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The Ink of Melancholy - Andre Bleikasten - Bog - Indiana University Press - Plusbog.dk

Ink Wash on Paper - Andreas Chwatal - Bog - Kerber Verlag - Plusbog.dk

Covered in Ink - Beverly Yuen Thompson - Bog - New York University Press - Plusbog.dk

Covered in Ink - Beverly Yuen Thompson - Bog - New York University Press - Plusbog.dk

A small dolphin on the ankle, a black line on the lower back, a flower on the hip, or a child’s name on the shoulder blade—among the women who make up the twenty percent of all adults in the USA who have tattoos, these are by far the most popular choices. Tattoos like these are cute, small, and can be easily hidden, and they fit right in with society’s preconceived notions about what is ‘gender appropriate’ for women. But what about women who are heavily tattooed? Or women who visibly wear imagery, like skulls, that can be perceived as masculine or ugly when inked on their skin? Drawing on autoethnography, and extensive interviews with heavily tattooed women, Covered in Ink provides insight into the increasingly visible subculture of women with tattoos. Author Beverly Thompson visits tattoos parlors, talking to female tattoo artists and the women they ink, and she attends tattoo conventions and Miss Tattoo pageants where heavily tattooed women congregate to share their mutual love for the art form. Along the way, she brings to life women’s love of ink, their very personal choices of tattoo art, and the meaning tattooing has come to carry in their lives, as well as their struggles with gender norms, employment discrimination, and family rejection. Thompson finds that, despite the stigma and social opposition heavily tattooed women face, many feel empowered by their tattoos and strongly believe they are creating a space for self-expression that also presents a positive body image. A riveting and unique study, Covered in Ink provides important insight into the often unseen world of women and tattooing.

DKK 674.00
1

Musical Ink - Jon Blacker - Bog - Schiffer Publishing Ltd - Plusbog.dk

Disappearing Ink - Eileen O'neill - Bog - Oxford University Press Inc - Plusbog.dk

Disappearing Ink - Eileen O'neill - Bog - Oxford University Press Inc - Plusbog.dk

When Eileen O''Neill (1953-2017) published her ground-breaking essay, "Disappearing Ink: Early Modern Women Philosophers and the History of Philosophy" in 1998, women philosophers were virtually absent from encyclopedias of philosophy and the numerous histories and anthologies of early modern thought. This essay would come to have an enormous impact, signaling the beginning of the movement to introduce early modern women philosophers into the canon. In its densely-packed 46 pages, "Disappearing Ink" presented the names, major works, and principal theses of literally dozens of forgotten women, whose works were published during the early modern period and who had engaged in correspondence with central male figures but whose names and works had since been erased. Disappearing Ink reprints this now-canonical piece together with subsequent essays, some widely read, some harder to locate, and one, on "Cartesianism and the Gendered Mind", written in 2013 and published here for the first time. The essays in Part I develop O''Neill''s views on feminist history of philosophy, articulating an account of feminist historiography that is inclusive yet at the same time textually nuanced. The essays in Part II provide in-depth treatment of individual figures and themes. These essays discuss the views of early modern women philosophers such as Mary Astell, Margaret Cavendish, and Mme de Lambert alongside those of Descartes, Leibniz, Poullain de la Barre, and the Scholastics, engaging with questions of mind-body interaction, occasional causation, physical influx, pan-organicism, and whether the Cartesian mind is gendered. The sole essay in Part III departs from the historical orientation of Parts I and II. This essay, informed by O''Neill''s deep knowledge of art history, is an illuminating study of agency in representations of women in feminist erotic art of the 1980s. Combined, these works trace the complete arc of O''Neill''s thought, from painstaking studies of individual themes and figures to a sweeping vision of how feminism should inform our approach to the history of early modern thought--indeed, to the history of philosophy more generally. More than anyone else, O''Neill explained why women were excluded from the canon and showed how they could be incorporated into it.

DKK 761.00
1

Reloader's Handbook of Wildcat Cartridge Design - Fred Zeglin - Bog - Krause Publications - Plusbog.dk

Ink under the Fingernails - Corinna Zeltsman - Bog - University of California Press - Plusbog.dk

