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Testing Fate - Shelley Z. Reuter - Bog - University of Minnesota Press - Plusbog.dk

Testing Fate - Shelley Z. Reuter - Bog - University of Minnesota Press - Plusbog.dk

In today’s world, responsible biocitizenship has become a new way of belonging in society. Individuals are expected to make “responsible” medical choices, including the decision to be screened for genetic disease. Paradoxically, we have even come to see ourselves as having the right to be responsible vis-à-vis the proactive mitigation of genetic risk. At the same time, the concept of genetic disease has become a new and powerful way of defining the boundaries between human groups. Tay-Sachs, an autosomal recessive disorder, is a case in point—with origins in the period of Eastern European Jewish immigration to the United States and United Kingdom that spanned the late nineteenth and early twentieth centuries, it has a long and fraught history as a marker of Jewish racial difference. In Testing Fate, Shelley Z. Reuter asks: Can the biocitizen, especially one historically defined as a racialized and pathologized Other, be said to be exercising authentic, free choice in deciding whether to undertake genetic screening? Drawing on a range of historical and contemporary examples—doctors’ medical reports of Tay-Sachs since the first case was documented in 1881, the medical field’s construction of Tay-Sachs as a disease of Jewish immigrants, YouTube videos of children with Tay-Sachs that frame the disease as tragic disability avoidable through a simple genetic test, and medical malpractice suits since the test for the disease became available—Reuter shows that true agency in genetic decision-making can be exercised only from a place of cultural inclusion. Choice in this context is in fact a kind of unfreedom—a moral duty to act that is not really agency at all.

DKK 707.00
1

Swedish Folktales And Legends - George Blecher - Bog - University of Minnesota Press - Plusbog.dk

Swedish Folktales And Legends - George Blecher - Bog - University of Minnesota Press - Plusbog.dk

A unique collection of Sweden’s most charming folktales Swedish Folktales and Legends is a diverse and representative collection of stories from Sweden’s centuries-old folklore tradition. Ranging from the ribald to the romantic, from the rustic to the mythical, these are lively translations of 150 tales drawn from unique sources including the Swedish National Folklore Archives and numerous private collections, while the humorous and dramatic illustrations are gathered from classic volumes of Swedish folktales. Lone Thygesen Blecher’s engaging introduction details the purpose and background of folktales and legends as well as the history of their collection. This distinctive selection presents the storytelling artistry of Sweden’s lush folkloric tradition.

DKK 178.00
1

A Natural Curiosity - Don Luce - Bog - University of Minnesota Press - Plusbog.dk

A Natural Curiosity - Don Luce - Bog - University of Minnesota Press - Plusbog.dk

A richly illustrated tour of Minnesota’s premier natural history museum after 150 years From its humble start in 1872 as a one-room cabinet of curiosities, the University of Minnesota’s Bell Museum of natural history has grown to be one of the state’s most important cultural institutions. Within its walls are displayed the natural wonders of Minnesota and the world beyond, a standing invitation to explore, understand, and appreciate our natural environment—and, for visitors of all ages, both seasoned observers and curious onlookers, to experience the delight of discovery. A Natural Curiosity is a tale well told, a lively ride across 150 years of important scientific advancement. Drawing on a wealth of materials unearthed during the museum’s recent move to its new building, this gorgeously illustrated book chronicles the remarkable discoveries, moments, and personalities that have made the Bell Museum what it is today. Among the stories of ornithologists, botanists, tycoons, and conservationists, readers will encounter the magnificent dioramas created by renowned artist Francis Lee Jaques, the adventures behind some of the Bell’s more curious specimens (like the bones of Philippine orangutans and moonrats, a high-flying moose, and a simple fungi sample that saved a man’s life), and the dramatic accounts of the critical advances made by the museum in wildlife telemetry, conservation biology, and scientific learning—all in defense of our planet’s threatened biodiversity. In a photographic finale, readers will be treated to a tour of the new, reimagined museum, complete with the planetarium that inspired one Minnesota boy to become a NASA astronaut. From its conception as part of a state-mandated geological and natural history survey, to its most recent ventures into technology, environmental science, and DNA sequencing, the Bell Museum has informed, explained, and expanded our relationship to the natural world. Its story, engagingly told in A Natural Curiosity, reveals and explores the profound changes undergone by society, science, and the natural landscape over the museum’s lifetime.

