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Canon D

Canon D

While Pachelbel has been most admired as a composer of organ works and Lutheran church music, his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The firstof these is of course the canon, a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as, for example, Frère Jacques) is a type of canon. The second device involves a shortbass line (refeered to as a ground bass) that is repeated constandly, over which the composer writes continuous variations. In its original form, the work consists of an initial statement of an eight note ground bass, followedby27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts, an appropriate harmonic background would have been improvised on harpsichord, lute or organ. In thepresent arrangement, Pachelbel's note values have been doubled for greater ease of reading, and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at anintermediate level. Since dynamics, bowing indications, articulations, and slurs were not customarily provided by composer of the Baroque era, the arranger and the editor have added them here, as well as a metronome indication anda few cadential trills. Obviously these editorial additions should be regarded only as suggestions.

DKK 90.00
1

Elliott Carter: Canon For Three Equal Instruments 'In Memoriam Igor Stravinsky' (C and B Flat Parts)

Elliott Carter: Canon For Three Equal Instruments 'In Memoriam Igor Stravinsky' (C and B Flat Parts)

Composer's NoteThe Canon For Three - In Memoriam Igor Stravinsky (for three equal instrumental voices: at the augmented fourth by inversion and at the unison) was composed for one of the Stravinsky memorial issues of the English music magazine Tempo, at the request of David Drew, its editor.In proposing the canonic form to a group of European and American composers, he was following the lead of Stravinsky himself, who wrote a number of commemorative pieces in this form.This canon may be performed by three trumpets with different mutes; or by 1) muted trumpet, 2) Clarinet, 3) Oboe; or by any three instruments having the range of the score written in C.To facilitate performance, this edition contains 'playing scores' both in C and B-flat.

DKK 102.00
1

Do The Christmas Rock: Music Book

Do The Christmas Rock: Music Book

Do The Christmas Rock: Music Book is the complete set of sheet music for the Do The Christmas Rock show.Sheila Wilson has expertly composed these simple instrumental parts for this fantastic Christmas show for children. Parts included are Ukulele, Recorders, Glockenspiel, Kazoos and, of course, the classic Christmas sound of Sleigh Bells.This fantastic music book is the perfect addition to both Do The Christmas Rock: CD(www.musicroom.com/se/id_no/01095593/details.html) and Do The Christmas Rock: Word Book .(www.musicroom.com/se/id_no/01095592/details.html)

DKK 147.00
1

Pachelbel: Canon in D

Pachelbel: Canon in D

The Concert Performer Series brings you 18 well-known piano pieces, beautifully presented on strong, high-sheen card, complete with a special CD-Rom which contains both audio and MIDI to help you practise for a truly great performance. About the CD: Track 1 contains an audio concert performance. This track is playable on any CD player or computer equipped with a CD-Rom drive and audio CD player software. Track 2 is a special audio 'study track', on which you'll hear the same performance as Track 1 at a slower speed. Listening to and playing along with this track can help you resolve questions of rhythm and interpretation as you are learning the piece. MIDI data is provided for both Macintosh PC. In order to use these files, you must have software and hardware designed to play and/or edit MIDI files. The file is a type 1 standard MIDI file (SMF) and is completely compatible with most current hardware and software sequencers and players. The instrument assignments conform to the General MIDI Standard. Mute one of the channels to practise one hand alone. Change the tempo or even transpose the whole piece to a new key. Add an orchestral or rock background - the possibilities are endless!

DKK 94.00
1

The Beatles: Love Me Do - 50th Anniversary Edition

The Beatles: Love Me Do - 50th Anniversary Edition

Love Me Do was the first single to be released by The Beatles, on October 5 1962, backed with PS I Love You, on EMI?s Parlophone label. Though historically important as the début record by the world?s greatest ever pop group, it was by no stretch of the imagination a portent of what was to come, reaching only as high as number 17 in the Record Retailer?s Top 50 charts, on December 27. When Beatlemania exploded in the US, however, it became their fourth No. 1 there in May 1964.Curiously, the song was recorded by The Beatles on three separate occasions with three different percussionists; firstly on June 6, 1962, at an EMI session with original drummer Pete Best; secondly on September 4 with the newly-recruited Ringo Starr; and finally on September 11 with session drummer Andy White.For reasons that have never been fully explained, it was the version featuring Ringo that appeared on all UK single releases of Love Me Do up until its original deletion in 1968. The Beatles? 1963 debut album Please Please Me, however, featured the Andy White recording, which became the American hit in 1964 and other worldwide territories. When re-issued in 1976 EMI (UK) used the White take because the original Ringo master had gone AWOL. The 20th anniversary 12? single in 1982 contained both versions but the ?Ringo version? had to be dubbed from the original single supplied by a Beatles collector and all issues since have come from the same source. The Pete Best version was made available on Anthology 1.Love Me Do was largely a McCartney composition, written in the 1958, with Lennon contributing the bridge in 1962. "Love Me Do was our greatest philosophical song,? said Paul in 1972, possibly tongue in cheek. ?During the recordings, all I can remember is being terrified out of my wits, and quaking in my boots. I can still hear it on my vocal."

DKK 90.00
1