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Making of the Auden canon - Joseph Warren Beach - Bog - University of Minnesota Press - Plusbog.dk

Making of the Auden canon - Joseph Warren Beach - Bog - University of Minnesota Press - Plusbog.dk

Making of the Auden canon was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. No poet writing in English is more representative of the intellectual trends of the thirties and forties than W. H. Auden. British born, Oxford educated, American by naturalization, and now returned to Oxford to occupy the chair of poetry, he is widely regarded as the spiritual guide and keeper of the conscience of the age, at the same time that he exemplifies the gradual passage from ideological left to right so characteristic of the period. This study of Auden''s poetry and revisions has far-reaching implications for an understanding not only of Auden''s own writing but that of his contemporaries as well. Considering that 1945 Collected Poetry as the Auden canon, or authorized version of the poems, Mr. Beach examines the process by which Auden selected poems to be admitted to the canon. He shows that the poet eliminated many that were at odds with his later style and thought, discreetly revised others to bring them into line, and, at the same time, left unaltered some of the pieces from his unregenerate days. Auden''s system of selection and revision reflects the winding course of his thought, and, by tracing this course, Mr. Beach endeavors to penetrate the poet''s diverse masks in an effort to get at the identity of t he man himself.

DKK 472.00
1

The Art of Making Do in Naples - Jason Pine - Bog - University of Minnesota Press - Plusbog.dk

The Art of Making Do in Naples - Jason Pine - Bog - University of Minnesota Press - Plusbog.dk

“In Naples, there are more singers than there are unemployed people.” These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living—or even a fortune. In the process, they brush up against affiliates of the region’s violent organized crime networks, the camorra. In The Art of Making Do in Naples , Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground. The “art of making do” refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise “making do,” gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures. The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist’s sense of autonomy. Making his way through Naples’s spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate. Pine’s trenchant observations and his own improvised attempts at “making do” provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life.

DKK 237.00
1

How to Do Things with Sensors - Jennifer Gabrys - Bog - University of Minnesota Press - Plusbog.dk

Stuttering and What you can do About it - Wendell Johnson - Bog - University of Minnesota Press - Plusbog.dk

Stuttering and What you can do About it - Wendell Johnson - Bog - University of Minnesota Press - Plusbog.dk

This is a book for parents who are worried about their children’s stuttering, for teachers, doctors, friends, and relatives of those who stutter, and for stutterers themselves. It offers help, encouragement, and guidance in dealing with the problem of stuttering, which troubles more than a million persons in the United States alone.Dr. Johnson, an outstanding authority on the subject, writes in simple language so that anyone can readily understand and follow his suggestions. What he says in this book is based on many years of laboratory research and clinical observation, and his own experience as a stutterer. He tells of his early years of struggle with the handicap and his decision to devote his life to getting at the basic causes of stuttering and finding ways to prevent or alleviate it. He describes his research experiences, likening them to a detective story centered on a search for the causes of stuttering as the culprit in the case. In this account he quotes from interviews which he conducted with parents in an effort to pinpoint the exact conditions or situations in which stuttering was believed to have started. He explains how the problem develops and how it becomes a frustrating “sad-go-round.” Finally, he tells what parents and others can do for children who are threatened with the handicap of stuttering and what adult stutterers can do to help themselves.

DKK 380.00
1

How to Do Things with Videogames - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

How to Do Things with Videogames - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

In recent years, computer games have moved from the margins of popular culture to its center. Reviews of new games and profiles of game designers now regularly appear in the New York Times and the New Yorker , and sales figures for games are reported alongside those of books, music, and movies. They are increasingly used for purposes other than entertainment, yet debates about videogames still fork along one of two paths: accusations of debasement through violence and isolation or defensive paeans to their potential as serious cultural works. In How to Do Things with Videogames , Ian Bogost contends that such generalizations obscure the limitless possibilities offered by the medium’s ability to create complex simulated realities. Bogost, a leading scholar of videogames and an award-winning game designer, explores the many ways computer games are used today: documenting important historical and cultural events; educating both children and adults; promoting commercial products; and serving as platforms for art, pornography, exercise, relaxation, pranks, and politics. Examining these applications in a series of short, inviting, and provocative essays, he argues that together they make the medium broader, richer, and more relevant to a wider audience. Bogost concludes that as videogames become ever more enmeshed with contemporary life, the idea of gamers as social identities will become obsolete, giving rise to gaming by the masses. But until games are understood to have valid applications across the cultural spectrum, their true potential will remain unrealized. How to Do Things with Videogames offers a fresh starting point to more fully consider games’ progress today and promise for the future.

DKK 182.00
1

To Show What An Indian Can Do - John Bloom - Bog - University of Minnesota Press - Plusbog.dk

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Exploring why there is so much fecal matter in literary works that matterCacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.