More Than Words Can Say - Marv Goldberg - Bog - Scarecrow Press - Plusbog.dk

More Than Words Can Say - Marv Goldberg - Bog - Scarecrow Press - Plusbog.dk

The story of the Ink Spots is a rags-to-riches story beloved in American mythology. The success of the Ink Spots inspired many others to attempt (some merely mimicking) their popular and musical success. They were, without question, the most influential black vocal group of the 1940s, and one of the earliest to sing "sweet ballads," which they elevated to an art form (although an increasingly formulaic one). Goldberg gets behind the streamers and glitter of the Ink Spots and the publicity machines of record labels, and provides the story of the group''s creation, its music, and its monumental impact on the course of American music. More Than Words Can Say uncovers the mythos and origins of the Ink Spots, from the dramatic stories of finding the band name, to the dozens of individuals who still claim to be original members of the group. Goldberg interviews some of the singers, musicians, and arrangers associated with the original Ink Spots who provide invaluable first-hand accounts of the group. The book discusses the musical environment of the Ink Spots, including the ASCAP/BMI War, gas rationing, War of the Record Speeds, vinyl shortages, and all the lawsuits. Additionally, Goldberg has searched tirelessly through Billboard magazine and theater reviews to get a sense of the Ink Spots'' contemporary reception. Also included is a bibliography of sources and a complete alphabetical listing of Ink Spots recordings released on Decca or Victor labels. A fascinating story filled with excellently researched information and exciting anecdotes, Goldberg''s text brings out the "authentic" story of the Ink Spots, from their origins in the early 1930s through the tumultuous recording world of 1940s and 1950s America.

DKK 689.00
1

Design and Use of Relational Databases in Chemistry - Tj O'donnell - Bog - Taylor & Francis Ltd - Plusbog.dk

Blood Into Ink - Miriam Cooke - Bog - Taylor & Francis Inc - Plusbog.dk

Blood Into Ink - Miriam Cooke - Bog - Taylor & Francis Inc - Plusbog.dk

The experiences of women in twentieth-century wars in South Asia and the Middle East challenge the concept of the separation of front and homefront and of family and society common to most modern western wars. Women there have not only entered into what was once considered male-only territory in men''s roles wearing men''s clothing, but more important, they have entered explicitly as women playing a variety of roles in the conflicts surrounding them. Their self-conscious, self-confident presence has changed the nature of that territory. This anthology reflects the realization that through their writing, women have created a new mythology of the war-peace paradox—one that is grounded in the reality of their own lives. The works collected here illustrate the many ways in which women have become active participants in social conflict and military battles, speaking of war not only as an extraordinary but also as an ordinary experience of coping with violence and conflict on a daily basis. Women''s involvement with the rituals of violence does not begin or end with traditional war; their daily struggles for survival stretch seamlessly into the more public arena of political war. In this anthology, Drs. Cooke and Rustomji-Kerns offer a collection of journal entries, interviews, fiction, and poetry by twentieth-century Middle Eastern and South Asian women writing about war and political conflicts. Some of the works were written in English, but the majority were translated specifically for this anthology and are published here for the first time in English. Blood Into Ink is an important and much-needed addition to the rapidly growing literature on war and peace. The anthology will greatly enlarge our understanding of the role of women in one of the most central of human concerns.

DKK 422.00
1

Pen and Ink Witchcraft - Colin G. Calloway - Bog - Oxford University Press Inc - Plusbog.dk

Pen and Ink Witchcraft - Colin G. Calloway - Bog - Oxford University Press Inc - Plusbog.dk

Indian peoples made some four hundred treaties with the United States between the American Revolution and 1871, when Congress prohibited them. They signed nine treaties with the Confederacy, as well as countless others over the centuries with Spain, France, Britain, Mexico, the Republic of Texas, Canada, and even Russia, not to mention individual colonies and states. In retrospect, the treaties seem like well-ordered steps on the path of dispossession and empire. The reality was far more complicated.In Pen and Ink Witchcraft, eminent Native American historian Colin G. Calloway narrates the history of diplomacy between North American Indians and their imperial adversaries, particularly the United States. Treaties were cultural encounters and human dramas, each with its cast of characters and conflicting agendas. Many treaties, he notes, involved not land, but trade, friendship, and the resolution of disputes. Far from all being one-sided, they were negotiated on the Indians'' cultural and geographical terrain. When the Mohawks welcomed Dutch traders in the early 1600s, they sealed a treaty of friendship with a wampum belt with parallel rows of purple beads, representing the parties traveling side-by-side, as equals, on the same river. But the American republic increasingly turned treaty-making into a tool of encroachment on Indian territory. Calloway traces this process by focusing on the treaties of Fort Stanwix (1768), New Echota (1835), and Medicine Lodge (1867), in addition to such events as the Peace of Montreal in 1701 and the treaties of Fort Laramie (1851 and 1868). His analysis demonstrates that native leaders were hardly dupes. The records of negotiations, he writes, show that "Indians frequently matched their colonizing counterparts in diplomatic savvy and tried, literally, to hold their ground." Each treaty has its own story, Calloway writes, but together they tell a rich and complicated tale of moments in American history when civilizations collided.

DKK 395.00
1