DKK 312.00
1

Homes in the Heartland - Fred W. Peterson - Bog - University of Minnesota Press - Plusbog.dk

Homes in the Heartland - Fred W. Peterson - Bog - University of Minnesota Press - Plusbog.dk

Available for the first time in paperback and with a new preface, Homes in the Heartland offers a captivating explanation of the revolutionary balloon frame house construction that swept across Minnesota, Iowa, North Dakota, South Dakota, and Wisconsin from 1850 to 1920, enabling the settlers of the upper Midwest to build affordable permanent structures in which to establish frontier homes. Featuring more than 150 illustrations, including photographs and house plans, Fred W. Peterson leads readers through the technical aspects of farmhouse construction and discusses the social, economic, and aesthetic values of these familiar homes. Together these narratives provide a fascinating window into the lives of the people who occupied these houses. As the American Historical Review says, “Peterson demonstrates the potential and use of architecture for the purposes of writing social history.” Fred W. Peterson retired in 1999 from teaching art history at the University of Minnesota, Morris. He lives in Salisbury, Maryland.

DKK 229.00
1

Entry Denied - Eithne Luibheid - Bog - University of Minnesota Press - Plusbog.dk

Entry Denied - Eithne Luibheid - Bog - University of Minnesota Press - Plusbog.dk

A revelatory examination of 150 years of sexuality-based discrimination against immigrants to the United States. Lesbians, prostitutes, women likely to have sex across racial lines, "brought to the United States for immoral purposes," or "arriving in a state of pregnancy"—national threats, one and all. Since the late nineteenth century, immigrant women’s sexuality has been viewed as a threat to national security, to be contained through strict border-monitoring practices. By scrutinizing this policy, its origins, and its application, Eithne Luibhéid shows how the U.S. border became a site not just for controlling female sexuality but also for contesting, constructing, and renegotiating sexual identity. Initially targeting Chinese women, immigration control based on sexuality rapidly expanded to encompass every woman who sought entry to the United States. The particular cases Luibhéid examines-efforts to differentiate Chinese prostitutes from wives, the 1920s exclusion of Japanese wives to reduce the Japanese-American birthrate, the deportation of a Mexican woman on charges of lesbianism, the role of rape in mediating women’s border crossings today—challenge conventional accounts that attribute exclusion solely to prejudice or lack of information. This innovative work clearly links sexuality-based immigration exclusion to a dominant nationalism premised on sexual, gender, racial, and class hierarchies.

DKK 203.00
1

Entry Denied - Eithne Luibheid - Bog - University of Minnesota Press - Plusbog.dk

Entry Denied - Eithne Luibheid - Bog - University of Minnesota Press - Plusbog.dk

A revelatory examination of 150 years of sexuality-based discrimination against immigrants to the United States. Lesbians, prostitutes, women likely to have sex across racial lines, "brought to the United States for immoral purposes," or "arriving in a state of pregnancy"—national threats, one and all. Since the late nineteenth century, immigrant women’s sexuality has been viewed as a threat to national security, to be contained through strict border-monitoring practices. By scrutinizing this policy, its origins, and its application, Eithne Luibhéid shows how the U.S. border became a site not just for controlling female sexuality but also for contesting, constructing, and renegotiating sexual identity. Initially targeting Chinese women, immigration control based on sexuality rapidly expanded to encompass every woman who sought entry to the United States. The particular cases Luibhéid examines-efforts to differentiate Chinese prostitutes from wives, the 1920s exclusion of Japanese wives to reduce the Japanese-American birthrate, the deportation of a Mexican woman on charges of lesbianism, the role of rape in mediating women’s border crossings today—challenge conventional accounts that attribute exclusion solely to prejudice or lack of information. This innovative work clearly links sexuality-based immigration exclusion to a dominant nationalism premised on sexual, gender, racial, and class hierarchies.