DKK 800.00
1

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Cacaphonies - Annabel L. Kim - Bog - University of Minnesota Press - Plusbog.dk

Exploring why there is so much fecal matter in literary works that matterCacaphonies takes fecal matter and its place in literature seriously. Readers and critics have too long overlooked excrement’s vital role in the twentieth- and twenty-first-century French canon. In a stark challenge to the tendency to view this literature through sanitizing abstractions, Annabel L. Kim undertakes close readings of key authors to argue for feces as a figure of radical equality, both a literary object and a reflection on literature itself, without which literary studies is impoverished and sterile. Following the fecal through line in works by Céline, Beckett, Genet, Sartre, Duras, and Gary and the contemporary authors Anne Garréta and Daniel Pennac, Kim shows that shit, far from vanishing from the canon after the early modern period, remains present in the modern and contemporary French literature that follows. She argues that all the shit in the canon expresses a call to democratize literature, making literature for all, just as shit is for (or of) all. She attends to its presence in this prized element of French identity, treating it as a continually uttered desire to manifest the universality France aspires to—as encapsulated by the slogan Liberté, égalité, fraternité—but fails to realize. In shit there is a concrete universalism that traverses bodies with disregard for embodied differences. Cacaphonies reminds us that literature, and the ideas to be found therein, cannot be separated from the corporeal envelopes that create and receive them. In so doing, it reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life.

DKK 255.00
1

Plants Have So Much to Give Us, All We Have to Do Is Ask - Mary Siisip Geniusz - Bog - University of Minnesota Press - Plusbog.dk

Plants Have So Much to Give Us, All We Have to Do Is Ask - Mary Siisip Geniusz - Bog - University of Minnesota Press - Plusbog.dk

Mary Siisip Geniusz has spent more than thirty years working with, living with, and using the Anishinaabe teachings, recipes, and botanical information she shares in Plants Have So Much to Give Us, All We Have to Do Is Ask . Geniusz gained much of the knowledge she writes about from her years as an oshkaabewis, a traditionally trained apprentice, and as friend to the late Keewaydinoquay, an Anishinaabe medicine woman from the Leelanau Peninsula in Michigan and a scholar, teacher, and practitioner in the field of native ethnobotany. Keewaydinoquay published little in her lifetime, yet Geniusz has carried on her legacy by making this body of knowledge accessible to a broader audience. Geniusz teaches the ways she was taught—through stories. Sharing the traditional stories she learned at Keewaydinoquay’s side as well as stories from other American Indian traditions and her own experiences, Geniusz brings the plants to life with narratives that explain their uses, meaning, and history. Stories such as “Naanabozho and the Squeaky-Voice Plant” place the plants in cultural context and illustrate the belief in plants as cognizant beings. Covering a wide range of plants, from conifers to cattails to medicinal uses of yarrow, mullein, and dandelion, she explains how we can work with those beings to create food, simple medicines, and practical botanical tools. Plants Have So Much to Give Us, All We Have to Do Is Ask makes this botanical information useful to native and nonnative healers and educators and places it in the context of the Anishinaabe culture that developed the knowledge and practice.

DKK 208.00
1

Against Literature - John Beverley - Bog - University of Minnesota Press - Plusbog.dk

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

Border Women - Debra A. Castillo - Bog - University of Minnesota Press - Plusbog.dk

Dark Deleuze - Andrew Culp - Bog - University of Minnesota Press - Plusbog.dk

What Would Animals Say If We Asked the Right Questions? - Vinciane Despret - Bog - University of Minnesota Press - Plusbog.dk

What Would Animals Say If We Asked the Right Questions? - Vinciane Despret - Bog - University of Minnesota Press - Plusbog.dk

“You are about to enter a new genre, that of scientific fables, by which I don’t mean science fiction, or false stories about science, but, on the contrary, true ways of understanding how difficult it is to figure out what animals are up to.” —Bruno Latour, form the Foreword Is it all right to urinate in front of animals? What does it mean when a monkey throws its feces at you? Do apes really know how to ape? Do animals form same-sex relations? Are they the new celebrities of the twenty-first century? This book poses twenty-six such questions that stretch our preconceived ideas about what animals do, what they think about, and what they want. In a delightful abecedarium of twenty-six chapters, Vinciane Despret argues that behaviors we identify as separating humans from animals do not actually properly belong to humans. She does so by exploring incredible and often funny adventures about animals and their involvements with researchers, farmers, zookeepers, handlers, and other human beings. Do animals have a sense of humor? In reading these stories it is evident that they do seem to take perverse pleasure in creating scenarios that unsettle even the greatest of experts, who in turn devise newer and riskier hypotheses that invariably lead them to conclude that animals are not nearly as dumb as previously thought. These deftly translated accounts oblige us, along the way, to engage in both ethology and philosophy. Combining serious scholarship with humor that will resonate with anyone, this book—with a foreword by noted French philosopher, anthropologist, and sociologist of science Bruno Latour—is a must not only for specialists but also for general readers, including dog owners, who will never look at their canine companions the same way again.

DKK 905.00
1