per Erik Veng’s suggestion of an opera collaboration with Asmussen, and with the opera agreement settled, the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera, but sheds light on it from a different angle – Bent Sørensen himself compares it to a film ‘trailer’. The result is Intermezzi, a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera, but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first, third and fifth movements as well as the purely instrumental second and fourth movements, as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told, but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems, or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte’s child, while from afar Molte observes the idyllic world from the outside. The second movement is instrumental, while the third begins with Ida’s love aria, which merges into a great instrumental passage before the movement ends with Molte’s cynical remark that Ida is simply “a fairytale, a book one closes. After a brief instrumental fourth movement comes the fifth, where Molte laments his coldness and isolation amidst all the riches, and seduces Ida by urging her to liberate him with her warmth. Jakob Levinsen

Commemoration

Commemoration was commissioned by the members of the Northwest North Carolina Bandmasters Association to recognize the distinguished career of Dr. William A. Gora, the longtime Director of Bands at Appalachian State University, who passed away in 2015. Bill was loved by his students, respected by his peers and cherised by his many friends. A brilliant musician, a fine conductor and a warm human being with a marvelous sense of humor, Bill has been sorely missed by all. Gora was friends with composer James Barnes for over 40 years. They met when Barnes was still in graduate school at Kansas and Gora had just finished his DMA at the University of Florida. When the NNCBDA askedBarnes to compose a work in Bill's honor, he was honored to do so. He decided to write a cheerful work for Bill, full of energy, color and melody, because he knew this is what he would have wanted: no funeral dirges for Bill Gora. The soft middle portion of the work, a hymn-like tune scored in saxophone choir, was included because Bill was a fine saxophonist and, for many years, the saxophone teacher at ASU.

Romjulsdrøm : Christmas Dream

Digtet Romjulsdrøm udkom første gang i Arbeiderbladet den 3. januar 1959 og blev kendt, da Thoralf Borg satte en melodi til det i 1968. Indtil da havde Alf Prøysen brugt en melodi, der ligner sangen Lijan uti. dalen, da han sang sangen i tv-programmet Ei vise vil jeg synge i 1964. Samtidig med at Borgs melodi blev skrevet, blev de sidste fire tekstlinjer også føjet til digtet, og sangen fik den form, vi kender i dag. Formen og opbygningen af ​​dette arrangement stammer fra en version for bigband og vokal bestilt af Østre Toten Storband, skrevet i 2018 til en af ​​deres traditionelle midnatskoncerter dagen før jul. I et forsøg på at give arrangementet en dejlig ro og teksten en masse plads, som det ofte er tilfældet i sange som denne, endte det i en forholdsvis fortællende stil, hvor variationen i tempo og skift mellem swing og lige ottendedels toner. er særligt centrale. Sangen handler om familie, venskab og juleferiens stille dage, som forhåbentlig er noget, de fleste kan genkende. Arrangementet til førnævnte midnatskoncert blev bestilt, fordi min søster skulle være solist til koncerten, og da min far også spillede lead-basun - som han har gjort det i dette big band, så længe jeg kan huske - var det naturligt at tilføj også en lille trombonesolo. Det er altid specielt at skrive og arrangere musik for folk, jeg kender og sætter pris på, men det er ekstra specielt, når det også er for to af mine store forbilleder. - David Sætre Hveem -

Santana Classical 20 SA spansk guitar satin 4/4

Santana er en af de mest populære guitarer i Danmark, når det drejer sig om velbyggede og rimeligt prissatte guitarer til begyndere, såvel som letøvede. Santana guitarer bliver udviklet og designet i Danmark, og bygges i østen, på en af de ældste, og mest værdsatte guitarbygger fabrikker. Santana guitarer er skabt med forståelse for, hvad guitaristen har behov for, og er underlagt en meget skarp kvalitets kontrol, der sikrer, at du får en velfungerende og vellydende guitar for dine penge. Santana 20 er en akustisk/elektrisk nylon strenget klassisk guitar i normal størrelse. Guitaren er fremstillet med et dæk i lamineret gran, og bund og sider i lamineret mahogni. Gran giver klarhed, brillans og dynamik i lyden, mens mahogni på bund og sider tilfører guitarens lyd lidt varme og balance samtidigt med, at det styrker guitarens modstandskraft over for svingninger i temperatur og luftfugtighed. Et slankt skåret cutaway giver guitaristen en lettere adgang til guitarens højere liggende toner til solo og akkord spil. Derudover er Model 20 også udrustet med en indbygget mikrofon, så du har mulighed for at forstærke din guitar med en guitarforstærker eller et sanganlæg, eller du kan optage dit guitarspil på din computer eller andet optage udstyr uden at du skal bruge en almindelig mikrofon. Model 20 er særdeles velegnet til den nystartede guitarist, der søger en let spilbar og vellydende spansk guitar, som man kan have glæde af i mange år. Fuldstørrelses nylonguitar i god kvalitet Med indbygget mikrofon og cutaway Bruges i mange musikskoler 650 mm strengelængde Dæk i gran samt bund og -sider i mahogni Spansk guitar til begyndere Passer til voksne og børn fra 10 år Size    4/4 Top    Spruce Solid top    No Sides    Mahogany Back    Mahogny Finish    Satin Mensur    650 mm (25,59") Built in preamp    Yes Number of frets    19 Rosette    Yes Preamp    Santana Classical Tuner    Yes Cutaway    Yes Truss rod    No Case/gigbag    Not included