DKK 472.00
1

Fresh from the Garden - John Whitman - Bog - University of Minnesota Press - Plusbog.dk

Fresh from the Garden - John Whitman - Bog - University of Minnesota Press - Plusbog.dk

Fresh is simply best. To get the tastiest, most nutritious produce, you have to grow your own, and in a cold climate this presents unique challenges. Fresh from the Garden will help you extend the growing season to produce the best vegetables, berries, and herbs, right in your own backyard. The guide includes more than 150 edible plants and helps you decide which varieties to choose; where and how to plant, tend, and harvest them; and what to do with your bounty. Fresh from the Garden is a clear, concise guide, with nutrition information tables and hundreds of helpful color photographs. Drawing on more than fifty years of gardening—and nearly as many years writing on the subject—John Whitman describes various methods of planting to make the most of different sites, whether in containers, raised beds, or on level ground, and takes into consideration the abbreviated growing season and longer summer days. He discusses the merits of starting from seed indoors or outdoors, the making and uses of compost, and measures for keeping a garden healthy, from mulching and fertilizing to crop rotation and winter protection. Included in his wealth of knowledge is a generous listing of more than 1,700 varieties of vegetables, berries, and herbs, from the best known to the highly unusual, including hybrid and heirloom varieties. He covers the specifics of cultivation, nutritional values, storage techniques, and culinary usage. Dedicated to organic practices, for the health of gardener and garden alike, the information and advice in Fresh from the Garden will enrich the experience of cold climate gardeners.

DKK 380.00
1

Opposition by Imitation - Christina Jerne - Bog - University of Minnesota Press - Plusbog.dk

Opposition by Imitation - Christina Jerne - Bog - University of Minnesota Press - Plusbog.dk

Defying the mafia with everyday acts of resistance For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia’s to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 234.00
1

Opposition by Imitation - Christina Jerne - Bog - University of Minnesota Press - Plusbog.dk

Opposition by Imitation - Christina Jerne - Bog - University of Minnesota Press - Plusbog.dk

Defying the mafia with everyday acts of resistance For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia’s to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 1054.00
1

Alternative Art New York, 1965-1985 - Julie Ault - Bog - University of Minnesota Press - Plusbog.dk

Alternative Art New York, 1965-1985 - Julie Ault - Bog - University of Minnesota Press - Plusbog.dk

A multifaceted history of New York’s influential alternative art scene during a time of rapid social change. By the mid-1960s, New York’s art establishment-its major museums and galleries-had ceased to reflect the city’s diversity and had largely ignored the decade’s social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organizations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. This alternative art movement flourished for more than two decades, repositioning New York at the center of international contemporary art. Alternative Art New York brings together a diverse group of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene from a variety of perspectives: political, philosophical, organizational, economic, and aesthetic. Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiqués, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy. Contributors: Martin Beck; Juli Carson, UCLA; Jim Cornwell; David Deitcher, Cooper Union; Arlene Goldbard; Miwon Kwon, UCLA; Lucy R. Lippard; Alan Moore; Brian Wallis, International Center of Photography. Published in collaboration with The Drawing Center, New York.

DKK 254.00
1

Everyone Had Cameras - Richard Steven Street - Bog - University of Minnesota Press - Plusbog.dk

Everyone Had Cameras - Richard Steven Street - Bog - University of Minnesota Press - Plusbog.dk

The relationship between California farmworkers and the photographers who have documented their livesAmerican photographers have been fascinated by the lives of California farmworkers since the time of the daguerreotype. From the earliest Gold Rush–era images and the documentary photographs taken during the Great Depression to digital images today, photographers and farmworkers in California have had a complicated and continuously changing bond. In Everyone Had Cameras, Richard Steven Street provides a comprehensive history of the significant presence of California farmworkers in the visual culture of America. Street’s account spans 150 years and sheds a new perspective on some of America’s photographic masters, such as Carleton E. Watkins, Ansel Adams, and Dorothea Lange, and brings to light heretofore unknown and unheralded work by perceptive amateurs, socially committed journeymen, digital documentarians, commercial propagandists, and left-wing critics. Through their artistry, these figures powerfully revealed—and at times obscured—the human cost of industrial agriculture and cheap food. Photographers are deeply embedded in the farmworker story, Street shows, and it cannot be understood without paying attention to their ever-evolving vision. Indeed, cameras are so prevalent on picket lines and at strikes and demonstrations that it is normal to see not only photojournalists but also police, protesters, and growers awaiting a decisive—or incriminating—moment to capture. Deftly weaving the remarkable diversity of field photography into this story of labor activism, Everyone Had Cameras establishes a new history of California photography while chronicling the impact that this visual medium—called by some the common currency of modern dialogue—has had on a vast, dispossessed class of American workers.

