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American Family - Jeffrey Ruoff - Bog - University of Minnesota Press - Plusbog.dk

American Family - Jeffrey Ruoff - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth look at this pioneering "reality TV" documentary. Before 1973, the Loud family of Santa Barbara, California, lived in the privacy of their own home. With the airing of the documentary An American Family, that "privacy" extended to every American home with a television-and there was no going back to the happy land of Beaver, Donna Reed, and Father Knows Best. This book is the first to offer a close, sustained look at An American Family-the documentary that blurred conventions, stirred passions among viewers and reviewers, revised impressions of family life and definitions of private and public, and began the breakdown of distinctions between reality and spectacle that culminated in cultural phenomena from The Oprah Winfrey Show to Survivor. While placing Craig Gilbert’s innovative series in the context of 1970s nonfiction film and television, Jeffrey Ruoff tells the story behind An American Family from conception to broadcast, from reception to long-term impact. He reintroduces us to the Louds as intimate details of their daily lives, from one child’s dance recital to another’s gay lifestyle to the parents’ divorce proceedings, unfold first before the camera and then before American viewers, challenging audiences to think seriously about family, marital relations, sexuality, affluence, and the American dream. In the documentary’s immediate impact-on both producers and viewers of media-Ruoff uncovers the roots of new nonfiction forms including confessional talk shows like Oprah, first-person documentary films like Ross McElwee’s acclaimed Sherman’s March, and reality TV programs such as The Real World, Survivor, and Big Brother. A comprehensive production and reception study, Ruoff’s work restores An American Family to its rightful, pioneering place in the history of American television. Visible Evidence Series, volume 11

DKK 220.00
1

American Family - Jeffrey Ruoff - Bog - University of Minnesota Press - Plusbog.dk

American Family - Jeffrey Ruoff - Bog - University of Minnesota Press - Plusbog.dk

The first in-depth look at this pioneering "reality TV" documentary. Before 1973, the Loud family of Santa Barbara, California, lived in the privacy of their own home. With the airing of the documentary An American Family, that "privacy" extended to every American home with a television-and there was no going back to the happy land of Beaver, Donna Reed, and Father Knows Best. This book is the first to offer a close, sustained look at An American Family-the documentary that blurred conventions, stirred passions among viewers and reviewers, revised impressions of family life and definitions of private and public, and began the breakdown of distinctions between reality and spectacle that culminated in cultural phenomena from The Oprah Winfrey Show to Survivor. While placing Craig Gilbert’s innovative series in the context of 1970s nonfiction film and television, Jeffrey Ruoff tells the story behind An American Family from conception to broadcast, from reception to long-term impact. He reintroduces us to the Louds as intimate details of their daily lives, from one child’s dance recital to another’s gay lifestyle to the parents’ divorce proceedings, unfold first before the camera and then before American viewers, challenging audiences to think seriously about family, marital relations, sexuality, affluence, and the American dream. In the documentary’s immediate impact-on both producers and viewers of media-Ruoff uncovers the roots of new nonfiction forms including confessional talk shows like Oprah, first-person documentary films like Ross McElwee’s acclaimed Sherman’s March, and reality TV programs such as The Real World, Survivor, and Big Brother. A comprehensive production and reception study, Ruoff’s work restores An American Family to its rightful, pioneering place in the history of American television. Visible Evidence Series, volume 11

DKK 499.00
1

Shot In America - Chon A. Noriega - Bog - University of Minnesota Press - Plusbog.dk

Cult Television - Sara Gwenllian Jones - Bog - University of Minnesota Press - Plusbog.dk

Dancing In The Distraction Factory - Andrew Goodwin - Bog - University of Minnesota Press - Plusbog.dk

Gone Writing - Peter Moore - Bog - University of Minnesota Press - Plusbog.dk

Acting Out In Groups - Laurence A. Rickels - Bog - University of Minnesota Press - Plusbog.dk

The Horror of Police - Travis Linnemann - Bog - University of Minnesota Press - Plusbog.dk

First Person Jewish - Alisa S. Lebow - Bog - University of Minnesota Press - Plusbog.dk

First Person Jewish - Alisa S. Lebow - Bog - University of Minnesota Press - Plusbog.dk

The Horror of Police - Travis Linnemann - Bog - University of Minnesota Press - Plusbog.dk

Coproducing Asia - Stephanie Deboer - Bog - University of Minnesota Press - Plusbog.dk

Coproducing Asia - Stephanie Deboer - Bog - University of Minnesota Press - Plusbog.dk

East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.

