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Ancient Ink - - Bog - University of Washington Press - Plusbog.dk

Ancient Ink - - Bog - University of Washington Press - Plusbog.dk

The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink , the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

DKK 800.00
1

Ancient Ink - - Bog - University of Washington Press - Plusbog.dk

Ancient Ink - - Bog - University of Washington Press - Plusbog.dk

The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people's natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume's contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

DKK 316.00
1

Aesop's Fables - Jacob Lawrence - Bog - University of Washington Press - Plusbog.dk

Aesop's Fables - Jacob Lawrence - Bog - University of Washington Press - Plusbog.dk

Aesop’s Fables combines 23 timeless morality tales with striking black ink drawings by the revered artist Jacob Lawrence. Published originally in 1970, the book has been out of print for two decades. This new edition, completely redesigned and typeset, adds five illustrations Lawrence prepared for the original edition but which were not included in it.Aesop’s fables are often ungentle tales with profound and instructive morals. Lawrence’s bold and expressive pen-and-ink illustrations reflect both the charm and the severity of the fables themselves. The wisdom and depth of this collection will reach all who read it, from child to adult.Born in 1917, Jacob Lawrence is one of the most celebrated artists alive today. His awards include his 1983 election to the American Academy of Arts and Letters, a National Arts Award in 1992, and his confirmation as Commissioner of the National Council of the Arts in 1978 by the U.S. Senate. He is professor emeritus of art at the University of Washington, and has also taught at the Pratt Institute, Brandeis University, and Black Mountain College. His paintings have been widely exhibited since his first major solo exhibit in 1944 at the Museum of Modern Art, New York, and his work graces museum and private collections throughout the world.

DKK 234.00
1

Bronze and Stone - Yunchiahn C. Sena - Bog - University of Washington Press - Plusbog.dk

Bronze and Stone - Yunchiahn C. Sena - Bog - University of Washington Press - Plusbog.dk

Despite China's long tradition of venerating the past as the ultimate source of cultural authority, the discourse of antiquity prior to the Song period (960–1279) demonstrated little concern for ancient objects. With a focus on physical artifacts of the past, Song intellectuals began a new discipline, "the study of bronze and stone" (jinshixue), that generated collections of items such as bronze vessels and bells, stone steles, and ink rubbings of inscriptions carved or cast on objects. This first comprehensive study in English of the Song antiquarian movement and how it refashioned the distant past uses textual and material evidence to examine this development, which has had long-lasting influence on Chinese intellectual history and on the preservation of material objects. In addition to collecting and comparing artifacts, Song antiquaries compiled extensive catalogs that included drawings, measurements, and meticulous descriptions. Their studies have contributed to the way history has been documented since the eleventh century and serve as a basis for archaeology of the modern period. Bronze and Stone contextualizes the Song antiquarian movement among previous Chinese engagements with antiquity, subsequent popular interest in ancient objects, and world antiquarianism.

DKK 648.00
1

The Social Life of Inkstones - Dorothy Ko - Bog - University of Washington Press - Plusbog.dk

The Social Life of Inkstones - Dorothy Ko - Bog - University of Washington Press - Plusbog.dk

Follows the path of an everyday object, from quarry to deskAn inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world. Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors' homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of "head over hand" no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730sThe Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

DKK 439.00
1

The Social Life of Inkstones - Dorothy Ko - Bog - University of Washington Press - Plusbog.dk

The Social Life of Inkstones - Dorothy Ko - Bog - University of Washington Press - Plusbog.dk

Follows the path of an everyday object, from quarry to deskAn inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, an object of art, a token of exchange between friends or sovereign states, and a surface on which texts and images are carved. As such, the inkstone has been entangled with elite masculinity and the values of wen (culture, literature, civility) in China, Korea, and Japan for more than a millennium. However, for such a ubiquitous object in East Asia, it is virtually unknown in the Western world. Examining imperial workshops in the Forbidden City, the Duan quarries in Guangdong, the commercial workshops in Suzhou, and collectors' homes in Fujian, The Social Life of Inkstones traces inkstones between court and society and shows how collaboration between craftsmen and scholars created a new social order in which the traditional hierarchy of "head over hand" no longer predominated. Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730sThe Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

DKK 316.00
1

Universe Is Flux - John Teramoto - Bog - University of Washington Press - Plusbog.dk

Universe Is Flux - John Teramoto - Bog - University of Washington Press - Plusbog.dk