DKK 287.00
1

Oil Culture - - Bog - University of Minnesota Press - Plusbog.dk

Oil Culture - - Bog - University of Minnesota Press - Plusbog.dk

In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown , Bernardo Bertolucci’s La Via del Petrolio , and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

DKK 254.00
1

California Mission Landscapes - Elizabeth Kryder Reid - Bog - University of Minnesota Press - Plusbog.dk

California Mission Landscapes - Elizabeth Kryder Reid - Bog - University of Minnesota Press - Plusbog.dk

“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history? California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do. Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.

DKK 287.00
1

California Mission Landscapes - Elizabeth Kryder Reid - Bog - University of Minnesota Press - Plusbog.dk

California Mission Landscapes - Elizabeth Kryder Reid - Bog - University of Minnesota Press - Plusbog.dk

“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history? California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do. Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.

DKK 900.00
1

The Complete and Original Norwegian Folktales of Asbjørnsen and Moe - Jorgen Moe - Bog - University of Minnesota Press - Plusbog.dk

The Complete and Original Norwegian Folktales of Asbjørnsen and Moe - Jorgen Moe - Bog - University of Minnesota Press - Plusbog.dk

A new, definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales. Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian. Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century. The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

DKK 312.00
1

Cultural Landscapes - - Bog - University of Minnesota Press - Plusbog.dk

Cultural Landscapes - - Bog - University of Minnesota Press - Plusbog.dk

Preservation has traditionally focused on saving prominent buildings of historical or architectural significance. Preserving cultural landscapes-the combined fabric of the natural and man-made environments-is a relatively new and often misunderstood idea among preservationists, but it is of increasing importance. The essays collected in this volume-case studies that include the Little Tokyo neighborhood in Los Angeles, the Cross Bronx Expressway, and a rural island in Puget Sound-underscore how this approach can be fruitfully applied. Together, they make clear that a cultural landscape perspective can be an essential underpinning for all historic preservation projects. Contributors: Susan Calafate Boyle, National Park Service; Susan Buggey, U of Montreal; Michael Caratzas, Landmarks Preservation Commission (NYC); Courtney P. Fint, West Virginia Historic Preservation Office; Heidi Hohmann, Iowa State U; Hillary Jenks, USC; Randall Mason, U Penn; Robert Z. Melnick, U of Oregon; Nora Mitchell, National Park Service; Julie Riesenweber, U of Kentucky; Nancy Rottle, U of Washington; Bonnie Stepenoff, Southeast Missouri State U. Richard Longstreth is professor of American civilization and director of the graduate program in historic preservation at George Washington University.

DKK 237.00
1

A to Zaao - Nate Christopherson - Bog - University of Minnesota Press - Plusbog.dk

A to Zaao - Nate Christopherson - Bog - University of Minnesota Press - Plusbog.dk

A playful picture-book tour of the Swedish alphabet, in which curious characters explore the American Swedish Institute A is for “Akta dig! Look out!” And when you do, you’ll see the nyckelharpa, or keyed fiddle, that Axel’s father made—which followed Axel from Sweden to America. You’ll also find Axel, a snappy dresser, with his umbrella and bowler hat. He’s one of the inquisitive characters who will accompany you on these pages, guiding you through the twenty-nine letters of the Swedish alphabet. Each letter does something exciting. C is “Cirkulera! Go round and round!” And for D, “Dansa! Dance!”This fun introduction to the Swedish alphabet, a romp from A to Z (and then Å to Ä to Ö), is also a delightful tour of the American Swedish Institute in Minneapolis, a cultural center alive with stories past and present. Artifacts from the museum’s collection are charmingly rendered in watercolor and animated by whimsical pen-and-ink characters that draw readers from page to page. Tara Sweeney and Nate Christopherson, a mother and son collaborative team, create magical realism in A to Zåäö, their first picture book. Their irreverent curiosity delights and begs a timeless question—how can exploration and discovery help us grow?