DKK 573.00
1

The Computer's Voice - Liz W. Faber - Bog - University of Minnesota Press - Plusbog.dk

DKK 800.00
1

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate—the decline of the studios, the rise of television, and the rise of potent talent agencies like MCA—on a group of prominent talent-turned-producers including Burt Lancaster, Joseph Mankiewicz, Elia Kazan, and Billy Wilder. In order to show how these newly independent filmmakers negotiated through an increasingly fraught, reactionary creative atmosphere, Mann analyzes the reflexive portraits of their altered working conditions in such films as A Face in the Crowd, Sweet Smell of Success, and Will Success Spoil Rock Hunter? These artists, she shows, took on the corporate middle-managers at television networks and talent agencies as a way of challenging the status quo without risking censorship or blacklisting. This period saw the evolution of film production from the studio-governed system to one of entrepreneurs. Out of this new arrangement, which encouraged greater creative freedom, emerged a nascent form of independent art cinema that sowed the seeds of the Hollywood Renaissance that followed. Denise Mann is associate professor of film, TV and digital media at UCLA. She is coeditor of Private Screenings: Television and the Female Consumer (Minnesota, 1992).

DKK 237.00
1

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents - Denise Mann - Bog - University of Minnesota Press - Plusbog.dk

Hollywood Independents explores the crucial period from 1948 to 1962 when independent film producers first became key components of the modern corporate entertainment industry. Denise Mann examines the impact of the radically changed filmmaking climate—the decline of the studios, the rise of television, and the rise of potent talent agencies like MCA—on a group of prominent talent-turned-producers including Burt Lancaster, Joseph Mankiewicz, Elia Kazan, and Billy Wilder. In order to show how these newly independent filmmakers negotiated through an increasingly fraught, reactionary creative atmosphere, Mann analyzes the reflexive portraits of their altered working conditions in such films as A Face in the Crowd, Sweet Smell of Success, and Will Success Spoil Rock Hunter? These artists, she shows, took on the corporate middle-managers at television networks and talent agencies as a way of challenging the status quo without risking censorship or blacklisting. This period saw the evolution of film production from the studio-governed system to one of entrepreneurs. Out of this new arrangement, which encouraged greater creative freedom, emerged a nascent form of independent art cinema that sowed the seeds of the Hollywood Renaissance that followed. Denise Mann is associate professor of film, TV and digital media at UCLA. She is coeditor of Private Screenings: Television and the Female Consumer (Minnesota, 1992).

DKK 573.00
1

Digital Sensations - Ken Hillis - Bog - University of Minnesota Press - Plusbog.dk

Digital Sensations - Ken Hillis - Bog - University of Minnesota Press - Plusbog.dk

Considers the cultural and philosophical assumptions underlying virtual reality, and how the technology affects the real world. Virtual reality is in the news and in the movies, on TV and in the air. Why is the technology-or the idea—so prevalent precisely now? What does it mean—what does it do—to us? Digital Sensations looks closely at how the “lived” world is affected by representational forms generated by communication technologies, especially digital and optical virtual technologies. Virtual reality, or VR, is a technological reproduction of the process of perceiving the real, yet that process is filtered through the social realities and embedded cultural assumptions about human bodies and space held by the technology’s creators. Through critical histories of the technologies of vision, light, space, and embodiment, Ken Hillis traces the often contradictory intellectual and metaphysical impulses behind the Western transcendental wish to achieve an ever more perfect copy of the real. He advocates that current and proposed virtual technologies reflect a Western desire to escape the body. Because virtual technologies are new, these histories also address unintended and underconsidered consequences flowing from their rapid dissemination, such as commodifications and the alienation of new forms of surveillance. Exploring topics from VR and other, earlier visual technologies, Hillis’s penetrating perspective on the cultural power of place and space broadens our view of the interplay between social relations and technology.