Recognized in Japan as a connoisseur, collector, and proprietor of a famous folk art shop in Tokyo, Tawara Yusaku returned to painting late in life and had a single show in London before his death in 2004. Universe Is Flux is the first examination of his accomplishments within the context of Asian and contemporary painting.Tawara''s artistic vision was highly influenced by Buddhist concepts of cosmology and space. His philosophy revolved around the idea that the universe is in a constant state of flux - that flux itself is the stuff of the universe. The impermanent bunching together of vibrating energy - wavelike forms that he called hado (wave movement) - comprises individual existence. His works appear at first glance to be the result of bold, powerful strokes with a large brush, but close examination reveals each large stroke is composed of innumerable tiny strokes, dots, and splashes representing hado . Tawara rejected representational art and struggled instead to paint ultimate reality.Drawing on conversations with the artist and notes that he left behind, the essays discuss how Tawara''s unique methods expressed his views of art and the universe at large, examine Tawara''s works in the context of traditional Japanese and Chinese ink and literati painting, and focus on Tawara''s "Thinking of da Vinci" series, drawing analogies between Tawara''s investigation of the microcosm and the brushstroke and Leonardo da Vinci''s exploration of these ideas in his drawings. The techniques that Tawara utilized to create his art resulted in a body of work that not only expresses his views of the universe but is also aesthetically powerful and beautiful.

DKK 346.00
1

Forbidden Games and Video Poems - Lo Ch'ing - Bog - University of Washington Press - Plusbog.dk

Forbidden Games and Video Poems - Lo Ch'ing - Bog - University of Washington Press - Plusbog.dk

Two contemporary poets from Taiwan, Yang Mu (pen name for Wang Ching-hsien, b. 1940) and Lo Ch’ing (pen name for Lo Ch’ing-che, b. 1948), are represented in this bilingual edition of Chinese poetry ranging from the romantic to the postmodern. Both poets were involved in the selection of poems for this volume, the first edition in any language of their selected work. Their backgrounds, literary styles, and professional lifes are profiled and compared by translator Joseph R. Allen in critical essays that show how Yang and Lo represent basic directions in modern Chinese poetics and how they have contributed to the definition of modernism and postmodernism in China.The book’s organization reflects each poet’s method of composition. Yang’s poems are chronologically arrangd, as his poetry tends to describe a narrative line that closely parallels his own biography. Lo’s poems, which explore a world of concept and metaphor, are grouped by theme. Although each poet has a range of poetic voices, Yang’s work can be considered the peak of high modernism in Chinese poetry, while Lo’s more problematic work suggests the direction of new explorations in the art. In this way the two poets are mutually illuminating.Each group of poems is prefaced by an “illustration” that draws from another side of the poet’s intellectual life. For Yang, who is a professor of comparative literature at the University of Washington, these are excerpts from his academic work (written under the name C.H. Wang) in English. The poems by Lo, a well-known painter living in Taiwan, are illustrated by five of his own ink paintings.

DKK 300.00
1

Mine Okubo - - Bog - University of Washington Press - Plusbog.dk

Mine Okubo - - Bog - University of Washington Press - Plusbog.dk

“To me life and art are one and the same, for the key lies in one''s knowledge of people and life. In art one is trying to express it in the simplest imaginative way, as in the art of past civilizations, for beauty and truth are the only two things which live timeless and ageless.” - Miné OkuboThis is the first book-length critical examination of the life and work of Miné Okubo (1912-2001), a pioneering Nisei artist, writer, and social activist who repeatedly defied conventional role expectations for women and for Japanese Americans over her seventy-year career. Okubo''s landmark Citizen 13660 (first published in 1946) is the first and arguably best-known autobiographical narrative of the wartime Japanese American relocation and confinement experience.Born in Riverside, California, Okubo was incarcerated by the U.S. government during World War II, first at the Tanforan Assembly Center in California and later at the Topaz War Relocation Center in Utah. There she taught art and directed the production of a literary and art magazine. While in camp, Okubo documented her confinement experience by making hundreds of paintings and pen-and-ink sketches. These provided the material for Citizen 13660. Word of her talent spread to Fortune magazine, which hired her as an illustrator. Under the magazine''s auspices, she was able to leave the camp and relocate to New York City, where she pursued her art over the next half century.This lovely and inviting book, lavishly illustrated with both color and halftone images, many of which have never before been reproduced, introduces readers to Okubo''s oeuvre through a selection of her paintings, drawings, illustrations, and writings from different periods of her life. In addition, it contains tributes and essays on Okubo''s career and legacy by specialists in the fields of art history, education, women''s studies, literature, American political history, and ethnic studies, essays that illuminate the importance of her contributions to American arts and letters.Miné Okubo expands the sparse critical literature on Asian American women, as well as that on the Asian American experience in the eastern United States. It also serves as an excellent companion to Citizen 13660, providing critical tools and background to place Okubo''s work in its historical and literary contexts.

DKK 264.00
1