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The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The revolutionary roots of the artists collective known as the Impressionists—and the course they charted for modern art The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art chronicles the evolution of a movement, from its inception in 1874 to its early twentieth-century legacy. The Impressionists—whose pioneering members included Claude Monet, Edgar Degas, and Berthe Morisot—deviated from artistic norms in subject matter, style, and exhibition practices, reshaping the definition of artistic innovation at the time and beyond. Drawing exclusively from the Dallas Museum of Art’s collection, this book illuminates the genesis of the Impressionist collective, its key figures, and what made their work so revolutionary. The narrative extends beyond the group’s final exhibition in 1886, exploring how Post-Impressionists both embraced and challenged Impressionist aesthetics, influencing a fresh wave of artists—including Henri Matisse, Piet Mondrian, and Alexei Jawlensky—who ushered in a new avant-garde for the early twentieth century. Distributed for the Dallas Museum of Art Exhibition Schedule:Dallas Museum of Art (February 11–November 3, 2024)Santa Barbara Museum of Art (October 5, 2025–January 25, 2026)Frist Art Museum, Nashville, TN (February 27–May 31, 2026)Musée National des Beaux-Arts Quebec (June 18–October 12, 2026)Virginia Museum of Fine Arts, Richmond (November 14, 2026–March 14, 2027) Musée national des beaux-arts du Quebec (June 18–October 12, 2026)

DKK 296.00
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New African Masquerades - - Bog - Yale University Press - Plusbog.dk

New African Masquerades - - Bog - Yale University Press - Plusbog.dk

An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience. This lavishly illustrated study includes more than 150 images, artist’s biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (April 4–August 10, 2025) Frist Museum, Nashville, TN (October 10, 2025–January 4, 2026)San Antonio Museum of Art (February 27–July 5, 2026 Museum of Fine Arts, St. Petersburg, FL (September 2026–January 2027)National Museum of African Art, Smithsonian, Washington, DC (February 19–September 26, 2027) Concurrently with: Museum of Black Civilization, Dakar, Senegal (TBD) Sierra Leone National Museum, Freetown (TBD) National Museum of Calabar, Nigeria (TBD)

DKK 524.00
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America's Impressionism - Amanda C. Burdan - Bog - Yale University Press - Plusbog.dk

America's Impressionism - Amanda C. Burdan - Bog - Yale University Press - Plusbog.dk

A beautifully illustrated account of the Impressionist experiment in the United States—showing how the French style was put to distinctly American use From the late 19th century to the Second World War, American painters adapted Impressionism to their own ends, shaping one of the most enduring, complex, and contradictory styles of art ever produced in the United States. This comprehensive book presents an original and nuanced history of the American engagement with the French style, one that was both richer and more ambivalent than mere imitation. Showcasing key works from public and private collections across the United States, this expansive catalogue contextualizes celebrated figures, such as Claude Monet (1840–1926) and William Merritt Chase (1849–1916), among their unduly overlooked—and often female—counterparts, such as Lilla Cabot Perry (1848–1933), Emma Richardson Cherry (1859–1954), and Evelyn McCormick (1862–1948). Essays from leading scholars of the movement expand upon the geography and chronology of Impressionism in America, investigating regional variants and new avenues opened by the experiment. Beautifully illustrated, this volume is a landmark event in the understanding of an important era in American art. Distributed for the Brandywine River Museum of Art, Dixon Gallery and Gardens, and the San Antonio Museum of ArtExhibition Schedule:Dixon Gallery and Gardens, Memphis, TN (January 23–May 9, 2021)San Antonio Museum of Art (June 11–September 5, 2021)Brandywine River Museum of Art, Chadds Ford, PA (October 9, 2021–January 9, 2022)

DKK 382.00
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Black Artists in America - Julie L. Mcgee - Bog - Yale University Press - Plusbog.dk

Black Artists in America - Julie L. Mcgee - Bog - Yale University Press - Plusbog.dk

This third and final volume in the Black Artists in America series features work from the transitional moment of the late 1970s to the dawn of the twenty-first century In the 1980s and 1990s, Black artists in the United States who came of age during the civil rights activity of the preceding decades began experimenting with new media and innovative approaches to artmaking, often as a way of questioning long-held inequities in the art world and in American society. Artists such as Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Sam Gilliam, Glenn Ligon, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others created works that celebrated their racial identity and fought exclusion and prejudices in the establishment. This book considers the ways that the artists of this generation challenged cultural, environmental, political, racial, and social issues of the last decades of the twentieth century. Black Artists in America: From the Bicentennial to September 11 is the final volume in the three-volume series that traces how Black artists have responded to the social issues of their time. Beautifully illustrated with 150 paintings, sculptures, and works on paper, this volume completes the story of a century of artmaking. Published in association with the Dixon Gallery and Gardens Exhibition Schedule: Crocker Art Museum, Sacramento, CA (October 5, 2025–January 11, 2026) Dixon Gallery and Gardens, Memphis, TN (January 25–March 29, 2026)

DKK 416.00
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