DKK 598.00
1

The Computer's Voice - Liz W. Faber - Bog - University of Minnesota Press - Plusbog.dk

The Computer's Voice - Liz W. Faber - Bog - University of Minnesota Press - Plusbog.dk

A deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talk Although computer-based personal assistants like Siri are increasingly ubiquitous, few users stop to ask what it means that some assistants are gendered female, others male. Why is Star Trek ’s computer coded as female, while HAL 9000 in 2001: A Space Odyssey is heard as male? By examining how gender is built into these devices, author Liz W. Faber explores contentious questions around gender: its fundamental constructedness, the rigidity of the gender binary, and culturally situated attitudes on male and female embodiment. Faber begins by considering talking spaceships like those in Star Trek , the film Dark Star , and the TV series Quark , revealing the ideologies that underlie space-age progress. She then moves on to an intrepid decade-by-decade investigation of computer voices, tracing the evolution from the masculine voices of the ’70s and ’80s to the feminine ones of the ’90s and ’00s. Faber ends her account in the present, with incisive looks at the film Her and Siri herself. Going beyond current scholarship on robots and AI to focus on voice-interactive computers, The Computer’s Voice breaks new ground in questions surrounding media, technology, and gender. It makes important contributions to conversations around the gender gap and the increasing acceptance of transgender people.

DKK 251.00
1

Digital Sensations - Ken Hillis - Bog - University of Minnesota Press - Plusbog.dk

Digital Sensations - Ken Hillis - Bog - University of Minnesota Press - Plusbog.dk

Considers the cultural and philosophical assumptions underlying virtual reality, and how the technology affects the real world. Virtual reality is in the news and in the movies, on TV and in the air. Why is the technology-or the idea—so prevalent precisely now? What does it mean—what does it do—to us? Digital Sensations looks closely at how the “lived” world is affected by representational forms generated by communication technologies, especially digital and optical virtual technologies. Virtual reality, or VR, is a technological reproduction of the process of perceiving the real, yet that process is filtered through the social realities and embedded cultural assumptions about human bodies and space held by the technology’s creators. Through critical histories of the technologies of vision, light, space, and embodiment, Ken Hillis traces the often contradictory intellectual and metaphysical impulses behind the Western transcendental wish to achieve an ever more perfect copy of the real. He advocates that current and proposed virtual technologies reflect a Western desire to escape the body. Because virtual technologies are new, these histories also address unintended and underconsidered consequences flowing from their rapid dissemination, such as commodifications and the alienation of new forms of surveillance. Exploring topics from VR and other, earlier visual technologies, Hillis’s penetrating perspective on the cultural power of place and space broadens our view of the interplay between social relations and technology.

DKK 246.00
1

Coproducing Asia - Stephanie Deboer - Bog - University of Minnesota Press - Plusbog.dk

Coproducing Asia - Stephanie Deboer - Bog - University of Minnesota Press - Plusbog.dk

East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.

DKK 243.00
1

Border Tunnels - Juan Llamas Rodriguez - Bog - University of Minnesota Press - Plusbog.dk

Border Tunnels - Juan Llamas Rodriguez - Bog - University of Minnesota Press - Plusbog.dk

A comparative media analysis of the representation of the U.S.–Mexico border Border tunnels at the U.S.–Mexico border are ubiquitous in news, movies, and television, yet, because they remain hidden and inaccessible, the public can encounter them only through media. Analyzing the technologies, institutional politics, narrative tropes, and aesthetic decisions that go into showing border tunnels across multiple forms of media, Juan Llamas-Rodriguez argues that we cannot properly address border issues without attending to—and fully understanding—the fraught relationship between their representation and reality. Llamas-Rodriguez reveals that every media text about border tunnels, whether meant for entertainment, cable news, video games, or speculative design, implicitly takes a position on the politics of the border. The examples laid out in Border Tunnels will teach readers how to look differently at the border as it is commonly presented in various forms of media, from ABC’s Nightline and CNN’s Anderson Cooper 360º to reality TV, propaganda videos, and even digital effects in Hollywood action films. Llamas-Rodriguez examines how creative decisions in the production, promotion, and distribution of these media texts either emphasize or downplay issues such as border security, racial dynamics of migration, and sustainability of the borderlands. Focusing on tunnels to show how media representations can influence all kinds of audiences—even those physically near the border— Border Tunnels helps us make sense of this pressing social issue, ultimately advancing understanding of the U.S.–Mexico border in all of its complexity and precariousness.