DKK 220.00
1

Sounds from the Other Side - Elliott H. Powell - Bog - University of Minnesota Press - Plusbog.dk

Sounds from the Other Side - Elliott H. Powell - Bog - University of Minnesota Press - Plusbog.dk

A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

DKK 674.00
1

Sounds from the Other Side - Elliott H. Powell - Bog - University of Minnesota Press - Plusbog.dk

Sounds from the Other Side - Elliott H. Powell - Bog - University of Minnesota Press - Plusbog.dk

A sixty-year history of Afro–South Asian musical collaborations From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s. Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States. The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.

DKK 220.00
1

The Slumbering Masses - Matthew J. Wolf Meyer - Bog - University of Minnesota Press - Plusbog.dk

The Slumbering Masses - Matthew J. Wolf Meyer - Bog - University of Minnesota Press - Plusbog.dk

Americans spend billions of dollars every year on drugs, therapy, and other remedies trying to get a good night’s sleep. Anxieties about not getting enough sleep and the impact of sleeplessness on productivity, health, and happiness pervade medical opinion, the workplace, and popular culture. In The Slumbering Masses , Matthew J. Wolf-Meyer addresses the phenomenon of sleep and sleeplessness in the United States, tracing the influence of medicine and industrial capitalism on the sleeping habits of Americans from the nineteenth century to the present. Before the introduction of factory shift work, Americans enjoyed a range of sleeping practices, most commonly two nightly periods of rest supplemented by daytime naps. The new sleeping regimen—eight uninterrupted hours of sleep at night—led to the pathologization of other ways of sleeping. Arguing that the current model of sleep is rooted not in biology but in industrial capitalism’s relentless need for productivity, The Slumbering Masses examines so-called Z-drugs that promote sleep, the use of both legal and illicit stimulants to combat sleepiness, and the contemporary politics of time. Wolf-Meyer concludes by exploring the extremes of sleep, from cases of perpetual sleeplessness and the use of the sleepwalking defense in criminal courts to military experiments with ultra-short periods of sleep. Drawing on untapped archival sources and long-term ethnographic research with people who both experience and treat sleep abnormalities, Wolf-Meyer analyzes and sharply critiques how sleep and its supposed disorders are understood and treated. By recognizing the variety and limits of sleep, he contends, we can establish more flexible expectations about sleep and, ultimately, subvert the damage of sleep pathology and industrial control on our lives.

DKK 186.00
1

Mixed Realism - Timothy J. Welsh - Bog - University of Minnesota Press - Plusbog.dk

Mixed Realism - Timothy J. Welsh - Bog - University of Minnesota Press - Plusbog.dk

Mixed Realism is about how we interact with media. Timothy J. Welsh shows how videogames, like novels, both promise and trouble experiences of “immersion.” His innovative methodology offers a new understanding of the expanding role of virtuality in contemporary life. Today’s wired culture is a mixed reality, conducted as exchanges between virtual and material contexts. We make balance transfers at an ATM, update Facebook timelines, and squeeze in sessions of Angry Birds on the subway. However, the “virtual” is still frequently figured as imaginary, as opposed to “real.” The vision of 1990s writers of a future that would pit virtual reality against actual reality has never materialized, yet it continues to haunt cultural criticism. Our ongoing anxiety about immersive media now surrounds videogames, especially “shooter games,” and manifests as a fear that gamers might not know the difference between the virtual world and the real world. As Welsh notes, this is the paradox of real virtuality. We understand that the media-generated virtualities that fill our lives are not what they represent. But what are they if they are not real? Do they have presence, significance, or influence exceeding their material presence and the user processes that invoke them? What relationships do they establish through and beyond our interactions with them? Mixed Realism brims with fresh analyses of literary works such as Truman Capote’s In Cold Blood and Mark Z. Danielewski’s House of Leaves , along with sustained readings of controversial videogames such as Super Columbine Massacre and Call of Duty: Modern Warfare 2 . Continually connecting the dots between surprising groupings of texts and thinkers, from David Foster Wallace to the cult-classic videogame Eternal Darkness and from Cormac McCarthy to Grand Theft Auto , it offers a fresh perspective on both digital games and contemporary literature.

DKK 782.00
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