DKK 833.00
1

Border Tunnels - Juan Llamas Rodriguez - Bog - University of Minnesota Press - Plusbog.dk

Border Tunnels - Juan Llamas Rodriguez - Bog - University of Minnesota Press - Plusbog.dk

A comparative media analysis of the representation of the U.S.–Mexico border Border tunnels at the U.S.–Mexico border are ubiquitous in news, movies, and television, yet, because they remain hidden and inaccessible, the public can encounter them only through media. Analyzing the technologies, institutional politics, narrative tropes, and aesthetic decisions that go into showing border tunnels across multiple forms of media, Juan Llamas-Rodriguez argues that we cannot properly address border issues without attending to—and fully understanding—the fraught relationship between their representation and reality. Llamas-Rodriguez reveals that every media text about border tunnels, whether meant for entertainment, cable news, video games, or speculative design, implicitly takes a position on the politics of the border. The examples laid out in Border Tunnels will teach readers how to look differently at the border as it is commonly presented in various forms of media, from ABC’s Nightline and CNN’s Anderson Cooper 360º to reality TV, propaganda videos, and even digital effects in Hollywood action films. Llamas-Rodriguez examines how creative decisions in the production, promotion, and distribution of these media texts either emphasize or downplay issues such as border security, racial dynamics of migration, and sustainability of the borderlands. Focusing on tunnels to show how media representations can influence all kinds of audiences—even those physically near the border—Border Tunnels helps us make sense of this pressing social issue, ultimately advancing understanding of the U.S.–Mexico border in all of its complexity and precariousness.

DKK 264.00
1

When Pain Strikes - Bill Burns - Bog - University of Minnesota Press - Plusbog.dk

When Pain Strikes - Bill Burns - Bog - University of Minnesota Press - Plusbog.dk

When Pain Strikes was first published in 1998. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. When pain strikes, do you raid the medicine cabinet? Read a self-help manual? Hit the roof? How we in North America respond to pain-what we think about it, what we say, and what we do-is the subject of this collection of writings and images. The book''s five sections contain a myriad of complex reactions to the occurrence of pain: "Measure It" discusses biomedical responses; "Scream and Yell" explores therapeutic solutions; "Cut It Open" takes up surgical interventions; "Take a Pill" looks at pharmacology; and "Intensify It" examines positions that embrace pain. Each section comprises original artwork, scholarly analyses, poetic and literary texts, and discussions by activists. Hailing from the university, the gallery, and the community organization, the authors—as TV watchers, recreational drug users, recipients of medical attention, caregivers, midwives, or the HIV positive—inhabit and reconfigure our contemporary painscape, offering a new approach to the puzzle of pain. Contributors: Charles R. Acland; Barbara McGill Balfour; Isabelle Brabant; Stephen Busby; Millie Chen; Michael Fernandes; Bob Flanagan; Thyrza Nichols Goodeve; Marie-Paule Macdonald; Ronald Melzack; Margaret Morse; Celeste Olalquiaga; John O''Neill; Gerard Päs; Elsie Petch; D. L. Pughe; Julia Scher; Cathy Sisler; Johanne Sloan; Jana Sterbak; Fred Tomaselli; Patrick D. Wall; Theodore Wan; Gregory Whitehead; Fred Wilson. When Pain Strikes is published in collaboration with the Banff Centre for the Arts.

DKK 472.00
1

Brown Threat - Kumarini Silva - Bog - University of Minnesota Press - Plusbog.dk

Brown Threat - Kumarini Silva - Bog - University of Minnesota Press - Plusbog.dk

What is “brown” in—and beyond—the context of American identity politics? How has the concept changed since 9/11? In the most sustained examination of these questions to date, Kumarini Silva argues that “brown” is no longer conceived of solely as a cultural, ethnic, or political identity. Instead, after 9/11, the Patriot Act, and the wars in Iran, Iraq, and Afghanistan, it has also become a concept and, indeed, a strategy of identification—one rooted in xenophobic, imperialistic, and racist ideologies to target those who do not neatly fit or subscribe to ideas of nationhood. Interweaving personal narratives, ethnographic research, analyses of popular events like the Miss America pageant, and films and TV shows such as the Harold and Kumar franchise and Black-ish, Silva maps junctures where the ideological, political, and mediated terrain intersect, resulting in an appetite for all things “brown” (especially South Asian brown) by U.S. consumers, while political and nationalist discourses and legal structures (immigration, emigration, migration, outsourcing, incarceration) conspire to control brown bodies both within and outside the United States. Silva explores this contradictory relationship between representation and reality, arguing that the representation mediates and manages the anxieties that come from contemporary global realities, in which brown spaces, like India, Pakistan, and the Middle East pose key economic, security, and political challenges to the United States. While racism is hardly new, what makes this iteration of brown new is that anyone or any group, at any time, can be branded as deviant, as a threat.

DKK 228.00
1

Racing Uphill - Stacia Kalinoski - Bog - University of Minnesota Press - Plusbog.dk

Racing Uphill - Stacia Kalinoski - Bog - University of Minnesota Press - Plusbog.dk

The candid, inspiring story of a woman’s experience with a chronic, unpredictable neurological condition When twenty-nine-year-old reporter Stacia Kalinoski regained consciousness on a couch at the TV station where she worked, she assumed that she’d had another seizure. But the electrical storm that had just torn through her brain was more destructive than she could have imagined, and the broadcast journalism career she loved swiftly came to an end. Forced to confront the reality of her medical condition, Kalinoski made the risky decision to undergo brain surgery, targeting the epilepsy that was ravaging her life. In Racing Uphill, Kalinoski describes the seizures that occurred while she was running, which led to her pursuit of an uncertain cure. Rallying the grit she developed as an athlete and engaging the research and reporting skills she acquired as a journalist, she gives us a rare inside look at the ways epilepsy can change a life. Moving beyond her own personal experience, Kalinoski interviews prominent epileptologists to understand how seizures can spread, steal memories, and create strange behaviors and mood disorders. She seamlessly joins what she learned from her research with her own story, offering valuable insight into the experience of grappling with a relentless neurological disease. The vivid auras that preceded seizures and the damage that followed; the toll of her epilepsy on her family and loved ones; the extraordinary determination her reckoning required—these are all part of Kalinoski’s story of adversity, denial, acceptance, and resilience. In sharing the remarkable opportunity that epilepsy presented for her courage and growth, Stacia Kalinoski speaks to anyone facing an uphill battle and offers inspiration for taking control of one’s own health.

DKK 193.00
1

The Lost Brothers - Jack El Hai - Bog - University of Minnesota Press - Plusbog.dk

The Lost Brothers - Jack El Hai - Bog - University of Minnesota Press - Plusbog.dk

The dread, the drama, and the hope of a break in one of the country’s oldest active missing-child investigations On a cold November afternoon in 1951, three young boys went out to play in Farview Park in north Minneapolis. The Klein brothers—Kenneth Jr., 8; David, 6; and Danny, 4—never came home. When two caps turned up on the ice of the Mississippi River, investigators concluded that the boys had drowned and closed the case. The boys’ parents were unconvinced, hoping against hope that their sons would still be found. Sixty long years would pass before two sheriff’s deputies, with new information in hand and the FBI on board, could convince the Minnesota Bureau of Criminal Apprehension to reopen the case. This is the story of that decades-long ordeal, one of the oldest known active missing-child investigations, told by a writer whose own research for an article in 1998 sparked new interest in the boys’ disappearance. Beginning in 2012, when deputies Jessica Miller and Lance Salls took up the Kleins’ cause, author Jack El-Hai returns to the mountain of clues amassed through the years, then follows the trail traced over time by the boys’ indefatigable parents, right back to those critical moments in 1951. Told in brisk, longform journalism style, The Lost Brothers captures the Kleins’ initial terror and confusion but also the unstinting effort, with its underlying faith, that carried them from psychics to reporters to private investigators and TV producers—and ultimately produced results that cast doubt on the drowning verdict and even suggested possible suspects in the boys’ abduction. An intimate portrait of a parent’s worst nightmare and its terrible toll on a family, the book is also a genuine mystery, spinning out suspense at every missed turn or potential lead, along with its hope for resolution in the end.

DKK 170.00
1